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Features: DVD, Widescreen, Aspect Ratio 1.85:1, Color, Black & White, Collector's Edition, Theatrical Version, Trailers
Mr. Personality? Or Mr. Personality disorder? Find out in Woody Allen's madcap mockumentary about an identity crisis of hilarious proportions! Thematically intricate, technically complex and filled with some of the most astonishing special effects ever, Zelig is "pure magic" (Newsweek)! Nominated for two Oscars, this "work of breathtaking virtuosity" (Playboy) is further proof that Allen "is the premier American filmmaker of his day" (The New York Times)! Leonard Zelig (Allen) is a social quick-change artist whose neurotic insecurity forces him to mimic--mentally and physically--whomever he's with. Treated by Dr. Eudora Fletcher (Farrow), Zelig is slowly cured, and in the process goes from side-show freak to national celebrity--to Eudora's fiance! But when misdeeds from Zelig's multiple-personality past start to surface (larceny, bigamy and an unauthorized appendectomy), the human chameleon is on the run again, and Eudora must search the world over to find--and save--the only man who's every man she ever wanted!
"Pure gold." Gene Shalit, The Today Show
"Uproariously funny! A cinematic marvel!" The New York Times
Editor's Note
Perhaps the most unique film of his career, Woody Allen's ZELIG not only stands as a technical triumph for a director not often associated with the technological aspect of filmmaking, but also utilizes a documentary aesthetic that Allen has not often used before or since. One of the first major mockumentaries produced (it was released a year before THIS IS SPINAL TAP), ZELIG combines voice-over, footage both historical and faux-historical, and staged interviews with famous intellectuals to tell the story of Leonard Zelig (Allen), the "Chameleon Man" of the 1920s and '30s who has since been largely forgotten. Zelig creates a media sensation when he is discovered, for he seems to have the unique ability to transform himself to fit in with whomever he finds himself--when encountering Greeks, he becomes Greek; surrounded by fat men, he becomes heftier. But his condition leaves him open to exploitation, and the only person who believes in him is ambitious psychologist Eudora Fletcher (Mia Farrow). Technologically the film is a marvel, especially when the production history is taken into account. Allen wanted the film to appear genuinely from the period, and the footage shot was reportedly captured on equipment used during the 1920s. Even more astonishing is the manner in which Allen and other cast members were smoothly integrated into old photographs and film footage, some with distinguished historical figures, years before the advent of seamless digital techniques and over a decade before a similar strategy was used in FORREST GUMP. The setting and the aim for verisimilitude allow Allen to explore one of the most serious themes of his career: the assimilation of Jews and other immigrant groups into American culture, although the subject is still tempered by his intelligent verbal wit (for example, the voiceover explains: "As a boy, Leonard Zelig is frequently bullied by anti-Semites. His parents, who never take his part and blame him for everything, side with the anti-Semites"). Allen sees this desire for assimilation as a necessary part of cultural inclusion, but recognizes its dangers, as being a "Chameleon Man" seems only one step away from outright fascism.
| Features | Audio: English Mono | | Subtitles: English, French, Spanish | | Widescreen Version, Enhanced For 16X9 TVs | | Collectible Booklet | | Original Theatrical Trailer |
| Technical Info
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Release Information
| | Studio: MGM |
| Release Date: 9/7/2004 |
| Running Time: 79 minutes |
| Original Release Date: 1983 | | Catalog ID: 1001749 | | UPC: 00027616860491 | | Number of Discs: 1 |
Audio & Video
| | Original Language: English | | Available Audio Tracks: English, Spanish Dubbed | | Available Subtitles: English, French, Spanish | | Video: B&W |
Aspect Ratio | | 1.85:1 |
| Cast & Crew
| Awards |
Oscar (1984) | | | Gordon Willis, Nominee, Best Cinematography | | | Santo Loquasto, Nominee, Best Costume Design | |
Golden Globe (1984) | | | Woody Allen, Nominee, Best Actor--Comedy/ Musical |
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| | Professional Reviews | Sight and Sound
"...ZELIG is full of frantic invention [and] distinguishing lyrical whimsicality..." 09/01/1983 p.283New York Times
"...Technically, ZELIG is something of a cinematic marvel....Woody Allen's triumph..." 07/15/1983 p.C8 New York Times
Included in The New York Times "10 BEST FILMS OF 1983" 12/25/1983 p.II:15 Variety
"...Uniquely conceived and subtly entertaining....Technically, ZELIG is a masterwork..." 07/13/1983 |
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