| Product Summary | | Label: Uni/mca | | UPC: 00008811104825 | | Release Date: 7/19/1994 | | Buy.com Sku: 60141902 | | Item#: MTR6JW | Format:  CD |
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| Song Listing |  |
Disc 1
| | Song Title | Sample | | 1. My Long Journey Home - (with The Monroe Brothers) ~ Bill Monroe |  | | 2. What Would You Give In Exchange (For Your Soul) - (with The Monroe Brothers) ~ Bill Monroe | | | 3. Muleskinner Blues - (previously unreleased, live) ~ Bill Monroe | | | 4. Cryin' Holy Unto My Lord ~ Bill Monroe | | | 5. Back Up And Push ~ Bill Monroe | | | 6. Goodbye Old Pal ~ Bill Monroe | | | 7. Heavy Traffic Ahead ~ Bill Monroe | | | 8. Wicked Path Of Sin ~ Bill Monroe | | | 9. It's Mighty Dark To Travel ~ Bill Monroe | | | 10. Bluegrass Breakdown ~ Bill Monroe | | | 11. Can't You Hear Me Callin' ~ Bill Monroe | | | 12. My Little Georgia Rose ~ Bill Monroe | | | 13. I'm On My Way To The Old Home ~ Bill Monroe | | | 14. I'm Blue, I'm Lonesome ~ Bill Monroe | | | 15. Uncle Pen ~ Bill Monroe | | | 16. Lord Protect My Soul ~ Bill Monroe | | | 17. Raw Hide ~ Bill Monroe | | | 18. Brakeman's Blues ~ Bill Monroe | | | 19. Sugar Coated Love ~ Bill Monroe | | | 20. Christmas Time's A-Coming ~ Bill Monroe | | | 21. First Whippoorwill, The ~ Bill Monroe | | | 22. In The Pines ~ Bill Monroe | | | 23. Footprints In The Snow ~ Bill Monroe | | | 24. Walking In Jerusalem ~ Bill Monroe | | Disc 2
| | Song Title | Sample | | 1. Memories Of Mother And Dad ~ Bill Monroe | | | 2. Little Girl And The Dreadful Snake, The ~ Bill Monroe | | | 3. Y'all Come ~ Bill Monroe | | | 4. Sitting Alone In The Moonlight ~ Bill Monroe | | | 5. On And On ~ Bill Monroe | | | 6. White House Blues ~ Bill Monroe | | | 7. Happy On My Way ~ Bill Monroe | | | 8. Voice From On High, A ~ Bill Monroe | | | 9. Close By ~ Bill Monroe | | | 10. Put My Little Shoes Away ~ Bill Monroe | | | 11. Wheel Hoss ~ Bill Monroe | | | 12. Cheyenne ~ Bill Monroe | | | 13. You'll Find Her Name Written There ~ Bill Monroe | | | 14. Roanoke ~ Bill Monroe | | | 15. Blue Moon Of Kentucky - (previously unreleased, live) ~ Bill Monroe | | | 16. Girl In The Blue Velvet Band, The - (previously unreleased, live) ~ Bill Monroe | | | 17. Used To Be ~ Bill Monroe | | | 18. Good Woman's Love, A ~ Bill Monroe | | | 19. Cry, Cry, Darlin' ~ Bill Monroe | | | 20. I'm Sittin' On Top Of The World ~ Bill Monroe | | | 21. I'll Meet You In The Morning ~ Bill Monroe | | | 22. Scotland ~ Bill Monroe | | | 23. Molly And Tenbrooks - (previously unreleased, live) ~ Bill Monroe | | | 24. John Henry - (previously unreleased, live) ~ Bill Monroe | | Disc 3
| | Song Title | Sample | | 1. Big Mon ~ Bill Monroe | | | 2. Dark As The Night, Blue As The Day ~ Bill Monroe | | | 3. Sold Down The River ~ Bill Monroe | | | 4. Little Joe ~ Bill Monroe | | | 5. Lonesome Road Blues ~ Bill Monroe | | | 6. I'm Going Back To Old Kentucky - (mono) ~ Bill Monroe | | | 7. Toy Heart ~ Bill Monroe | | | 8. Nine Pound Hammer - (mono) ~ Bill Monroe | | | 9. Big Sandy River ~ Bill Monroe | | | 10. Darling Corey ~ Bill Monroe | | | 11. Salt Creek ~ Bill Monroe | | | 12. Sailor's Hornpipe ~ Bill Monroe | | | 13. Roll On Buddy, Roll On ~ Bill Monroe | | | 14. Bill's Dream - (previously