| Product Summary | | UPC: 00888072300439 | | Release Date: 7/25/2006 | | Buy.com Sku: 202804281 | | Item#: M32NPJ | Format: CD |
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| Song Listing |  |
Disc 1
| | Song Title | Sample | | 1. Afternoon In Paris - (take 1, with Jay Jay Johnson's Boppers) ~ Sonny Stitt |  | | 2. Afternoon In Paris - (take 2, with Jay Jay Johnson's Boppers) ~ Sonny Stitt |  | | 3. Elora - (take 1, with Jay Jay Johnson's Boppers) ~ Sonny Stitt |  | | 4. Elora - (take 2, with Jay Jay Johnson's Boppers) ~ Sonny Stitt |  | | 5. Teapot - (take 1, with Jay Jay Johnson's Boppers) ~ Sonny Stitt |  | | 6. Teapot - (take 2, with Jay Jay Johnson's Boppers) ~ Sonny Stitt |  | | 7. Blue Mode - (take 1, with Jay Jay Johnson's Boppers) ~ Sonny Stitt |  | | 8. Blue Mode - (take 2, with Jay Jay Johnson's Boppers) ~ Sonny Stitt |  | | 9. All God's Chillun Got Rhythm - (with Bud Powell Quartet) ~ Sonny Stitt |  | | 10. Sonny Side - (with Bud Powell Quartet) ~ Sonny Stitt |  | | 11. Bud's Blue - (with Bud Powell Quartet) ~ Sonny Stitt |  | | 12. Sunset - (with Bud Powell Quartet) ~ Sonny Stitt |  | | 13. Strike up the Band - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 14. Strike Up The Band - (alternate, with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 15. I Want to Be Happy - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 16. Taking a Chance on Love - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 17. Fine And Dandy - (take 1, with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 18. Fine And Dandy - (take 2, with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 19. Avalon - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 20. Later - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 21. Ain't Misbehavin' - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 22. Mean to Me - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 23. Stairway to the Stars - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 24. Bye Bye - (with Gene Ammons/Sonny Stitt Band) ~ Sonny Stitt |  | | 25. Let It Be - (with Gene Ammons/Sonny Stitt Band) ~ Sonny Stitt |  | Disc 2
| | Song Title | Sample | | 1. Blues Up And Down - (take 1, with Gene Ammons/Sonny Stitt Band) ~ Sonny Stitt |  | | 2. Blues Up And Down - (take 2, with Gene Ammons/Sonny Stitt Band) ~ Sonny Stitt |  | | 3. Blues Up And Down - (take 3, with Gene Ammons/Sonny Stitt Band) ~ Sonny Stitt |  | | 4. You Can Depend On Me - (take 1, with Gene Ammons/Sonny Stitt Band) ~ Sonny Stitt |  | | 5. You Can Depend On Me - (take 2, with Gene Ammons/Sonny Stitt Band) ~ Sonny Stitt |  | | 6. Touch of Blues - (with Teddy Williams) ~ Sonny Stitt |  | | 7. Dumb Woman Blues - (with Teddy Williams) ~ Sonny Stitt |  | | 8. Chabottie - (with Teddy Williams) ~ Sonny Stitt |  | | 9. Who Threw the Sleeping Pills in Rip Van Winkle's Coffee - (with Teddy Williams) ~ Sonny Stitt |  | | 10. Gravy - (with Teddy Williams) ~ Sonny Stitt |  | | 11. Easy Glide - (with Teddy Williams) ~ Sonny Stitt |  | | 12. Count Every Star - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 13. Nice Work If You Can Get It - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 14. There Will Never Be Another You - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 15. Blazin' - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | | 16. Back in Your Own Back Yard - (with Gene Ammons Band) ~ Sonny Stitt |  | | 17. Sweet Jennie Lou - (with Gene Ammons Band) ~ Sonny Stitt |  | | 18. La Vie en Rose - (with Gene Ammons Band) ~ Sonny Stitt |  | | 19. Seven Eleven - (with Gene Ammons Band) ~ Sonny Stitt |  | | 20. To Think You've Chosen Me - (with Sonny Stitt Band) ~ Sonny Stitt |  | | 21. After You've Gone - (with Sonny Stitt Band) ~ Sonny Stitt |  | | 22. Our Very Own - (with Sonny Stitt Band) ~ Sonny Stitt |  | | 23. 'S Wonderful - (with Sonny Stitt Band) ~ Sonny Stitt |  | | 24. Stringin' the Jug - (with Gene Ammons/Sonny Stitt Band) ~ Sonny Stitt |  | | 25. Nevertheless (I'm in Love With You) - (with Sonny Stitt Quartet) ~ Sonny Stitt |  | (P) 2006 Concord Music Group, Inc. (C) 2006 Concord Music Group, Inc.
