Notes & Personnel Info |  | Personnel includes: Jonatha Brooke (vocals, acoustic guitar, ukelele, piano, keyboards, bass); Neil Finn, Michael Franti (vocals); Goffrey Moore (electric guitar); Gerri Sutyak (cello); Mitchell Froom (organ); Joe Sample (keyboards); John Pierce, Darren Embry, Marcus Miller (bass): Pete Thomas, Larry Aberman (drums). | | Producers: Jonatha Brooke, Bob Clearmountain, Ryan Freeland. | | Personnel: Jonatha Brooke (vocals, acoustic guitar, ukulele, piano, Wurlitzer organ, background vocals); Kenya Hathaway (vocals, background vocals); Michael Franti, Neil Finn (vocals); Geoffrey Moore, Val McCallum (electric guitar); Gerri Sutyak (cello); Ryan Freeland (Fender Rhodes piano, Clavinet, programming, drum programming, loops); Joe Sample (Fender Rhodes piano, Wurlitzer organ); Mitchell Froom (organ); Larry Aberman (drums, percussion); Pete Thomas (drums); Bob Clearmountain (percussion, drum programming, loops, background vocals); David Boucher (drum programming, background vocals); Dennis White (drum programming). | | Audio Mixer: Bob Clearmountain. | | Editor: David Boucher. | | Photographer: Melanie Nissen. | | Arranger: Ryan Freeland. | | Continuing her standing as an independent artist, Jonatha Brooke kicks off the millennium with Steady Pull, the second release on her own Bad Dog Records. Steady Pull is at once both inspiring and upsetting. The inspiration is easy to glimpse; it's a wonderful record, smart and catchy, interesting and fresh. The frustration lies not with Brooke, but with the music industry's lack of support for her and similar artists. What kind of cultural climate dictates that the musical and lyrical sophistication that makes Brooke such a brilliant artist may very well keep her from having mass appeal? Much like adult alternative radio's failure to survive in many markets, it is a sad commentary on the state of music at the turn of the millennium, and a large disappointment for fans and artists who love this genre. | | Nevertheless, Brooke pursues her clever muse with passion and vigor, not letting up one iota in her quest to be a most literate songsmith. She has always penned tunes that danced just outside the box with poetic lyrics, creative arrangements, and complex chord progressions. Steady Pull pulls no punches in that regard, going further in musical experimentation that her previous efforts. The first track and single, "Linger," is as straightforward pop as you're going to get from Brooke. It's honest to goodness, verse chorus, tap your toe, bob your head, sing right along pop. But it's just a tease. On the very next song she mixes it up, testing the powers of digital editing, loops, and sampling. Then there's the title track, which leans toward a soulful groove, thumping with the bass of Marcus Miller. Oh that Jonatha. Now, you might notice that she sings quite a bit about dresses. Don't question, just enjoy. Both "Red Dress" and "New Dress" are great songs. | | Brooke also keeps good company; the two noted guest vocalists, Michael Franti and Neil Finn, couldn't have been better chosen, as both are known for their abilities to craft intelligent compositions that are rather overlooked by the masses. And, as far as the musicians go, these guys are all top-notch, including Val McCallum, John Pierce, Davey Faragher, and more. Brooke and Steady Pull deserve the same kind of fierce support in the marketplace as they had in the studio. ~ Kelly McCartney | | Jonatha Brooke quietly cornered a substantial audience for her simple, yet elegant songs through two albums as half of the early-'90s duo the Story, three subsequent solo releases (two studio, one live), and an electric, engaging live show. Released on her own Bad Dog Records, STEADY PULL furthers her escalating reputation. What separates Brooke from the pack is her passionate sincerity, and a talent for producing honest, compelling stories. | | "Linger" lives up to its name, with the infectious, memorable refrain of a truly remarkable pop song. Wonderful guest shots abound, like Spearhead's Michael Franti growling underneath the chorus of the enthralling title track, Neil Finn's vocal help on the gentle "New Dress," and Joe Sample's spiraling keyboards on the sweetly winding "How Deep Is Your Love." STEADY PULL is an album that sounds better the more its understated beauty soaks in. |
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