unreleased) ~ Bill Monroe | | | 15. Never Again ~ Bill Monroe | | | 16. Dusty Miller ~ Bill Monroe | | | 17. Midnight On The Stormy Deep ~ Bill Monroe | | | 18. Soldier's Joy - (previously unreleased) ~ Bill Monroe | | | 19. Blue Night - (mono) ~ Bill Monroe | | | 20. Sally Goodin ~ Bill Monroe | | | 21. Kentucky Mandolin ~ Bill Monroe | | | 22. Walls Of Time - (previously unreleased) ~ Bill Monroe | | | 23. I Haven't Seen Mary In Years - (mono) ~ Bill Monroe | | | 24. Dead March, The - (mono) ~ Bill Monroe | | | 25. With Body And Soul ~ Bill Monroe | | | 26. Walk Softly On My Heart ~ Bill Monroe | | | 27. Goin' Up Caney ~ Bill Monroe | |
(P) 1994 UMG Recordings, Inc.
(C) 1994 Geffen Records
| | Album Notes and Credits |
Notes & Personnel Info |  | Personnel includes: Bill Monroe (vocals, mandolin, guitar); Jimmy Maynard (vocals, guitar); Charlie Cline (vocals, guitar, fiddle); James Monroe (vocals, guitar, bass); Blake Williams (vocals, banjo); Benny Williams (vocals, fiddle); Tex Willis, Wayne Lewis, Dale Sellers (guitar); Rudy Lyle, Lamar Grier, Bob Black (banjo); Buddy Pennington (mandolin); Dale Potter, Charlie Smith, Red Hayes (fiddle); Sheldon Kurland Strings (strings); Owen Bradley (vibraphone); Amos Green, Bessie Lee Mauldin, Billy Rose (bass). | | Additional guest artists: Carl Butler, Del McCoury, Peter Rowan, Sonny Osborne, Curtis McPeake, Bill Keith, J.C. Davis, Chubby Wise, Vassar Clements, Gordon Terry, Bobby Hicks, Tommy Jackson, Buddy Spicher, Richard Greene, Byron Berline, Glen Duncan, Emory Gordy, Jr. | | Producers: Eli Oberstein (disc 1, track 1-2); Frank Walker (disc 1, tracks 4-5); Art Satherley (disc 1, tracks 6-11); Harold Bradley (disc 2, track 22); Owen Bradley (disc 3, tracks 2, 6-7); Harry Silverstein (disc 3, tracks 11-27); Walter Haynes (disc 4, tracks 1-6, 10-12); Walter Haynes, Leonard "Snuffy" Miller (disc 4, track 7); David Freeman (disc 4, tracks 8-9); Emory Gordy, Jr. (disc 4, tracks 13-19); Steve Buchanan, Bill Monroe (disc 4, tracks 20-21); Steve Buchanan (disc 4, track 22); Vic Gabany (disc 4, track 23). | | Compilation producer: The Country Music Foundation. | | Recorded between 1936 and 1994. Includes liner notes by John W. Rumble. | | There aren't many 20th Century American musicians who contributed as much to their forms of expression as mandolinist Bill Monroe did to his. After all, how many can credibly claim that they invented their style? The "Daddy of Bluegrass" surely can, since he defined not only its rhythmic breakdowns and hillbilly harmonies, but the music's scriptural intentions and fervent connections to the common folk. From his tours with brother Charlie as the Monroe Brothers, through his spotlight as smooth, expert bandleader and Grand Ol' Opry mainstay, into his autumn as a patriarchal preacher of bluegrass, he carried himself as a dignified giant--and he was. The comprehensive four-disc THE MUSIC OF BILL MONROE chronicles his long story. | | All the seeds of Monroe's Eastern Kentucky-bred style can already be spotted in the Monroe Brothers selections: Bill's hyperactively precise mandolin attack, the two-part vocal harmonies, the blues and negro-spiritual influences. When he debuted the initial version of his Blue Grass Boys on national radio, driving