| Product Summary | | Label: Kultur | | UPC: 00075678994654 | | Release Date: 5/13/2008 | | Buy.com Sku: 207941267 | | Item#: M44RRC | | Buy.com Sales Rank: 12 | Format: CD |
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Disc 1
| | Song Title | Sample | | 1. One of Those Nights ~ The Cab |  | | 2. Bounce ~ The Cab |  | | 3. I'll Run ~ The Cab |  | | 4. High Hopes In Velvet Ropes ~ The Cab |  | | 5. That '70s Song ~ The Cab |  | | 6. Take My Hand ~ The Cab |  | | 7. Risky Business ~ The Cab |  | | 8. I'm a Wonder ~ The Cab |  | | 9. Zzzzz ~ The Cab |  | | 10. Vegas Skies ~ The Cab |  | | 11. Can You Keep a Secret? ~ The Cab |  | | 12. This City is Contagious ~ The Cab |  | |
(C) 2008 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
| When asked to describe Death Cab for Cutie's sixth studio album, Narrow Stairs, guitarist/multi-instrumentalist Chris Walla characterizes it as "having teeth," and we can't think of a more apt summarization of the disc. While many bands in Death Cab for Cutie's situation would try to recreate the success of hit songs like "Soul Meets Body" or "I Will Follow You Into the Dark," instead the band have crafted the most ambitious and varied album of their career by simply doing what they've been doing since they formed in Bellingham, Washington a decade ago -- made a brilliant record that refuses to pander, while stretching the artistic boundaries of what a Death Cab for Cutie record should sound like. "...a full-on assault of crunching guitar riffs, distorted, cracked vocals and walls of disorienting feedback..." Billboard "...matches "Transatlanticism" as Death Cab's best." Blender "This time out the musical gambles are bolder and the outcome proportionally more dramatic." Boston Globe "Gibbard's indie-rock blues still plumb emotional depths with remarkable literary detail." Rolling Stone "...the sound of a band falling in love with the concept of sound...[Gibbard's] voice has never sounded more different and varied." Tiny Mix Tapes
| | Album Notes and Credits | Notes & Personnel Info |  | Recording information: Red Bull Studios, Santa Monica, CA (2007). |  | WHISPER WAR, the debut album from Las Vegas's the Cab, announces a band that plays a sleek, commercial version of punk-pop that owes a debt to Fall Out Boy and Panic at the Disco. Yet where the Cab fails to blaze new trails, they know how to use the tools of their genre, crafting hooky, emo-tinged tunes powered by big guitars and sharp production. Taken together, WHISPER WAR provides the perfect soundtrack for rolling down the Strip with the windows down. "One of Those Nights," "Bounce," and "High Hopes in Velvet Ropes" are among the highlights. | Producer: Matt Squire | Engineer: Eric Stenman; Matt Squire |
| | Technical Info |  | Release Date : 04/29/2008 |  | Original Release Date : 2008 |  | Catalog ID : 442364-2 |  | Label : Fueled By Ramen |  | Number of Discs : 1 |  | Studio/Live : Studio |  | Mono/Stereo : Stereo |  | SPAR Code : n/a |  | UPC : 00075678994654 |
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| | Professional Reviews | | The Onion A.V. Club 10 of 10 Death Cab For Cutie multi-instrumentalist and producer Chris Walla sounded the alarm just after New Year's: In one interview, he described Narrow Stairs as a "total curve ball" and a "really polarizing record" that's "got some teeth." To drive the message home, the band designated the eight-minute "I Will Possess Your Heart" as the album's first single, albeit in truncated radio-ready form...But change is always relative. For a generally fey band like Death Cab, a darker, more abrasive approach has produced simply its most rock 'n' roll album to date. "Bixby Canyon Bridge" opens the album in typical Death Cab fashion, with a ghostly guitar and Ben Gibbard's voice. Bass and a second guitar come in intermittently, and a hi-hat ticks quietly...Those moments are more common on Narrow Stairs than on its predecessors: "No Sunlight," "Long Division," and the end of "Pity And Fear" all have that rock-band urgency. They're nicely complemented by the sunny '60s pop of "You Can Do Better Than Me," the chilly slowness of "The Ice Is Getting Thinner," and "Cath...," which sounds like an unreleased track from 2000's We Have The Facts And We're Voting Yes. Narrow Stairs finds Death Cab comfortable with all aspects of its musical personality--and on top of them all. - Kyle Ryan
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| | Bio | | | Death Cab for Cutie After spending much of 2006 in the midst of a turbulent tour cycle surrounding their RIAA platinum, Grammy-nominated album Plans, the band took a well-deserved break during the first part of 2007. Frontman Ben Gibbard embarked on his first-ever solo tour; guitarist/multi-instrumentalist Chris Walla released a solo album and produced records for acts like Tegan & Sara; drummer Jason McGerr constructed his own recording studio, Two Sticks; and bassist Nick Harmer, as always seems to be the case, worked on various projects. If Plans was a collection of firsts -- Death Cab's first album for a major label; the first disc to feature songwriting contributions from someone other than Gibbard; the first Death Cab disc recorded with the same drummer as the one before -- Narrow Stairs feels more like home. The decision to record the new album at McGerr's Two Sticks, Walla's studio Alberta Court, and long-time friend John Vanderslice's studio Tiny Telephone allowed the band to abandon self-conscious tendencies in order to craft the most creative album of their career. "I wanted more than anything to create a professional studio that was also somewhere that was comfortable to hang out in," says McGerr about the conception and construction of Two Sticks (which was designed largely with the Narrow Stairs sessions in mind). "To do that, I had to take into account what we all love and hate about the studios we've been to, and make it comfortable enough to spend five or six weeks there at a time without feeling homesick." That environment, combined with the heightened amount of collaboration on the new songs, makes Narrow Stairs the climactic culmination of Death Cab's first ten years. While much of this is due to the musical and emotional relationship the current quartet have developed over the last few years of playing, singing, and touring together, it can also be attributed to the environment Narrow Stairs was tracked in. According to Harmer, the album was recorded "with all of us sitting in a room looking at each other," making the sessions seem more like a typical band practice than a high-budget recording. And listening back to these eleven songs, there's a level of intimacy that couldn't have been attained any other way. "There was a lot of talk about what we wanted to accomplish as a rhythm section," Harmer continues, adding that he took acoustic bass lessons in order to stretch out on the record. "I just wanted to think of my instrument in a different way."
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