| Product Summary | | Label: Universal Music Group | | UPC: 00602527119861 | | Release Date: 9/29/2009 | | Buy.com Sku: 211937690 | | Item#: M4R3GY | | Buy.com Sales Rank: 2060 | Format: CD |
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| Song Listing |  |
Disc 1
| | Song Title | Sample | | 1. Igloo ~ Karen O & the Kids |  | | 2. All is Love ~ Karen O & the Kids |  | | 3. Capsize ~ Karen O & the Kids |  | | 4. Worried Shoes ~ Karen O & the Kids |  | | 5. Rumpus ~ Karen O & the Kids |  | | 6. Rumpus (Reprise) ~ Karen O & the Kids |  | | 7. Hideaway ~ Karen O & the Kids |  | | 8. Cliffs ~ Karen O & the Kids |  | | 9. Animal ~ Karen O & the Kids |  | | 10. Lost Fur ~ Karen O & the Kids |  | | 11. Heads Up ~ Karen O & the Kids |  | | 12. Building All is Love ~ Karen O & the Kids |  | | 13. Food is Still Hot ~ Karen O & the Kids |  | | 14. Sailing Home ~ Karen O & the Kids |  |
| | Inside Karen O is a Wild Thing - as singer for the Grammy-nominated Yeah Yeah Yeahs, her wild thing is in your face, vulnerable, obnoxious, tender, exciting... a self-proclaimed "spazoid." To Oscar-nominated Where the Wild Things Are director Spike Jonze, however, Karen O and her music possess something of a child-like innocence, a guileless charm that put her exactly on the right emotional wavelength to sonically capture the film, be it a tender moment or a wild rumpus.
To compose the music, O enlisted friends and fellow musicians she believed had a musical intuition that would bolster her intent to marry sound to vision. Dubbed Karen O and the Kids, these include Tristan Bechet (Services), Tom Biller (co-producer with Karen O and member of Afternoons), Bradford Cox (Deerhunter), Brian Chase (Yeah Yeah Yeahs), Dean Fertita (Queens of the Stone Age, The Dead Weather, The Raconteurs), Aaron Hemphill (Liars), Greg Kurstin (The Bird and the Bee), Jack Lawrence (The Dead Weather, The Raconteurs, The Greenhornes), Oscar Michel (Gris Gris), Imaad Wasif (New Folk Implosion, Alaska), Nick Zinner, (Yeah Yeah Yeahs) and an untrained children's choir.
| | Album Notes and Credits | Notes & Personnel Info |  | Audio Mixer: Thriller. |  | For the WHERE THE WILD THINGS ARE's soundtrack, director Spike Jonze recruited former girlfriend and frequent collaborator Karen O of the Yeah Yeah Yeahs. In turn, O drafted a who's who of indie rock talent, among them her chief co-writers Bradford Cox of Deerhunter and Yeah Yeah Yeahs associate Imaad Wasif and her bandmates Brian Chase and Nick Zinner, all of whom perform under the aptly storybook name Karen O & the Kids. With their help, O uncovers new musical directions. Wildness abounds in her work with the Yeah Yeah Yeahs and Native Korean Rock, but neither band's music is particularly childlike. Here, she taps into a rainbow of youthful expression, from "All Is Love"'s pure joy to the tribal festivity of "Rumpus" to "Animal"'s feral folk, which puts O's ferocious scream in a completely different context than her other work. Yet on "Igloo" and "Sailing Home," her voice is gentler than it's been almost anywhere else--the only other time she has sounded so soft is on "Hello Tomorrow," the song she wrote for Jonze's 2005 Nike television commercial. Likewise, despite the wealth of indie rockers on it, WHERE THE WILD THINGS ARE rarely sounds self-consciously indie, even on the cover of Daniel Johnston's "Worried Shoes." Cox's xylophone gives the album a dreamlike feel, particularly on "Rumpus Reprise," while Zinner's guitar is unmistakable on the excellent "Capsize," which moves from a fierce tantrum to sweeping mystery like its own self-contained story. Balancing abstract pieces with more attention-getting pop songs like the adorable "Heads Up," WHERE THE WILD THINGS ARE doesn't resemble a typical children's film soundtrack, although it will make a great first soundtrack for kids' music collections. Neither a straightforward score nor a collection of kid-friendly indie rock songs, it lies somewhere intriguingly in between--and it's just as good, if not better, than the music these artists make with their main projects. |  | Maurice Sendak's Where the Wild Things Are means so much to so many generations that Spike Jonze's film adaptation couldn't be just a typical kids' movie -- it had to be a movie for the entire family. And on every part of the production, Jonze worked with artists so close to him that they might as well have been a family: while bringing the book's story to the big screen, he developed a tight friendship with Sendak; for Where the Wild Things Are's music, Jonze recruited former lover and frequent collaborator Karen O of the Yeah Yeah Yeahs. In turn, O drafted a who's who of indie rock talent, among them her chief co-writers Bradford Cox of Deerhunter and Yeah Yeah Yeahs associate Imaad Wasif and her bandmates Brian Chase and Nick Zinner, all of whom perform under the aptly storybook name Karen O & the Kids. With their help, O uncovers new musical directions. Wildness abounds in her work with the Yeah Yeah Yeahs and Native Korean Rock, but neither band's music is particularly childlike. Here, she taps into a rainbow of youthful expression, from "All Is Love"'s pure joy to the tribal festivity of "Rumpus" to "Animal"'s feral folk, which puts O's ferocious scream in a completely different context than her other work. Yet on "Igloo" and "Sailing Home," her voice is gentler than it's been almost anywhere else -- the only other time she has sounded so soft is on "Hello Tomorrow," the song she wrote for Jonze's 2005 Nike television commercial. Likewise, despite the wealth of indie rockers on it, Where the Wild Things Are rarely sounds self-consciously indie, even on the cover of Daniel Johnston's "Worried Shoes." Cox's xylophone gives the album a dreamlike feel, particularly on "Rumpus Reprise," while Zinner's guitar is unmistakable on the excellent "Capsize," which moves from a fierce tantrum to sweeping mystery like its own self-contained story. Balancing abstract pieces with more attention-getting pop songs like the adorable "Heads Up," Where the Wild Things Are doesn't resemble a typical children's film soundtrack, although it will make a great first soundtrack for kids' music collections. Neither a straightforward score nor a collection of kid-friendly indie rock songs, it lies somewhere intriguingly in between -- and it's just as good, if not better, than the music these artists make with their main projects. ~ Heather Phares | Producer: Thriller; Karen O | Engineer: Dan Huron; Danny Kalb; Thriller |
| | Associated Artists and Works |
| | Technical Info |  | Release Date : 09/29/2009 |  | Original Release Date : 2009 |  | Catalog ID : 13164 |  | Label : Interscope Records (USA) |  | Number of Discs : 1 |  | Studio/Live : Studio |  | Mono/Stereo : Stereo |  | SPAR Code : n/a |  | UPC : 00602527119861 |
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| | Professional Reviews | | Rolling Stone (p.77) - 3.5 stars out of 5 -- "[P]unked-out folk pop that's haunted yet playful....'Building All Is Love' is a hopeful Arcade Fire-like anthem."Entertainment Weekly (p.60) - "Assorted hums, hoots, and hollers unfold over imprecise folk-psych instrumentation....As memorable as anything Karen O's primary band has done lately." -- Grade: B |
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