Features: DVD
Often referred to as one of the scariest films ever made, PULSE tells the story of a group of young friends rocked by the sudden suicide of one of their own, and his subsequent, ghostly reappearance in grainy computer and video images. Is he trying to contact them from beyond the grave or is there something more sinister afoot The mysterious floppy disk they find in the dead man's apartment may provide a clue, but instead launches a program that seems to present odd, ethereal transmissions of people engaged in solitary activities in their apartments. But there is something not quite right in the appearance and behavior of these lonely souls. Soon, there are more strange deaths and disappearances within the group, terrifying rooms sealed in red tape, and the appearance of more ghosts as the city of Tokyo - and the world - is slowly drained of life.System Requirements:Running Time: 119 MInFormat: DVD MOVIE
Editor's Note
"Would you like to meet a ghost?" This foreboding question is posed to a young man by his own computer, suddenly able to dial up to the Internet--by itself. Unfortunately for the characters in Kiyoshi Kurosawa's PULSE, inquisitive PCs are the least of their problems. What begins as the seemingly isolated suicide of a computer hacker in Tokyo leads to a series of mysterious disappearances and deaths in this bone-chilling thriller. As Michi (Kumiko Aso), a young woman working on a rooftop plant nursery, attempts to find out what happened to her deceased friend, a slacker named Kawashima (Haruhiko Katô) reports his computer's unusual behavior to Harue (Koyuki), an attractive tech specialist. Separately, they witness an unraveling horror which manifests itself in haunting digital images, coal-black stains, doors sealed with red tape, and lingering apparitions--all leading to a steady decrease in Tokyo's population.Like RING, another prime example of Japanese horror, Kurosawa's PULSE manages to take a B-movie plot and elevate to a level of both terror and artistry that's rarely, if ever, seen in the West. Rather than relying on gore and special effects, the film uses expert cinematography (courtesy of Junichirô Hayashi, also the cameraman on RING and Kurosawa's CHARISMA), bleak backdrops, creepy music, and the good ol' power of suggestion to create what eventually becomes an existential nightmare. To call PULSE "scary" would be a grave understatement; most viewers will never look at a roll of red tape the same way again.
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