| | | Features: DVD, Widescreen, Aspect Ratio 2.35:1, Dolby Digital Stereo, English, Subtitled, French, Dubbed & Subtitled What Is SuperbitTM?
Currently, DVDs are available with high quality picture and audio, plus bonus features and added value. Superbit DVD is pure picture and sound with no limitations. Superbit optimizes the picture and sound quality by utilizing the disc space allocated to audio streams and added value. All Superbit DVDs start with high definition masters and double the bit rate of the original release. All Superbit DVDs are presented in Widescreen in the original language with a choice of both DTS and 5.1 Dolby Digital audio. Supersound. Superclear. The evolution of DVD.
Barry Egan (Adam Sandler), the owner of a struggling vanity plungers company, falls in love with Lena Leonard (Emily Watson), a woman his sister is trying to set him up with. On the run from a gang of thugs, Barry travels to Hawaii, using the frequent flier mile coupons clipped from several cartons of pudding cups, to meet up with this girl of his dreams. Winner of the Best Director Prize at the 2002 Cannes Film Festival, "this misfit love story of disconnected people trying to find one an-other in an antagonistic world is a comedy of discomfort and rage that turns unexpectedly sweet and pure." Adam Sandler gives an amazing and unusual performance as Barry Egan, a socially impaired owner of a small novelty business, who is dominated by seven sisters and is unlikely to find love unless it finds him. When a mysterious woman comes into his life, his emotions go haywire, fluctuating between uncontrollable rage, lust and self-doubt. "Punch-Drunk Love leaves you addled, a little dizzy and overcome by a pleasing, unplaceable sensation." "A romantic comedy as wonderful as it is strange that expands the genre to its absurdist outer limits and makes us believe." From the writer/director of Boogie Nights and Magnolia, Punch-Drunk Love is a dark, lovely and unique film experience. "...Sandler like you've never seen him." Desson Howe, Washington Post "...quirky and stylish..." James Berardinelli's ReelViews "...some of the sweetest, and most heartbreaking, moments in any movie this year." Jeffrey Anderson, San Francisco Examiner
 Editor's Note
 Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an out-of-the-way warehouse. He is dedicated to his job as a wholesale toilet plunger salesman, he keeps a nice apartment, and he is obsessed with special offers on grocery store products. Barry's latest fixation is on frequent flier miles included with the purchase of Healthy Choice foods. Barry wears a bright blue suit, though he doesn't know why. With seven outspoken sisters, Barry is constantly being nagged, questioned, and berated. He is challenged to explain the reasons for his actions, and it eventually becomes clear that Barry cannot control his often-violent impulses, a trait which is increasingly problematic. When a beautiful woman, Lena Leonard (Emily Watson), walks into his life with an instinctive attraction to him, a nonjudgmental attitude, and unconditional love, Barry undergoes a powerful transformation. Anderson's film is a tour-de-force for which he garnered the Best Director award at Cannes 2002. Set primarily in Los Angeles and Utah, he shoots either bleak deserted spaces (apartment building hallways) or lush, exotic paradises (Hawaii). Aiming for a Technicolor look, the blue of Barry's suit in contrast with Lena's solid pinks, reds, and whites, pops off of the screen. Colorful interludes designed by visual artist Jeremy Blake offer hallucinogenic lapses from the action of the film, while the rapid percussive score by Jon Brion keeps the suspense and the emotional exasperation of the film on a constantly high level.
| Features | High bit rate digital transfer process that optimizes video quality |  | Additional Artwork By Jeremy Blake |  | Audio: English Dolby Digital 5.1, DTS 5.1, DD-EX Surround, Dolby Digital Surround, Dolby Digital Stereo, French Dolby Digital Surround |  | Widescreen Presentation |  | Mattress Man Commercial |  | 3 Theatrical Trailers |  | 12 Scopitones |  | Blossoms & Blood (12 Minute Feature Which Includes Alternate Takes, Jeremy Blake Artwork & Jon Brion's "Here We Go" Music Video Directed By PTA.) |  | Deleted Scenes |
| Technical Info
| Release Information
|  | Studio: Columbia Tri-Star |
 | Release Date: 9/20/2005 |
 | Running Time: 95 minutes |
 | Original Release Date: 2002 |  | Catalog ID: 08720 |  | UPC: 00043396013339 |  | Number of Discs: 2 | Audio & Video
|  | Original Language: English |  | Available Audio Tracks: English, French Dubbed |  | Available Subtitles: English, French |  | Video: Color | Aspect Ratio |  | 1.85:1 |
| Cast & Crew
| Awards | Cannes Film Festival (2002) |  | Paul Thomas Anderson, Winner, Best Director | | Golden Globe (2003) |  | Adam Sandler, Nominee, Best Performance by an Actor in a Motion Picture - Musical or Comedy | | MTV Award (2003) |  | Adam Sandler, Emily Watson, Nominee, Best Kiss |
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| | Professional Reviews | Rolling Stone "...A marvel of pure emotion that links the rage inherent in the films of both Sandler and Anderson. Sandler can act, beautifully. That's that..." 10/19/2002 p.114Los Angeles Times "...[A] daring high-wire act....Unexpectedly sweet and pure..." 10/11/2002 p.C1 USA Today "...It proves that Sandler has talent....PUNCH-DRUNK LOVE is never heavy-handed. The jabs it employs are short, carefully placed and dead-center..." 10/11/2002 p.1E Sight and Sound "...Anderson remains one of the great visionaries of suburban Southern California..." 02/01/2003 p.28-58 Entertainment Weekly "...Quietly sweet, even resonant....The most sincere and artful movie in which Adam Sandler will probably ever appear..." 10/18/2002 p.87-8 Total Film "...A must-see Adam Sandler movie..." 03/01/2003 p.100 L.A. Times 7 of 10 "Love is strange," the old rock lyric insists, and it's never been stranger, more unsettling and more exuberantly unexpected than in the daring high-wire act Paul Thomas Anderson shrewdly calls Punch-Drunk Love. Anderson, the gifted writer-director known for such intense and creative films as Boogie Nights and Magnolia, is not the person you'd expect to be turning out a 97-minute made-for-each-other romantic comedy, but a desire to challenge himself is what led him here, and something completely different is the postmodern result. - Kenneth Turan Chicago Sun-Times 7 of 10 There is a new Adam Sandler on view in Punch-Drunk Love--angry, sad, desperate. In voice and mannerisms he is the same childlike, love-starved Adam Sandler we've seen in a series of dim comedies, but this film, by seeing him in a new light, encourages us to look again at those films. Given a director and a screenplay that sees through the Sandler persona, that understands it as the disguise of a suffering outsider, Sandler reveals depths and tones we may have suspected but couldn't bring into focus. - Roger Ebert
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