Voodoo (Clean Version) (2000) (Clean Version )

Artist: D'angelo
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Product Summary
Label: Emd/virgin
UPC: 00724384850326
Release Date: 1/25/2000
Buy.com Sku: 60378624
Item#: M9SHQ3
Format:  CD

Song Listing

Disc 1
Song TitleSample
1. Playa Playa ~ D'Angelo (R&B)
2. Devil's Pie ~ D'Angelo (R&B)
3. Left & Right - (featuring Method Man/Redman) ~ D'Angelo (R&B)
4. Line, The ~ D'Angelo (R&B)
5. Send It On ~ D'Angelo (R&B)
6. Chicken Grease ~ D'Angelo (R&B)
7. One Mo'gin ~ D'Angelo (R&B)
8. Root, The ~ D'Angelo (R&B)
9. Spanish Joint ~ D'Angelo (R&B)
10. Feel Like Making Love ~ D'Angelo (R&B)
11. Greatdayindamornin'/Booty ~ D'Angelo (R&B)
12. Untitled (How Does It Feel) ~ D'Angelo (R&B)
13. Africa ~ D'Angelo (R&B)

(P) 2000 Virgin Records America, Inc.
(C) 2000 Virgin Records America, Inc.

 
Album Notes and Credits

Notes & Personnel Info
Personnel includes: D'Angelo (vocals, various instruments, guitar, keyboards, bass, drums); Method Man, Redman, Q Tip (vocals); Charlie Hunter, Raphael Saadiq (guitar, bass); C. Edward Alford, Mike Campbell (guitar); Roy Hargrove (trumpet, flugelhorn, horns); James Payser (keyboards); Pino Palladino (bass); Ahmir "?uestlove" Thompson (drums); Giovanni Midalgo (congas); DJ Premier (programming).
Producers: D'Angelo, DJ Premier, Raphael Saadiq.
Recorded at Electric Lady Studios, New York, New York.
VOODOO won the 2001 Grammy Award for Best R&B Album. "Untitled (How Does It Feel)" won the 2001 Grammy Award for Best Male R&B Vocal Performance. The song was also nominated for the 2001 Grammy Award for Best R&B Song.
Personnel includes: D'Angelo (vocals, various instruments, guitar, keyboards, bass, drums); Method Man, Redman, Q Tip (vocals); Charlie Hunter, Raphael Saadiq (guitar, bass); C. Edward Alford, Mike Campbell (guitar); Roy Hargrove (trumpet, flugelhorn, horns); James Payser (keyboards); Pino Palladino (bass); Ahmir "?uestlove" Thompson (drums); Giovanni Midalgo (congas); DJ Premier (programming).
Producers: D'Angelo, DJ Premier, Raphael Saadiq.
Recorded at Electric Lady Studios, New York, New York.
VOODOO won the 2001 Grammy Award for Best R&B Album. "Untitled (How Does It Feel)" won the 2001 Grammy Award for Best Male R&B Vocal Performance. The song was also nominated for the 2001 Grammy Award for Best R&B Song.
Personnel: D'Angelo (vocals); Method Man, Redman (rap vocals); Mike Campbell , Raphael Saadiq, Charlie Hunter , Eddie Alford (guitar); Roy Hargrove (horns); James Poyser (keyboards); Ahmir Khalib Thompson (snare drum); DJ Premier (programming).
Audio Mixers: D'Angelo; Russell Elevado.
Recording information: Electric Lady Studios, NY.
Arranger: D'Angelo.
When D'Angelo popped on the scene in '97 with his critical and commercial breakthrough BROWN SUGAR, he brought a gush of refreshing air to the musty world of soulful, sensual R&B. When VOODOO was released, little in the R&B world had changed, as the same stale, color-by-numbers vocals sung over the simplest of beats--ripped off from Teddy Riley or Timbaland--dominated the genre. But once again, the singer/songwriter (for that's what he is) dropped a dose of energy into the soul planet with his invigorating, jazzy, funky, constantly metamorphosing sophomore effort.
While much of VOODOO is not entirely original, D'Angelo does wear his influences on his sleeve, particularly those of Prince and Marvin Gaye. D'Angelo does so many things well that by the time he is finished, it's hard to question whether his sound is his own or an exacting mesh of all that's come before. Truly it doesn't matter, for VOODOO is so endearingly crafty and knee-weakeningly seductive, it's practically impossible to close your heart to it. From the free-jazzy, trippy old-school-dragged-through-the-blues muck of "Devil's Pie" to the straightforward torch singing of "Untitled," VOODOO mesmerizes and hypnotizes with soul both familiar and brand new. A tasty treat.
When D'Angelo popped on the scene in '97 with his critical and commercial breakthrough BROWN SUGAR, he brought a gush of refreshing air to the musty world of soulful, sensual R&B. When VOODOO was released, little in the R&B world had changed, as the same stale, color-by-numbers vocals sung over the simplest of beats--ripped off from Teddy Riley or Timbaland--dominated the genre. But once again, the singer/songwriter (for that's what he is) dropped a dose of energy into the soul planet with his invigorating, jazzy, funky, constantly metamorphosing sophomore effort.
While much of VOODOO is not entirely original, D'Angelo does wear his influences on his sleeve, particularly those of Prince and Marvin Gaye. D'Angelo does so many things well that by the time he is finished, it's hard to question whether his sound is his own or an exacting mesh of all that's come before. Truly it doesn't matter, for VOODOO is so endearingly crafty and knee-weakeningly seductive, it's practically impossible to close your heart to it. From the free-jazzy, trippy old-school-dragged-through-the-blues muck of "Devil's Pie" to the straightforward torch singing of "Untitled," VOODOO mesmerizes and hypnotizes with soul both familiar and brand new. A tasty treat.
Five years after his Brown Sugar album helped launch contemporary R&B, D'Angelo finally returned with his sophomore effort, Voodoo. His soulful voice is just as sweet as it was on Brown Sugar, though D'Angelo stretches out with a varied cast of collaborators, including trumpeter Roy Hargrove and guitarist Charlie Hunter, fellow neo-soul stars Lauryn Hill and Raphael Saadiq, and hip-hop heads like DJ Premier, Method Man & Redman, and Q-Tip. It must have been difficult to match his debut (and the frequent delays prove it was on his mind), but Voodoo is just as rewarding a soul album as D'Angelo's first. [Voodoo was also released in a "clean" edition, containing no profanities or vulgarities.] ~ John Bush

