Night Castle (2009)

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Product Summary

Format: CD
Buy.com Sku: 212442549
UPC: 075678959295
UPC 14: 00075678959295
Release Date: 10/27/2009
Buy.com Sales Rank: 8717
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Song Listing

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Disc 1
Song Title
Sample
1. Night Enchanted ~ Trans-Siberian Orchestra
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2. Childhood Dreams ~ Trans-Siberian Orchestra
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3. Sparks ~ Trans-Siberian Orchestra
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4. Mountain, The ~ Trans-Siberian Orchestra
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5. Night Castle ~ Trans-Siberian Orchestra
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6. Safest Way Into Tomorrow, The ~ Trans-Siberian Orchestra
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7. Mozart and Memories ~ Trans-Siberian Orchestra
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8. Another Way You Can Die ~ Trans-Siberian Orchestra
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9. Toccata-Carpimus Noctem ~ Trans-Siberian Orchestra
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10. Lion's Roar, The ~ Trans-Siberian Orchestra
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11. Dreams We Conceive ~ Trans-Siberian Orchestra
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12. Mother and Son ~ Trans-Siberian Orchestra
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13. There Was a Life ~ Trans-Siberian Orchestra
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Disc 2
Song Title
Sample
1. Moonlight and Madness ~ Trans-Siberian Orchestra
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2. Time Floats On ~ Trans-Siberian Orchestra
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3. Epiphany ~ Trans-Siberian Orchestra
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4. Bach Lullaby ~ Trans-Siberian Orchestra
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5. Father, Son & Holy Ghost ~ Trans-Siberian Orchestra
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6. Remnants of a Lullaby ~ Trans-Siberian Orchestra
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7. Safest Way Into Tomorrow, The (Reprise) ~ Trans-Siberian Orchestra
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8. Embers ~ Trans-Siberian Orchestra
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9. Child of the Night ~ Trans-Siberian Orchestra
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10. Believe ~ Trans-Siberian Orchestra
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11. Nutrocker ~ Trans-Siberian Orchestra
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12. Carmina Burana ~ Trans-Siberian Orchestra
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13. Tracers ~ Trans-Siberian Orchestra
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Years in the making, Night Castle is without question Trans-Siberian Orchestra's most ambitious and adventurous work to date. Founder Paul O'Neill and crew have created 26 songs that run the gamut from hard rock to classical, taking the listener on a journey through different points of history. Night Castle details the triumphs and follies of man but is ultimately an epic story of transformation and love. The two-CD set will be released at a special low price, and will include a unique 68-page booklet, featuring story, lyrics, and full-color illustrations by legendary artist Greg Hildebrandt.

Track Listing
1. Night Enchanted
2. Childhood Dreams
3. Sparks
4. The Mountain
5. Night Castle
6. The Safest Way Into Tomorrow
7. Mozart And Memories
8. Another Way You Can Die
9. Toccata-Carpimus Noctem
10. The Lion's Roar
11. Dreams We Conceive
12. Mother And Son
13. There Was A Life
14. Moonlight And Madness
15. Time Floats On
16. Epiphany
17. Bach Lullaby
18. Father, Son & Holy Ghost
19. Remnants Of A Lullaby
20. The Safest Way Into Tomorrow (Reprise)
21. Embers
22. Child Of The Night
23. Believe
24. Nutrocker
25. Carmina Burana
26. Tracers

Album Notes and Credits


Notes & Personnel Info
Muze PNote Personnel: Robert Kinkel (vocals, keyboards, background vocals); Alexa Goddard, Rob Evan, Valentina Porter, Jennifer Cella, Dina Fanai (vocals, background vocals); Jay Pierce, Bryan Hicks, Tim Hockenberry, Jeff Scott Soto (vocals); Dave Wittman (guitar, drums); Chris Caffery, Trey Tosh, Paul ONeill , Al Pitrelli, Alex Skolnick, Paul O'Neill, Angus Clark (guitar); Roddy Chong (violin, strings); Anna Phoebe, Chizuko Matsusaka, Sarah Shellman, Lowell Adams, Karen Dumke, Alison Zlotow, Caitlin Moe (strings); Jay Coble, Jay Coble, Peter Evans (trumpet); Luci Butler, Luci Butler (keyboards, background vocals); Shih Yi Chiang, Derek Wieland, Jon Oliva, Derek Wieland (keyboards); John O. Reilly, John Reilly, Jason Gianni, Jeff Plate (drums); Danielle Landherr, Zak Stevens, Bart Shatto, James Anthony Austen Lewis, Tany Ling, Abby Skoff, Steve Broderick, Bart Shatto, Kristin Lewis Gorman, Ireland Wilde ONeill, Tony Gaynor, Allison Flom, Evan Shyer, Britney Christian, Scout Xavier, Danielle Landherr, Sanya Mateyas, James Lewis, Tommy Farese, Kelly Keeling, Andrew Ross, Zachary Stevens, Steve Broderick (background vocals).
Muze PNote Audio Mixer: Dave Wittman.
Muze PNote Recording information: Electric Lady Studios, New York, NY; Morrisound Studios, Tampa, FL; Soundtrack Studios, New York, NY; Stellar Productions Inc., New York, NY.
Muze PNote Translator: Doctor Clement Kuehn.
Muze PNote Arrangers: Paul ONeill ; Paul O'Neill; Trans-Siberian Orchestra.
Muze PNote NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling these traits through a newly created narrative does have the effect of hearing it in a somewhat new light, shifting the focus entirely to the band's attack, not melody. Still, there's not that much new here -- and the coda of seasonal covers, including the first sober version of "Nutrocker" ever cut, doesn't do much to break that spell. But for those already enchanted by the Orchestra, this will continue to enthrall.

