Weaveworld (Paperback)

Author: Clive Barker
See more in Horror - General
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Product Summary
Format: Paperback
ISBN: 9780743417358
Publisher: Pocket Books
Publish Date: 4/1/2001
Buy.com Sku: 30739703
Item#: RMYR5L
Dimensions (in Inches) 8.25H x 5.25L x 1.75T
Pages: 672
 
"It was hope undid them. Hope, and the certainty that Providence had made them suffer enough for their dreams. They'd lost so much already along the trail--children, healers, all taken--surely, they reasoned, God will preserve them from further loss, and reward their griefs and hardships with deliverance into a place of plenty..." (from the first line)

Clive Barker has made his mark on modern fiction by exposing all that is surreal and magical in the ordinary world --- and exploring the profound and overwhelming terror that results. With its volatile mix of the fantastical and the contemporary, the everyday and the otherworldly, "Weaveworld" is an epic work of dark fantasy and horror -- a tour de force from one of today''s most forceful and imaginative artists.
 
Annotation:
A magic carpet that has found its way to Liverpool, England, proves to the the portal into an alternate world from where the Seerkind monitor Earthly events. Horror master Clive Barker's second full-length novel, a complex work of fantasy more than horror, is an early refinement of his revisionist theories about (mostly western) mythological icons.

 

Praise
Time
"In Weaveworld, a prosaic Liverpool clerk named Calhoun Mooney falls into a magic carpet. He has entered the cursed and enchanted Weaveworld of the Seerkind, a people with the power to make magic--or to destroy humanity...Barker puts in strands of Joyce, Poe, Tolkein and King himself, and emerges with the one ingredient that all good rugmakers and storytellers have in common: an irresistible yarn."


 
Author Bio
Clive Barker
Born in Liverpool, England, not far from Penny Lane, Clive Barker first began scaring people when he was 10, with his stories around the Boy Scout campfire. When he was 16, a visit to his school by horror author Ramsey Campbell inspired him to write horror stories. Graduating from the University of Liverpool in 1952, where he studied English literature and philosophy, Barker moved to London and co-formed the Dog Company, a theater group that performed, designed, and directed a series of Barker's plays. The plays met with moderate success, but never really made it to the mainstream, though THE SECRET LIFE OF CARTOONS had a run in London's West End. It wasn't until he read an American horror collection that Barker saw a market for his work. Over a few months, he wrote a collection of short stories published as the three-volume BOOKS OF BLOOD. After earning great acclaim in England, the BOOKS made their way to the U.S. where Stephen King gave his stamp of approval with the oft-repeated, and parodied, comment, "I have seen the future of horror, and its name is Clive Barker." Indeed, the BOOKS OF BLOOD stories had a watershed effect in horror fiction, introducing a new strain of extreme violence and graphic sexuality that, coupled with Barker's ability to create strikingly original stories in terse, clear prose, virtually defined the 1980s "splatterpunk" movement. As he prepared his first full-length novel THE DAMNATION GAME, Barker wrote scripts for two films based on his own stories. Unhappy with the finished results, he decided that he needed more control. Adapting a third of his stories, and recruiting some former Dog Company members, Barker directed 1987's HELLRAISER. This film made Barker's name known outside the horror fiction world. Subsequent Barker-related films, including NIGHTBREED, both CANDYMAN and its sequel, LORD OF ILLUSIONS, and several HELLRAISER sequels, have produced mixed results, but, since 1987, each of his fiction titles--among them, WEAVEWORLD, THE GREAT AND SECRET SHOW, and IMAJICA--have been massive bestsellers. Following THE DAMNATION GAME, Barker's novels have moved further away from horror, and more toward epic fantasy--THE THIEF OF EVERVILLE (1992) was even geared especially toward young adults. Instead of short stories, he has produced numerous books of his illustrations, comic book adaptations, and increasingly long novels. He served as executive producer on 1998's award-winning GODS AND MONSTERS, a bio-pic about legendary film director James Whale.

 
 
Read A Chapter


Chapter One


Homing


1

Nothing ever begins.

There is no first moment; no single word or place from which this or any otherstory springs.

The threads can always be traced back to some earlier tale, and to the talesthat preceded that; though as the narrator's voice recedes the connections willseem to grow more tenuous, for each age will want the tale told as if it were ofits own making.

Thus the pagan will be sanctified, the tragic become laughable; great loverswill stoop to sentiment, and demons dwindle to clockwork toys.

Nothing is fixed. In and out the shuttle goes, fact and fiction, mind and matterwoven into patterns that may have only this in common: that hidden among them isa filigree that will with time become a world.


It must be arbitrary, then, the place at which we choose to embark.

Somewhere between a past half forgotten and a future as yet only gli

Click to read more...

  
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