Engineer: Russell Elevado

Musical Guests
Method Man
Redman
Q-Tip
Charlie Hunter
Roy Hargrove

 
Compilation Appearances
Men In Black
Deuces Wild
Miseducation Of Lauryn Hill
Vol. 1-Wu-Chronicles (Explicit Version)
Like Water For Chocolate (Explicit Version)
Baby Boy (Explicit Version)
Vol. 2-Chapter Ii (Explicit Version)
Instant Vintage
Music And Spirit Of Fela Kuti
Absolute Body + Soul
Sexy Soul Men
Different Strokes By Different Folks
Home Grown Guide To Understanding V1(Explicit Version)
Home Grown Guide To Understanding V1(Explicit Version)
L-Word: Season 3
Slow Motion 2
Dj-kicks
Blue Carpet Treatment (Explicit Version)
Blue Carpet Treatment (Cln)
Soul Jams
Body & Soul: Midnight Fire
Finding Forever
Finding Forever(Explicit Version)
Menage A Trois:seasons 1 2 3

 
Associated Artists and Works
Various Artists

 
Technical Info
Release Date : 01/25/2000
Original Release Date : 2000
Catalog ID : 48503
Label : Virgin Records (USA)
Number of Discs : 1
Runtime : 77m : 40s
Studio/Live : Studio
Mono/Stereo : Stereo
SPAR Code : n/a
UPC : 00724384850326

 
Professional Reviews
Rolling Stone (1/4/01, p.106)
- Ranked #5 in Rolling Stone's Top 10 Albums of 2000.

Rolling Stone (2/3/00, pp.55-6)
- 3 stars out of 5 - "...does for R&B what underground heads like Mos Def and The Roots do for hip-hop: They strip it down to just smarts, truth and beats. This is meant to be soul music that moves like smoke easing from a blunt....a superb smoke..."

Rolling Stone (1/4/01, p.106)
- Ranked #5 in Rolling Stone's Top 10 Albums of 2000.

Rolling Stone (2/3/00, pp.55-6)
- 3 stars out of 5 - "...does for R&B what underground heads like Mos Def and The Roots do for hip-hop: They strip it down to just smarts, truth and beats. This is meant to be soul music that moves like smoke easing from a blunt....a superb smoke..."

Spin (1/01, p.73)
- Ranked #4 in Spin's "Top 20 Albums of the Year [2000]" - "...The year's best mood album - a retro future-gaze of 'chicken grease' funk, boho politicking, hip-hop badass and sexual healing..."

Spin (1/01, p.73)
- Ranked #4 in Spin's "Top 20 Albums of the Year [2000]" - "...The year's best mood album - a retro future-gaze of 'chicken grease' funk, boho politicking, hip-hop badass and sexual healing..."

Entertainment Weekly (1/28/00, p.104)
- "...an intimate jam session, each song bleeding into another....D'Angelo creates a stoned soul picnic bar none..." - Rating: A-

Entertainment Weekly (1/28/00, p.104)
- "...an intimate jam session, each song bleeding into another....D'Angelo creates a stoned soul picnic bar none..." - Rating: A-

Q (3/00, p.104)
- 4 stars out of 5 - "...the kind of smoky grooves that could be expected of a Cheeba Sound release....In short, VOODOO has what so many modern r&b records lack: soul."

