| Product Summary | | Format: Paperback | | ISBN: 9780385337656 | | Publisher: Random House Inc | | Publish Date: 5/31/2005 | | Buy.com Sku: 31041880 | | Item#: R2SQQ9 | | Dimensions (in Inches) 9.25H x 7.25L x 0.75T | | Pages: 336 |
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| | | Grade by grade, these groundbreaking and successful books provide a solid foundation in the fundamentals of a good education for first to sixth graders. B & W photographs, linecuts, and maps throughout; two-color printing.
| Author Bio| E.D. Hirsch | | E. D. Hirsch received his B.A. from Cornell University in 1950, and his Ph.D. from Yale in 1957 He taught in the English departments at Yale and the University of Virginia. He has written on Shelley, Keats, Wordsworth, and Blake, as well as on German literature, and has published many articles in scholarly journals on theory. The publication of his best-selling "Cultural Literacy" made him famous, and his work in this area has been much discussed and critiqued. |
| | Read A Chapter | Chapter One Chapter 1 Introduction
This chapter presents poems, stories, brief discussions of grammar and writing, and explanations of common sayings and phrases.
The best way to bring children into the spirit of poetry is to read it aloud to them and encourage them to speak it aloud so that they can experience the music in the words. Until children take pleasure in the sound of poetry, there is little reason to analyze it technically.
Most of the stories in this book are either excerpts from longer works or abridged versions of those works. If a child enjoys a particular story, he or she should be encouraged to read a longer version. Several of the novels excerpted here are available in child-friendly versions as part of the Core Knowledge Foundation’s Core Classics series, available on the Foundation’s Web site (www.coreknowledge.org).
Parents and teachers can help draw children into stories by asking questio Click to read more... Chapter One Chapter 1 Introduction
This chapter presents poems, stories, brief discussions of grammar and writing, and explanations of common sayings and phrases.
The best way to bring children into the spirit of poetry is to read it aloud to them and encourage them to speak it aloud so that they can experience the music in the words. Until children take pleasure in the sound of poetry, there is little reason to analyze it technically.
Most of the stories in this book are either excerpts from longer works or abridged versions of those works. If a child enjoys a particular story, he or she should be encouraged to read a longer version. Several of the novels excerpted here are available in child-friendly versions as part of the Core Knowledge Foundation’s Core Classics series, available on the Foundation’s Web site (www.coreknowledge.org).
Parents and teachers can help draw children into stories by asking questions about them. For example, you might ask, “What do you think is going to happen next?” “Why did one of the characters act as he did?” “What might have happened if . . . ?” You might also ask the child to retell the story. Don’t be bothered if children change events or characters: that is in the best tradition of storytelling and explains why there are so many versions of traditional stories.
You can also encourage children to write and illustrate their own stories. Some children may be interested in beginning to keep a journal or writing letters to friends or relatives — these are both fine ways for children to cultivate their writing skills. Another way to build vocabulary and foster language skills is by playing word games such as Scrabble, Boggle, or hangman, and doing crossword puzzles.
Experts say that our children already know more about grammar than we can ever teach them. But standard written language does have special characteristics that children need to learn. The treatment of grammar and language conventions in this book is an overview. It needs to be supplemented and rounded out by giving the child opportunities to read and write and to discuss reading and writing in connection with grammar and spelling.
In the classroom, grammar instruction is a part, but only a part, of an effective language arts program. In the fourth grade, children should be working on vocabulary and spelling. They should enjoy a rich diet of fiction, poetry, drama, biography, and nonfiction. They should be involved in the writing process, inventing topics, discovering ideas in early drafts, revising toward “publication” of polished final drafts —all with encouragement and guidance along the way. They should practice writing in many modes, including stories, poetry, journal entries, formal reports, dialogues, and descriptions.
For some children, the section on sayings and phrases may not be needed; they will have picked up these sayings by hearing them in everyday speech. But this section will be very useful for children from homes where American English is not spoken.
For additional resources to use in conjunction with this section, visit the Foundation’s online bookstore and database, Resources to Build On, at the Web address above.
POETRY
Monday’s Child Is Fair of Face (author unknown)
Monday’s child is fair of face, Tuesday’s child is full of grace, Wednesday’s child is full of woe, Thursday’s child has far to go, Friday’s child is loving and giving, Saturday’s child works hard for a living, But the child that is born on the Sabbath day Is fair and wise and good and gay.
Humanity by Elma Stuckey
If I am blind and need someone To keep me safe from harm, It matters not the race to me Of the one who takes my arm. If I am saved from drowning As I grasp and grope, I will not stop to see the face Of the one who throws the rope. Or if out on some battlefield I’m falling faint and weak, The one who gently lifts me up May any language speak. We sip the water clear and cool, No matter the hand that gives it. A life that’s lived worthwhile and fine, What matters the one who lives it?
Fog by Carl Sandburg
The fog comes on little cat feet. It sits looking over harbor and city on silent haunches and then moves on.
Clouds by Christina G. Rossetti
White sheep, white sheep On a blue hill, When the wind stops You all stand still. When the wind blows, You walk away slow. White sheep, white sheep, Where do you go?
the drum by Nikki Giovanni
daddy says the world is a drum tight and hard and i told him i’m gonna beat out my own rhythm
Things by Eloise Greenfield
Went to the corner Walked in the store Bought me some candy Ain’t got it no more Ain’t got it no more Went to the beach Played on the shore Built me a sandhouse Ain’t got it no more Ain’t got it no more Went to the kitchen Lay down on the floor Made me a poem Still got it Still got it
Dreams by Langston Hughes
Hold fast to dreams For if dreams die Life is a broken-winged bird That cannot fly. Hold fast to dreams For when dreams go Life is a barren field Frozen with snow.
Afternoon on a Hill by Edna St. Vincent Millay
I will be the gladdest thing Under the sun! I will touch a hundred flowers And not pick one. I will look at cliffs and clouds With quiet eyes, Watch the wind bow down the grass, And the grass rise. And when lights begin to show, Up from the town, I will mark which must be mine, And then start down.
The Rhinoceros by Ogden Nash
The rhino is a homely beast, For human eyes he’s not a feast. But you and I will never know Why Nature chose to make him so. Farewell, farewell, you old rhinoceros, I’ll stare at something less prepoceros.
* * * Excerpted from What Your Fourth Grader Needs to Know by Edited by E.D. Hirsch, Jr. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher. Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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