| Product Summary | | Label: Universal Records | | UPC: 00044006402222 | | Release Date: 1/14/2003 | | Buy.com Sku: 60585803 | | Item#: M75NSH | | Buy.com Sales Rank: 25332 | Format:  CD |
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(P) 2002 Universal Motown Records, a division of UMG Recordings, Inc.
(C) 2002 Motown Records, a Division of UMG Recordings, Inc.
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| | Album Notes and Credits |
Notes & Personnel Info |  | This deluxe edition of WHAT'S GOING ON includes a 20-page booklet with | | complete lyrics, never-before-published photos from personal family collections and an essay by David Ritz. | | Personnel includes: Marvin Gaye (vocals, piano); David Van Depitte (arranger, conductor); Robert White, Joe Messina (guitar); Johnny Griffith (celeste, keyboards); Earl Van Dyke (keyboards); Eli Fountain (alto saxophone); Wild Bill Moore (tenor saxophone); Jack Brokensha (vibraphone, percussion); Bob Babbit, James Jamerson (bass); Chet Forest (drums); Eddie Brown, Earl DeRouen (bongos, conga); Jack Ashford (tambourine, percussion). | | Recorded at Hitsville, Golden World and United Sound Studios, Detroit, Michican. Originally released on Tamla (310). | | WHAT'S GOING ON: DELUXE EDITION features the original album, plus an unreleased Detroit mix, a live version from Kennedy Center, and unreleased single versions and instrumentals. | | WHAT'S GOING ON: | | Personnel includes: Marvin Gaye (vocals, piano); David Van Depitte (arranger, conductor); Robert White, Joe Messina (guitar); Johnny Griffith (celeste, keyboards); Earl Van Dyke (keyboards); Eli Fountain (alto saxophone); Wild Bill Moore (tenor saxophone); Jack Brokensha (vibraphone, percussion); Bob Babbit, James Jamerson (bass); Chet Forest (drums); Eddie Brown, Earl DeRouen (bongos, conga); Jack Ashford (tambourine, percussion). | | Recorded at Hitsville, Golden World and United Sound Studios, Detroit, Michican. Originally released on Tamla (310). Includes liner notes by Smokey Robinson, Ben Edmonds and Harry Weinger. | | LIVE AT THE KENNEDY CENTER: | | Personnel includes: Marvin Gaye (vocals, piano); Robert White (guitar); Jack Ashford (glockenspiel, percussion, kazoo); Uriel Jones (drums); Eddie "Bongo" Brown (bongos); The Andantes, Freddie Gorman, Walter Gaines, Hank Dixon, C.P. Spencer (background vocals). | | Recorded live at The Kennedy Center, Washington, D.C. on May 1, 1972. | | All tracks have been digitally remastered. | | Personnel: Marvin Gaye (piano, drums, background vocals); Marvin Gaye (vocals, percussion); Robert White , Robert White (guitar); Carole Crosby (harp); Zinovi Bistritzky, Virginia Halfmann, Gordon Staples, Lillian Downs, Beatriz Budinszky, James Waring, Alvin Score, Rick Margitza (violin); Edouard Kesner, Meyer Shapiro, Nathan Gordon (viola); Thaddeus Markiewicz (cello); William Perich (flute); Angelo Carlisi (alto saxophone); George Benson , George Benson , Wild Bill Moore (tenor saxophone); Tate Houston (baritone saxophone); Bob Babbitt, James Jamerson (bass instrument); Max Janowsky (12-string bass); Lem Barney, Elgie Stover, Hank Dixon, Freddie Gorman, Marlene Barrow, Jackie Hicks, Walter Gaines, Bobby Rogers, Ken Stover, Louvain Demps, The Andantes, C.P. Spencer (background vocals); Joe Messina (guitar); Felix Resnick (violin); David Ireland (viola); Italo Babini (cello); Danya Hartwick (flute); Larry Nozero (soprano saxophone); Eli Fountain (alto saxophone); John Trudell, Maurice Davis (trumpet); Carl Raetz (trombone); Johnny Griffith (celesta, keyboards); Earl Van Dyke (keyboards); Jack Brokensha (vibraphone, percussion); Chet Forest (drums); Eddie Brown, Earl DeRouen (congas, bongos); Jack Ashford (tambourine, percussion). | | Audio Mixers: Ken Sands; Larry Miles; Steve Smith . | | Liner Note Authors: Marvin Gaye; Ben Edmonds. | | Recording information: Golden World (Studio B), Detroit, MI; Hitsville (Studio A), Detroit, MI; Sound Factory, Los Angeles, CA; United Sound Studios, Detroit, MI. | | Photographer: Jim Hendin. | | Arrangers: Paul Riser; David Van De Pitte. | | Originally released in 1971, WHAT'S GOING ON remains a landmark album, one that redefined music with powerful, anthemic songs that remain