| | Album Notes and Credits | Notes & Personnel Info |  | Personnel: Sonny Stitt (alto saxophone, tenor saxophone, baritone saxophone); Teddy Williams, Larry Townsend (vocals); Joe Newman Quartet , Bill Massey (trumpet); Eli Dabney (trombone); John Richard Lewis, John Houston, Charles Bateman (piano); Wesley Landers (drums); Gene Ammons (vocals, tenor saxophone, baritone saxophone); John Hunt (trumpet); J.J. Johnson , Matthew Gee, Bennie Green (trombone); Clarence "Sleepy" Anderson, Duke Jordan, Junior Mance, Bud Powell (piano); Jo Jones , Max Roach, Art Blakey, Shadow Wilson, Teddy Stewart (drums); Humberto Morales (timbales); Charles Bateman, Eli Dabney, Wesley Landers, Chippy Outcalt, Larry Townsend, Earl May, Ernie Shepard, Gene Wright, Joe Newman , Johnny Houston, Kenny Drew, Teddy Williams, Tommy Potter, Nelson Boyd. |  | Audio Remasterer: Joe Tarantino. |  | Liner Note Author: Harvey Pekar. |  | Recording information: New York, NY (10/17/1949-02/25/1952). |  | Photographers: Ted Williams; Paul J. Hoeffler; Chuck Stewart. |  | Occasionally undervalued because his alto playing strongly resembled Charlie Parker's, saxophonist Sonny Stitt was no bebop knock-off. There were many musicians tilling the same soil in the mid 1940s, and though Stitt (who also played tenor) wasn't as innovative as Parker, he was most assuredly a cutting-edge bop player in his own right. STITT'S BITS collects Sonny-led sessions from 1949 to 1952, as well as sessions with groups led by J.J. Johnson, Bud Powell, and a combo co-led with Gene Ammons. These, along with astute booklet notes by writer and AMERICAN SPLENDOR icon Harvey Pekar, make BITS an essential block of jazz history. |  | The rap on Sonny Stitt is that he was little more than an imitator of Charlie Parker, without a firm identity of his own. However, from the evidence of these early Stitt recordings -- gathered together into a three-CD box -- the first part of the rap doesn't quite ring true, though the second remains an open question. Stitt may have shared an occasional rhetorical turn or blindingly fast run with Bird -- most tellingly on "S`Wonderful" -- but definitely not his entire style. You can hear plenty of Lester Young influences on the tracks where he plays tenor sax, and many of the ballads preview the soulful inflections that would flourish when he joined the soul-jazz movement in the '60s. Moreover, aware of the Bird backlash, Stitt recorded the majority of these tracks on the tenor, with occasional sessions on the baritone and finally, about two-thirds of the way through the set, on alto. What we don't hear at this point in his career is a truly individual voice; at times, when he and Gene Ammons are dueling on tenors, it's difficult to tell the difference between them upon casual listening. |  | Not only are Stitt's own sessions included in this thorough survey, but also those where he was a co-leader with Ammons and Bud Powell, and a sometimes-non-soloing sideman for Ammons, J.J. Johnson, and the obscure Billy Eckstine-wannabe vocalist Teddy Williams. Above all, this box is a revealing look at the beginnings of the Prestige label just before Bob Weinstock learned how to exploit the potential of LP with open-ended blowing sessions. All of these tracks -- including those designated as Parts 1 and 2 -- were recorded to fit on a single side of a 10" 78 rpm record, as was still the custom of the time, and the neighborhood jukeboxes were definitely a target. Hence we hear Stitt not just as a high-minded -- if by necessity, heavily self-edited -- bebopper, but also as a participant in de facto period pop and R&B sessions. There are even some novelty numbers that tend to be ignored by history (how about a title like "Who Threw the Sleeping Pills in Rip Van Winkle's Coffee?" -- with group vocals!). Even deep in the bop era, jazz musicians still made gestures toward whatever happened to be selling to the masses, voluntarily or not. Although there are no unreleased tunes or outtakes, several tracks make their first CD appearances here, and three (including the notorious "Van Winkle") are being heard for the first time since the 78 era. ~ Richard S. Ginell | Producer: Bob Weinstock |
| | Compilation Appearances |
| | Associated Artists and Works |  | Boss Tenors: Straight Ahead From Chicago 1961 ~ Ammons, Gene |  | We'll Be Together Again ~ Ammons, Gene |  | Ammons, Gene |  | God Bless Jug & Sonny ~ Ammons, Gene |  | Boss Tenors in Orbit! [Deluxe Edition] ~ Ammons, Gene |  | Left Bank Encores ~ Ammons, Gene |  | Ammons, Gene |  | Coltrane, John |  | Davis, Miles |  | Davis, Miles |  | Jazz Time: Olympia Oct 11 1960 ~ Davis, Miles |  | Getz, Stan |  | Getz, Stan |  | Getz, Stan |  | Getz, Stan |  | Gillespie, Dizzy |  | Duets: Sonny Rollins and Sonny Stitt ~ Gillespie, Dizzy |  | Sonny Side Up ~ Gillespie, Dizzy |  | Gillespie, Dizzy |  | Gillespie, Dizzy |  | Green, Bunky |  | Hank Jones (Hardcore) |  | Jackson, Milt |  | Jackson, Milt |  | Jones, Hank |  | Navarro, Fats |  | Brothers-4 [Expanded] ~ Patterson, Don |  | Powell, Bud |  | Scott, Ronnie |  | Scott, Ronnie (Jazz) |  | Various Artists |  | Various Artists |
| | Technical Info |  | Release Date : 07/25/2006 |  | Original Release Date : 2006 |  | Catalog ID : 30043 |  | Label : Fantasy (distributor) |  | Number of Discs : 3 |  | Studio/Live : Studio |  | Mono/Stereo : Stereo |  | SPAR Code : n/a |  | UPC : 00888072300439 |
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| | Professional Reviews | | JazzTimes (p.107) - "Sonny Stitt played on a higher level than 99 percent of all jazz saxophonists who've ever lived....An essential, even fascinating, document." |
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