Producer: Paul ONeill; Paul O'Neill; Robert Kinkel

Engineer: Dave Wittman; Kurdt Vanderhoof; Robert Kinkel

Compilation Appearances

Muze Music Compilations Coming Home For Christmas
Muze Music Compilations Atlantic Records: Time Capsule (Limited Edition)

Associated Artists and Works

Trans-Siberian Orchestra Christmas Piano Tribute ~ Various Artists

Technical Info

Music Release Date Release Date : 10/27/2009
Music Original Release Date Original Release Date : 2009
Music CatalogId Catalog ID : 520271
Music Label Name Label : Atlantic
Music Number of Discs Number of Discs : 2
Music Studio or Live Studio/Live : Studio
Music Mono or Stereo Mono/Stereo : Stereo
Music SPAR code SPAR Code : n/a
Music UPC UPC : 00075678959295

Bio

Trans-Siberian Orchestra

Trans-Siberian Orchestra was formed in 1996 by Paul O'Neill who immediately approached long time friends and collaborators Robert Kinkel and Jon Oliva to form the core of the writing team.

While producing and writing for a number of years with various rock groups Paul was always looking for ways to make the music have greater and greater emotional impact. He tried to write the music that was so melodic it didn't need lyrics. And lyrics that were so poetic that they didn't need music but once you put the two of them together, the sum of the parts would be greater than the whole, and you couldn't imagine them apart. Once he'd done this, he was still looking for a way to take it to even greater heights and he realized that putting the songs within the context of a story would give it a third dimension that wou ld make that additional emotional impact possible.

Hence, he started writing not just albums, but rock operas.

He realized then, that there was an inherent problem recording rock operas within the standard rock and roll band makeup. Rock operas by their nature need the voices to change as the characters change. Rock bands normally only have one (or if you're lucky) two great vocalists to work with, therefore limiting how far you can go. You're forced to make the music fit the band, as opposed to allowing the music to go wherever it needs to.

With Trans-Siberian Orchestra, first the music is created with no artificial limitations, and then we seek out within the classical, rock, Broadway and R & B worlds, the very best singers and musicians to bring each song to life. This also in many ways forces us to operate on a higher level. This environment has the additional benefit of causing a cross pollenization of musical ideas, creating hybrid forms of music that normally never would have occurred, such as an R&B singer doing a classical style melody and bringing gospel touches to it that causes it to glitter in ways that even the creators could not have predicted. Another very important aspect in the creation of the band, is that there could be no limits on the members; we mix all races and ages.

Once when asked what Trans-Siberian Orchestra was about, Paul O'Neill replied, "It's about creating great art. When asked to define what great art was, Paul said, "The purpose of art is to create an emotional response in the person that is exposed to that art. And there are three categories of art; bad art, good art and great art. Bad art will elicit no emotional response in the person that is exposed to it, i.e.; a song you hear in an elevator and it does nothing to you, a picture on a wall that gives you the same emotional response as if the wall had been blank, a movie that chews up time. Good art will make you feel an emotion that you have felt before; you see a picture of a forest and you remember the last time you went fishing with your dad, you hear a song about love and you remember the last time you were in love. Great art will make you feel an emotion you have never felt before; seeing the pieta, the world famous sculpture by Michelangelo, can cause someone to feel the pain of losing a child even if they've never had one. And when you're trying for these emotions the easiest one to trigger is anger. Anyone can do it. Go into the street, throw a rock at someone, you will make them angry. The emotions of love, empathy and laughter are much harder to trigger, but since they operate on a deeper level, they bring a much greater reward.

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