pertinent to this day. Before WHAT'S GOING ON, R&B albums were collections of singles, with secondary "filler" material rounding out the LPs. Marvin Gaye changed all this by releasing a concept album that went beyond the usual boy-meets-girl scenario, weaving together an aural collage of societal ills. "Crime is increasing/Trigger-happy policing," from "Inner City Blues (Make Me Wanna Holler)," is as potent a line today as it was over 20 years ago, and with the country still divided over the Vietnam War, the title track became a rallying cry for peace. | | Dark, mercurial, and jazzy, WHAT'S GOING ON was as radical musically as it was conceptually. Layered with lush orchestrations, heavenly background vocals, and loose, fiercely grooving arrangements, WHAT'S GOING ON so surpassed anything previously known as soul music that it virtually reinvented the genre. The critical and commercial success of Gaye's opus also enabled other artists to break free from the creative shackles imposed by Motown and other companies, and to experience more autonomy in musical and thematic expression, thereby changing the industry. In short, the musical and historical significance of WHAT'S GOING ON cannot be overestimated; it was Gaye's masterpiece, and still stands as one of the greatest soul albums of all time. | | Originally released in 1971, WHAT'S GOING ON remains a landmark album, one that redefined music with powerful, anthemic songs that remain pertinent to this day. Up to that point, R&B albums were collections of singles, with secondary material rounding out the LPs. Marvin Gaye changed all this by releasing a concept album that went beyond the usual boy-meets-girl scenario, weaving together an aural collage of societal ills. | | "Crime is increasing/Trigger-happy policing," from "Inner City Blues (Make Me Wanna Holler)," is as potent a line today as it was over twenty years ago. With the country still divided over the Vietnam War, the title track became a rallying cry for peace. Layered with lush orchestrations, heavenly background vocals and traces of jazz in particular spots, WHAT'S GOING ON never sounds musically dated. The critical and commercial success of Marvin Gaye's opus also enabled other artists to break free from the creative shackles imposed by Motown, and experience more autonomy in the making of their music. | | What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, "What's Going On." When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time. | | Conceived as a statement from the viewpoint of a Vietnam veteran (Gaye's brother Frankie had returned from a three-year hitch in 1967), What's Going On isn't just the question of a baffled soldier returning home to a strange place, but a promise that listeners would be informed by what they heard (that missing question mark in the title certainly wasn't a typo). Instead of releasing listeners from their troubles, as so many of his singles had in the past, Gaye used the album to reflect on the climate of the early '70s, rife with civil unrest, drug abuse, abandoned children, and the spectre of riots in the near past. Alternately depressed and hopef |
Producer: Marvin Gaye; Marvin Gaye |
Engineer: Nate Jennings; Sam Ross; Ken Sands; Joe Atkinson; Calvin Harris; Steve Smith; Bob Olhsson |
| | Compilation Appearances |
| | Associated Artists and Works | | Artists, Various | | Artists, Various | | Dido | | Harp, Everette | | Harp, Everette | | What's Going On?: Tribute To Marvin Gaye ~ Miles, Jason | | Trouble Man [Remaster] ~ Original Soundtrack | | Original Soundtrack | | Pendergrass, Teddy | | Various Artists | | Various Artists | | Various Artists | | Various Artists | | Various Artists | | Smooth Sax Tribute To Marvin Gaye ~ Various Artists | | Various Artists | | Marvin Is 60: A Tribute Album ~ Various Artists | | Various Artists | | Various Artists | | Various Artists | | Various Artists | | Various Artists | | Various Artists | | Soul [Mastercuts] [Box] [PA] ~ Various Artists | | Live in Montreux 1980 ~ Warwick, Dionne | | Warwick, Dionne | | Warwick, Dionne | | Warwick, Dionne | | Mastercuts Legends: Bobby Womack, Marvin Gaye, Cur ~ Womack, Bobby |