Q (3/00, p.104)
- 4 stars out of 5 - "...the kind of smoky grooves that could be expected of a Cheeba Sound release....In short, VOODOO has what so many modern r&b records lack: soul."

The Wire (1/01, p.34)
- Included in Wire's "50 Records Of The Year" [2000].

The Wire (1/01, p.34)
- Included in Wire's "50 Records Of The Year" [2000].

Muzik (1/00, p.105)
- 5 stars out of 5 - "...confirms D'angelo as the male counterpart to Erykah Badu and Lauryn Hill....VOODOO truly warms your heart....the kind of artist who's destined to encourage a new generation of pre-eminent singers..."

Muzik (1/00, p.105)
- 5 stars out of 5 - "...confirms D'angelo as the male counterpart to Erykah Badu and Lauryn Hill....VOODOO truly warms your heart....the kind of artist who's destined to encourage a new generation of pre-eminent singers..."

CMJ (1/24/00, p.23)
- "...imbued with [his] trademark slippery soul...[boasting] more detailed production and jazzier underpinnings....VOODOO remians a stripped-down affair....[as] D'Angelo remains in a class by himself."

CMJ (1/24/00, p.23)
- "...imbued with [his] trademark slippery soul...[boasting] more detailed production and jazzier underpinnings....VOODOO remians a stripped-down affair....[as] D'Angelo remains in a class by himself."

Down Beat (8/00, pp.72-3)
- 3 stars out of 5 - "...Transforms his sound into something strange and new, stripping down to the bare essentials of a beat and vocals....yielding a ritualistic sound..."

Down Beat (8/00, pp.72-3)
- 3 stars out of 5 - "...Transforms his sound into something strange and new, stripping down to the bare essentials of a beat and vocals....yielding a ritualistic sound..."

Vibe (12/99, pp.247-8)
- "...the most daring song-oriented album by a mainstream R&B artist of his generation....defining himself as much by what his funk refuses to do as what it does to legitimately function in the post-James Brown continuum....refreshing..."

Vibe (12/99, pp.247-8)
- "...the most daring song-oriented album by a mainstream R&B artist of his generation....defining himself as much by what his funk refuses to do as what it does to legitimately function in the post-James Brown continuum....refreshing..."

The Source (4/00, p.216)
- "...D'Angelo has grown - lyrically and sonically....VOODOO is seamless - and just as perfectly raw...as a 90-minute jam session in a funky Brooklyn loft..."

The Source (4/00, p.216)
- "...D'Angelo has grown - lyrically and sonically....VOODOO is seamless - and just as perfectly raw...as a 90-minute jam session in a funky Brooklyn loft..."

Melody Maker (2/22/00, p.47)
- 4.5 stars out of 5 - "...a f***-that, noon-day sun, molasses-heavy crawl...full of people who can actually sing and play guitars and drums...and all the songs are about sagging....a fantastically and impressively skewed mindset."

Melody Maker (2/22/00, p.47)
- 4.5 stars out of 5 - "...a f***-that, noon-day sun, molasses-heavy crawl...full of people who can actually sing and play guitars and drums...and all the songs are about sagging....a fantastically and impressively skewed mindset."

Mojo (Publisher)
(3/00, p.108)
- "...THERE"S A RIOT GOIN' ON-period Sly Stone is the motivator on the opening track 'Playa Playa'....Eddie Kendricks' pipes, Prince's balladry, Stevie Wonder's drive and Gaye are all reference points on what, overall, is a darker, moodier record..."

Mojo (Publisher)
(3/00, p.108)
- "...THERE"S A RIOT GOIN' ON-period Sly Stone is the motivator on the opening track 'Playa Playa'....Eddie Kendricks' pipes, Prince's balladry, Stevie Wonder's drive and Gaye are all reference points on what, overall, is a darker, moodier record..."

NME (Magazine)
(2/14/00, p.42)
- 9 out of 10 - "...represents African American music at a crossroads....To simply call [it] neo-classical soul...would be [to] ignore the elements of vaudeville jazz, Memphis horns, ragtime blues, funk and bass grooves, not to mention hip-hop, that slip out of every pore of these haunted songs..."

NME (Magazine)
(2/14/00, p.42)
- 9 out of 10 - "...represents African American music at a crossroads....To simply call [it] neo-classical soul...would be [to] ignore the elements of vaudeville jazz, Memphis horns, ragtime blues, funk and bass grooves, not to mention hip-hop, that slip out of every pore of these haunted songs..."

  
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