One Flew Over the Cuckoos Nest (1975)

Chicago Bulletin
"...Nicholson's performance is one of the high points in a long career of enviable rebels..." 02/02/2003 p.5

Sight and Sound
"...[Nicholson's] flamboyant performance is balanced perfectly by superb character turns from Brad Dourif, Christopher Lloyd and Danny DeVito..." 12/01/2002 p.64

Premiere
"Nicholson's manic and slightly corrosive charm motors this study of one roistering inmate's effect on an entire mental institution." 04/01/2004 p.70

Total Film
"Milos Forman's masterpiece." 03/01/2004 p.5

ReelViews 9 of 10
Arguably, some of the issues addressed by One Flew Over the Cuckoo's Nest are not as relevant in 2006 as they were in the mid-1970s, but that realization in no way diminishes the film's dramatic impact. This was the second English language film for Czech-born filmmaker Milos Forman, who would go on to win two Oscars (one for this movie and one for Amadeus), and was the picture that catapulted him onto the A-list for directors. The negative aspects of mental health care impugned by One Flew Over the Cuckoo's Nest are largely no longer in place today (electroconvulsive therapy is rarely used, frontal lobotomies are not performed), but the film's other themes are germane. On the surface, the movie is about the struggle of wills between patient R.P. McMurphy (Jack Nicholson) and Nurse Ratched (Louise Fletcher). Beneath the surface, it's about the attempts of an autocratic force to squash the individual...As portrayed by Jack Nicholson, McMurphy is one of cinema's iconic characters, so it may come as a surprise to learn that Nicholson was not the filmmakers' first choice. He was number three on the list, and was only offered the part after it was turned down by Gene Hackman and Marlon Brando. In 1975, Nicholson's star was on the rise. - James Berardinelli
 
Chicago Sun-Times 10 of 10
"One Flew Over the Cuckoo's Nest" (1975) is on every list of favorite films. It was the first film since "It Happened One Night" (1934) to win all five of the top Academy Awards, for best picture, actor (Nicholson), actress (Louise Fletcher), director (Milos Forman) and screenplay (Lawrence Hauben and Bo Goldman). It could for that matter have won, too, for cinematography (Haskell Wexler) and editing (Richard Chew). I was present at its world premiere, at the 1975 Chicago Film Festival, in the 3,000-seat Uptown Theatre, and have never heard a more tumultuous reception for a film...Nicholson's performance is one of the high points in a long career of enviable rebels. Jack is a beloved American presence, a superb actor who even more crucially is a superb male sprite. The joke lurking beneath the surface of most of his performances is that he gets away with things because he knows how to, wants to, and has the nerve to. His characters stand for freedom, anarchy, self-gratification and bucking the system, and often they also stand for generous friendship and a kind of careworn nobility. The key to the success of his work in "About Schmidt" is that he conceals these qualities--he becomes one of the patients, instead of the liberating McMurphy. - Roger Ebert