Transporter (Special Delivery Edition-Dts) (2002)

Variety
"...The lovely Shu registers with an effervescent personality..." 10/14/2002 p.29

Box Office
"...Yuen certainly knows how to direct action..." 12/01/2002 p.60

Sight and Sound
"...This effort is as professional as ever..." 01/01/2003 p.55-6

James Berardinelli's ReelViews 7 of 10
The action sequences are virtually non-stop, with only occasional, brief interruptions to facilitate minor exposition. Every example of hand-to-hand combat features lots of martial arts (high kicks, but no obvious "wire fu"), and enough explosives and ammo are expended to supply a small army. The film opens with an amazing thing: a car chase that isn't boring (it's so outrageously over-the-top that it can't help but be fun). Overall, The Transporter will likely satisfy anyone on the lookout for a mindless, cheesy action flick. The Transporter's destination may be ordinary, but, to get there, this film moves. - James Berardinelli
 
L.A. Times 7 of 10
As with many movies of this type, the plot doesn't rate as high as the quality of the bodies in fast, furious motion. What counts in The Transporter isn't the wafer-thin story about smugglers, the kind that television dramas burn through each week; it's the way Martin kicks open a door, fends off a couple of axes and uses a perfectly ordinary sport shirt as a weapon. The paucity of dialogue makes it impossible to know if Statham could handle, say, Shakespeare (he's done stints in the Jet Li vehicle The One and Guy Ritchie's gangster features), but the actor certainly seems equipped to develop into a mid-weight alternative to Vin Diesel. That's particularly true if he keeps working with director Cory Yuen, a Hong Kong action veteran whose talent for hand-to-hand mayhem is truly something to see. - Manohla Dargis
 
San Francisco Examiner 7 of 10
The director takes the time within his staccato style for little indulgences like reaction shots from his sarcastic protagonist. This is especially and refreshingly the case during his wow-packed but crisp and unhurried fight scenes, like the one in a local bus yard where a drum of motor oil gets spilled, making henchmen lose their footing while Statham (oiled up and too slippery to tackle or grasp) rips the toe-clip pedals off a nearby bicycle so he has traction and the ass-kicking advantage.

As entertainingly exaggerated popcorn-chompers go, The Transporter ranks not far behind the campy action of Robert Rodriguez's south-of-the-border shoot-'em-up Desperado and John Carpenter's Escape from New York and Big Trouble in Little China. - Rob Blackwelder