| | Technical Info | | Release Date : 01/14/2003 | | Original Release Date : 1971 | | Catalog ID : 064022 | | Label : Motown Records | | Number of Discs : 1 | | Runtime : 35m : 31s | | Studio/Live : Mixed | | Mono/Stereo : Stereo | | SPAR Code : n/a | | UPC : 00044006402222 |
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| | Professional Reviews | | Rolling Stone (1/23/03, p.68)
- 4 stars out of 5 - "...Revolutionary..."Rolling Stone (8/5/71, p.44)
- "...There are very few performers who could carry a project like this off. I've always admired Marvin Gaye, but I didn't expect that he would be one of them..." Rolling Stone (9/30/71, p.42)
- "...there is no question that he has gotten progressively better...Gaye's multi-tracked lead vocals answer one another like a man talking to himself, finally enveloping the listener in a world view of incalculable intensity..." Rolling Stone (1/23/03, p.68)
- 4 stars out of 5 - "...Revolutionary..." Rolling Stone (9/30/71, p.42)
- "...there is no question that he has gotten progressively better...Gaye's multi-tracked lead vocals answer one another like a man talking to himself, finally enveloping the listener in a world view of incalculable intensity..." Rolling Stone (8/5/71, p.44)
- "...There are very few performers who could carry a project like this off. I've always admired Marvin Gaye, but I didn't expect that he would be one of them..." Rolling Stone (1/23/03, p.68)
- 4 stars out of 5 - "...Revolutionary..." Spin (p.122)
- "The godhead of '70s soul albums plays like one seamless groove-song, with jazzy orchestrations..." Q (p.120)
- "[T]his was the first soul album to engage directly with the political and social upheaval of the times, from the Vietnam War to environmental pollution." Q (1/03, p.69)
- Included in Q Magazine's "100 Greatest Albums Ever" Q (10/99, p.161)
- Included in Q Magazine's Best Motown Records Of All Time - "...one of the finest albums ever recorded.... gorgeous soulful settings, bewitching melodies and Gaye's magisterial singing." Q (10/99, p.161)
- Included in Q Magazine's Best Motown Records Of All Time - "...one of the finest albums ever recorded.... gorgeous soulful settings, bewitching melodies and Gaye's magisterial singing." Q (6/01, p.128)
- 5 stars out of 5 - "...The live album that forms the centerpiece of this re-packaged version of Gaye's greatest work is... astonishing..." Uncut (5/03, p.116)
- 5 stars out of 5 - "...Global and personal anguish were never so exquisitely conveyed..." Uncut (5/03, p.116)
- 5 stars out of 5 - "...Global and personal anguish were never so exquisitely conveyed..." Vibe (12/99, p.164)
- Included in Vibe's 100 Essential Albums of the 20th Century Vibe (12/99, p.164)
- Included in Vibe's 100 Essential Albums of the 20th Century Living Blues (5-6/01, p.100)
- "...A masterwork....Sumptuous packaging, insightful liner notes, and voluminous session information underscore the first-class presentation..." Living Blues (5-6/01, p.100)
- "...A masterwork....Sumptuous packaging, insightful liner notes, and voluminous session information underscore the first-class presentation..." Mojo (Publisher)
(5/01, p.97)
- "...Stands as both a eulogy and testament to a spirit of co-operation, understanding and harmony. It's a vision of Utopia in words and music one could wander around in forever." Mojo (Publisher)
(1/02, p.69)
- Included in Mojo's "Best Reissues of 2001". Mojo (Publisher)
(5/01, p.97)
- "...Stands as both a eulogy and testament to a spirit of co-operation, understanding and harmony. It's a vision of Utopia in words and music one could wander around in forever." NME (Magazine)
(10/2/93, p.29)
- Ranked #4 in NME's list of the 'Greatest Albums Of All Time.' NME (Magazine)
(9/11/93, p.18)
- Ranked #1 in NME's list of The Greatest Albums Of The '70s - "...politicized music has never been done better....it's also infused with a beautiful spirituality..." NME (Magazine)
(10/2/93, p.29)
- Ranked #4 in NME's list of the 'Greatest Albums Of All Time.' NME (Magazine)
(9/11/93, p.18)
- Ranked #1 in NME's list of 'The Greatest Albums Of The '70s' - "...politicized music has never been done better...it's also infused with a beautiful spirituality..." |
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