Casablanca (2-Disc Special Edition) (1942)

Entertainment Weekly
"...One of the most perfect Hollywood movies ever made..." 08/08/2003 p.57

Total Film
"Possibly the most famous film ever made, CASABLANCA has everything..." 07/01/2000 p.118

Premiere
"...Here Humphrey Bogart transformed himself into a romantic hero..." 12/01/2003 p.5

Sight and Sound
"Ingrid Bergman and Humphrey Bogart provide the chemistry that sets this apart from countless other tales of doomed wartime love affairs." 03/01/2004 p.75

Leonard Maltin's Movie & Video Guide 10 of 10
Everything is right in this WW2 classic of war-torn Casablanca with elusive nightclub owner Rick (Bogart) finding old flame (Bergman) and her husband, underground leader Henreid, among skeletons in his closet. Rains is marvelous as dapper police chief, and nobody sings "As Time Goes By" like Dooley Wilson. Three Oscars include Picture, Director, and Screenplay (Julius & Philip Epstein and Howard Koch)... - Leonard Maltin
 
ReelViews 10 of 10
It's probably no stretch to say that Casablanca, arguably America's best-loved movie, has had more words written about it than any other motion picture. Over the years since its 1943 release, the legends and rumors surrounding the making of the film have generated almost as much attention as the finished product. Some of the best-known and most often repeated anecdotes include producer Hal B. Wallis' near-casting of Ronald Reagan and Ann Sheridan as Rick and Ilsa, the existence of two scripts for the last day of shooting (one version had the ending as filmed; the other, unproduced version kept Rick and Ilsa together), and the reported backstage tension between several of the principal actors...Ultimately, however, while it's fascinating to examine and dissect all that went into the making of Casablanca, the greatest pleasure anyone can derive from this movie comes through simply watching it. Aside from some basic knowledge of recent world history, little background is needed to appreciate the strength and power of the film...From time-to-time, someone tries to remake the film, but even the best re-tread has been less than a pale shadow of the original. The most recent serious attempt was Havana, Sydney Pollack's ill-advised misfire (incidentally, the word "serious" rules out Barb Wire). Despite a good cast (Robert Redford, Lena Olin, Raul Julia) and a change in venue, this is clearly an updated Casablanca, and Casablanca isn't Casablanca without Bogart and Bergman. So, although just about everyone involved with this legendary motion picture has departed this life, the film itself has withstood the test of more than a half-century to rise, like cream, to the top. One can only imagine that, in another fifty years, its position in the hierarchy of all-time greats will be even higher. - James Berardinelli
 
Chicago Sun-Times 10 of 10
If we identify strongly with the characters in some movies, then it is no mystery that ``Casablanca'' is one of the most popular films ever made. It is about a man and a woman who are in love, and who sacrifice love for a higher purpose. This is immensely appealing; the viewer is not only able to imagine winning the love of Humphrey Bogart or Ingrid Bergman, but unselfishly renouncing it, as a contribution to the great cause of defeating the Nazis...Stylistically, the film is not so much brilliant as absolutely sound, rock-solid in its use of Hollywood studio craftsmanship. The director, Michael Curtiz, and the writers (Julius J. Epstein, Philip G. Epstein and Howard Koch) all won Oscars. One of their key contributions was to show us that Rick, Ilsa and the others lived in a complex time and place. The richness of the supporting characters (Greenstreet as the corrupt club owner, Lorre as the sniveling cheat, Rains as the subtly homosexual police chief and minor characters like the young girl who will do anything to help her husband) set the moral stage for the decisions of the major characters...Seeing the film over and over again, year after year, I find it never grows over-familiar. It plays like a favorite musical album; the more I know it, the more I like it. The black-and-white cinematography has not aged as color would. The dialogue is so spare and cynical it has not grown old-fashioned. Much of the emotional effect of ``Casablanca'' is achieved by indirection; as we leave the theater, we are absolutely convinced that the only thing keeping the world from going crazy is that the problems of three little people do after all amount to more than a hill of beans. - Roger Ebert