Ocean Eyes (2009)

Artist: Owl City
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Product Summary
Label: Universal Music Group
UPC: 00602527108223
Release Date: 7/28/2009
Buy.com Sku: 211408186
Item#: M4PKKM
Buy.com Sales Rank: 54
Format:  CD

Song Listing

Disc 1
Song TitleSample
1. Cave In ~ Owl City
2. Bird and The Worm, The ~ Owl City
3. Hello Seattle ~ Owl City
4. Umbrella Beach ~ Owl City
5. Saltwater Room, The ~ Owl City
6. Dental Care ~ Owl City
7. Meteor Shower ~ Owl City
8. On The Wing ~ Owl City
9. Fireflies ~ Owl City
10. Tip Of The Iceberg, The ~ Owl City
11. Vanilla Twilight ~ Owl City
12. Tidal Wave ~ Owl City



2009 sophomore release from the Minnesota-based Electro-Rock outfit AKA singer/songwriter Adam Young. While his music continues to win followers all over the world, Adam does indeed hide behind his music, not going by his real name (See: Badly Drawn Boy and Dashboard Confessional); but going by the moniker Owl City. Loaded with amazing loops, catchy pickups, and lyrics that soothe the mind and touch the heart, Adam Young has once again created a lush listening experience. Owl City's trademark desire to escape in dreams, oceans and sky abound on songs such as 'Cave In' and 'Umbrella Beach.' With glorious vocal harmonies and touching odes to love lost, Adam has dug more deeply on Ocean Eyes, lyrically and musically, than ever.
 
"...a worthy replacement for the Postal Service"  Alternative Press
"...Ocean Eyes, is so daydream-ready, you might forgive him for admitting out loud that he'd ''rather pick flowers instead of fights."  Melissa Maerz , Entertainment Weekly

 
Album Notes and Credits

Notes & Personnel Info
Owl City: Adam Young.
Audio Mixer: John Goodmanson.
Audio Remasterer: Ted Jensen.
A surprising and unexpected indie success in 2007, garnering over a million plays on his Myspace page, Minnesota-based songwriter Adam Young is poised for major success with his project, Owl City. A follow-up to MAYBE I'M DREAMING, Young's critically acclaimed 2008 debut as Owl City, OCEAN EYES (2009) finely hones his already prodigious songwriting talents to a pleasing mix of sweetly lovelorn indie pop and electronica-influenced beats.
Filled with bubbling electronics and light, G-rated club anthems, Ocean Eyes sets its sights on the MySpace generation, targeting the younger siblings of those who bought the Postal Service's Give Up six years earlier. This is computerized pop music, replete with programmed drum loops, digital symphonies, and all the amenities of modern recording software. Only Adam Young's vocals carry a hint of human presence, and his fanciful lyrics -- which turn even the most mundane content (see "Dental Care," a good ol' fashioned ode to oral hygiene) into whimsy -- serve to strengthen the album's escapist appeal. Such syrupy sweetness builds to a feverish pitch throughout the album's 12 tracks, peaking during the viral sensation "Hey Seattle" and its sonic cousin, "On the Wing." Ocean Eyes ultimately winds up too sugary for its own good, though, having focused on dessert without giving its listeners any sort of meaty, substantive entr?e. A handful of ballads do add variety to the album's pace, but Owl City is largely a vehicle for the one song Adam Young knows how to make. ~ Andrew Leahey
Filled with bubbling electronics and light, G-rated club anthems, Ocean Eyes sets its sights on the MySpace generation, targeting the younger siblings of those who bought the Postal Service's Give Up six years earlier. This is computerized pop music, replete with programmed drum loops, digital symphonies, and all the amenities of modern recording software. Only Adam Young's vocals carry a hint of human presence, and his fanciful lyrics -- which turn even the most mundane content (see "Dental Care," a good ol' fashioned ode to oral hygiene) into whimsy -- serve to strengthen the album's escapist appeal. Such syrupy sweetness builds to a feverish pitch throughout the album's 12 tracks, peaking during the viral sensation "Hey Seattle" and its sonic cousin, "On the Wing." Those who don't have a sweet tooth should stay away, but Ocean Eyes will serve as a tasty dessert for those who can stomach it. ~ Andrew Leahey

Producer: Adam Young; Adam Young; Steve Bursky

Engineer: Adam Young; Adam Young

 
Compilation Appearances
90210 Soundtrack

 
Technical Info
Release Date : 07/28/2009
Original Release Date : 2009
Catalog ID : 13141
Label : Universal Republic
Number of Discs : 1
Studio/Live : Studio
SPAR Code : n/a
UPC : 00602527108223

 
Professional Reviews
Alternative Press (p.111)
- 3 stars out of 5 -- "[T]here are some charming slices of pop. Young has a good chance of becoming a worthy replacement for the Postal Service..."

All Music Guide 7 of 10
Filled with bubbling electronics and light, G-rated club anthems, Ocean Eyes sets its sights on the MySpace generation, targeting the younger siblings of those who bought the Postal Service's Give Up six years earlier. This is computerized pop music, replete with programmed drum loops, digital symphonies, and all the amenities of modern recording software. Only Adam Young's vocals carry a hint of human presence, and his fanciful lyrics -- which turn even the most mundane content (see "Dental Care," a good ol' fashioned ode to oral hygiene) into whimsy -- serve to strengthen the album's escapist appeal. Such syrupy sweetness builds to a feverish pitch throughout the album's 12 tracks, peaking during the viral sensation "Hey Seattle" and its sonic cousin, "On the Wing." Ocean Eyes ultimately winds up too sugary for its own good, though, having focused on dessert without giving its listeners any sort of meaty, substantive entr?e. A handful of ballads do add variety to the album's pace, but Owl City is largely a vehicle for the one song Adam Young knows how to make. - Andrew Leahey
 

 
Bio
Owl City

Owl City is the electronic brainchild of Adam Young, who launched the project in 2007 while living at his parents' home in Owatonna, MN. Troubled by insomnia, Young began spending his evenings in the household basement, where a computer and several instruments provided a welcome diversion from his sleeping patterns. He eventually combined those diversions into a blend of electronica and emo-pop, using little more than his computer and various keyboards to record the material. Songs were uploaded to MySpace upon completion, and Young began attracting a surprising amount of attention on the networking site. Of particular note was "Hello Seattle," a fabricated ode to the Emerald City whose viral popularity earned Young a record contract with Universal Republic. Ocean Eyes, his debut release for the label, arrived in 2009, coinciding with Owl City's first national tour.
 


  
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