| | | The human adventure is just beginning. Features: DVD, Director's Cut The U.S.S. Enterprise proudly soars again in this new, beautifully restored Director's Edition of the original Star Trek movie classic. This new Director's Cut features enhanced visual effects and a new sound mix, supervised by legendary director Robert Wise. When an unidentified alien destroys three powerful Klingon cruisers, Captain James T. Kirk (William Shatner) returns to the newly transformed U.S.S. Enterprise to take command. Leonard Nimoy, DeForest Kelley and the cast from the acclaimed original Star Trek television series mobilize at warp speed to stop the alien intruder from its relentless flight toward Earth. "...terrific special effects and majestic Jerry Goldsmith score..." Leonard Maltin's Movie & Video Guide "...a gorgeous visual spectacle...a science fiction epic, one to be reckoned into the annals of sci-fi franchises and extravaganzas." David Grove, PopMatters "...a smart sci-fi thriller whose fascinating characters and thought-provoking plot are emphasized more than special effects." Frederic and Mary Ann Brussat, Spirituality and Practice "...the best cinematic Trek of the bunch if only because it sets out to be something more than noisy Space Opera." Mark Bourne, DVD Journal "...a true movie event." Steve Crum, Kansas City Kansan
 Editor's Note
 In STAR TREK: THE MOTION PICTURE, the original crew of the Starship Enterprise from the 1960s TV show is reunited in this dramatic, full-length science fiction epic. Admiral James T. Kirk (William Shatner), formerly a captain, is called upon to collect his old crewmates in order to save humanity from a giant, hostile alien vessel steadily approaching Earth and destroying everything in its path. The complex alien life-forms apparently possess such an advanced intelligence that even the brilliant Mr. Spock (Leonard Nimoy) fails to comprehend the massive structure that contains them. There is tension on the ship, as well as in the universe, as Commander Willard Decker (Stephen Collins), the Enterprise's new captain, is relegated to being Kirk's assistant. In addition, Dr. Leonard "Bones" McCoy (DeForest Kelley), the lovable, crotchety doctor who is constantly at odds with Spock, must be tricked away from his life of relaxation to serve on a voyage he wants no part of. It's not long before the Enterprise is taken over by the alien entity, and navigator Ilia (Persis Khambatta) is abducted. When she is returned to the Enterprise, she informs Kirk that unless the entity is united with its creator, it will destroy the Earth. With excellent special effects and witty nods to the old series, STAR TREK: THE MOTION PICTURE set a new standard in sci-fi films--and paved the way for a host of excellent sequels.
| Features | Two hours of bonus materials! |  | Eleven deleted scenes (from the 1983 TV version). |  | Storyboard archive. |  | New Star Trek series Enterprise promo spot. |  | Original teaser and theatrical trailer. |  | New Director's Edition trailer. |  | Five additional scenes (from the 1979 theatrical version) plus trims and outtakes. |  | A group commentary by Wise, special photographic effects director Douglas Trumbull, special photographic effects supervisor John Dykstra, music composer Jerry Goldsmith and actor Stephen Collins. |  | A text commentary by Michael Okuda, scenic art supervisor currently working on Enterprise and co-author of The Star Trek Encyclopaedia. |  | Three new retrospective documentaries with cast and crew interviews. |
| Technical Info
| Release Information
|  | Studio: Paramount |
 | Release Date: 5/1/2007 |
 | Running Time: 136 minutes |
 | Original Release Date: 1980 |  | Catalog ID: 088584 |  | UPC: 00097360885842 |  | Number of Discs: 2 | Audio & Video
|  | Original Language: English |  | Available Audio Tracks: English [CC], English |  | Available Subtitles: English |  | Video: Color | Aspect Ratio |  | Anamorphic Widescreen 1.85:1 |
| Cast & Crew
| Awards | Oscar (1980) |  | Jerry Goldsmith, Nominee, Best Music, Original Score | | Golden Globe (1980) |  | Jerry Goldsmith, Nominee, Best Music, Original Score | | Oscar (1980) |  | Douglas Trumbull, et. al., Nominee, Best Effects, Visual Effects |  | Harold Michelson, et. al., Nominee, Best Art Direction-Set Decoration | | Golden Globe (1980) |  | Jerry Goldsmith, Nominee, Best Original Score - Motion Picture |
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| | Professional Reviews | New York Times "...Increasingly hypnotic..." 12/08/1979 p.14ReelViews 7 of 10 It has been called everything from Star Trek - The Motion Sickness to Where Nomad Has Gone Before, but the theatrical arrival of The Motion Picture was without a doubt the most heralded event in the history of the Star Trek phenomenon, and the first time that a new adventure had been produced in a decade. As such, the late months of 1979 were heady times for Trek fans, and there was enough media exposure to pique the casual viewers' interest...Star Trek: The Motion Picture arrived in the wake of Star Wars and, with Paramount's publicity department in high gear, the general public was expecting something as big, loud, and exciting as George Lucas' 1977 adventure. What they got instead was a slow-moving, occasionally thought-provoking, visually impressive science fiction yarn. Non-fans were bored, and even fans recognized that something was missing...That "something" was the warm, lighthearted character interaction which had been the best part of the television series. While the rapport is still there, it isn't until late in the movie when Kirk (William Shatner), Spock (Leonard Nimoy), and McCoy (DeForest Kelley) start relating to each other with the same mix of wit, sarcasm, and friendship that characterized their relationship on the small screen. The familiar confines of the Enterprise have changed as well, becoming cold and harsh, primarily as the result of garish lighting and pastel costumes...Perhaps the greatest strength of Star Trek: The Motion Picture is that, despite a badly-paced middle, it boasts a strong beginning and end. The movie is more enjoyable on video than in the theater (a few character-building sequences have been added) since the special effects are less dominating. After all, beneath all the glitz, there is a legitimate Star Trek story struggling to escape. - James Berardinelli Apollo Movie Guide 7 of 10 After a moderately successful three-year run on television from 1966 to 1969, the original Star Trek series was cancelled. For the next ten years, series creator Gene Roddenberry tried to bring it back without much luck. Following a number of red lights and green lights, Star Trek finally made its return in 1979, only this time as Star Trek: The Motion Picture. The result is intriguing as far as the sci-fi genre goes, but not exactly something I'd consider to be "Star Trek"...I've seen only a limited number of episodes from the original series and remember only one in particular. Kirk was stuck alone on a foreign planet battling some hulking lizard-like alien. The beast took the good captain to the limits, roaring and tossing papier-mache boulders. As hokey as it might have looked, cheap props were a big part of Star Trek's personality. But with the big screen treatment comes a big-time budget. And with a big-time budget comes a bombardment of spectacular special effects. This presents a major shift in tone for the franchise. On the one hand, the film looks great, comparable to the likes of 2001: A Space Odyssey and Star Wars. Even by the standards of two decades later -- computer-generated graphics and all -- the old-fashioned small-scale models still hold up from a technical perspective. On the other hand, with the focus shifted to the visuals, it takes away some of the television series' original appeal and personality. Suddenly Star Trek becomes just another sci-fi movie...While the movie's visuals are beautiful and the story reasonably solid, other than Kirk's signature marathon speech pauses, Star Trek: The Motion Picture is not Trek as usual. And at least for those of us who've never been Trekkies, that might actually be a good thing. - Ryan Cracknell
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