through Jimmie Rodgers' "Muleskinner Blues," Monroe added a backwoods fiddle and a stand-up bass to the guitar/mandolin/voices lineup. He added a banjo in 1945. Monroe went through many sidemen in those years, and his choosiness paid off. His Blue Grass Boys of 1946-49--featuring guitarist-vocalist Lester Flatt and father of bluegrass banjo Earl Scruggs on some of the country's greatest musical recordings--became the standard by which all other bluegrass groups were judged, adding a jazz-influenced flexibility to the interplay. | | From there on, Monroe became the music's ambassador and its main mentor. Much as with Miles Davis' jazz ensembles, just about every important bluegrass musician in existence served time as a Blue Grass Boy (just look to the credits for proof). Monroe finally passed on to the grand honky-tonk in the sky in September 9, 1996, but his legacy will not be soon forgotten. | | Personnel: Bill Monroe (vocals, tenor, guitar, mandolin); Clyde Moody (vocals, bass voice, guitar); Del McCoury, Jimmy Maynard, Tom Ewing, Edd Mayfield, Jimmy Martin , Lester Flatt, Mac Wiseman, Peter Rowan, Ricky Skaggs, Carter Stanley, Charlie Monroe (vocals, guitar); Bill Wesbrooks (tenor); Earl Scruggs (baritone, banjo); Kenny Baker (baritone, fiddle); Monroe Fields, Tommy Magness (baritone); Culley Holt, Birch Monroe, Milton Estes, Boudleaux Bryant (bass voice); Joe Stuart (guitar, banjo); Wayne Lewis , Tex Willis, Grady Martin, Vernon "Jack" Cooke, Jack Cooke, Jackie Phelps, Norman Blake, Pete Pyle, Roland White, Benny Williams, Bob Fowler, Carl Butler (guitar); Curtis McPeake, Don Stover, Rual Yarbrough, Lonnie Hoppers, Dan Stover, Earl Snead, Blake Williams, David Akeman, James Ora Bowers, Hubert Davis, Lamar Grier, Rudy Lyle, Robert Lee Pennington, Dana Cupp, Jr., Joe Drumright, Roland "Sonny" Osborne, Joseph Robins, Jim Smoak, Sonny Osborne, Barbara Pennington, Vic Jordan, Bill Keith, Bobby Black, Bobby Thompson (banjo); J.C. "Cleo" Davis (mandolin); Connie Ellisor, Sheldon Kurland, Dennis Molchan, George Binkley III, Carl Gorodetzky (violin); James "Hal" Smith , Dale Potter, Merle "Red" Taylor, Hal Smith , Glen Duncan, Gordon Terry, Mike Feagan, Art Wooten, Horace "Benny" Williams, Robert Chubby Wise, Norman Spicher, Joe Hayes, Richard Greene , Robert Bowlin, Tommy Jackson, Tommy Williams , Vassar Clements, Bobby Hicks , Byron Berline, Charlie Cline, Charlie Smith (fiddle); Marvin Chantry (viola); Roy Christensen (cello); Wilene Forrester (accordion); Owen Bradley (vibraphone); Cindy Nelson, Curtis Young, Arlene Hardin, Bobby Hardin (background vocals). | | Audio Remixers: Alan Stoker; Glenn Rieuf. | | Liner Note Author: John W. Rumble. | | Recording information: Atlanta, GA; Bean Blossom, IN; Burns, TN; Charlotte, NC; Chicago, IL; Grand Ole Opry, Nashville, TN; Mt. Juliet, TN; Nashville, TN; New River Ranch, MD. | | Photographer: Jim McGuire . | | Unknown Contributor Role: Glenn Meadows. | | Arranger: Bill McElhiney. | | A comprehensive four-disc box set produced under the auspices of the Country Music Foundation, THE MUSIC OF BILL MONROE 1936-1994 is the first collection to cover Monroe's entire musical career, one which spanned several decades and nearly as many record labels. This collection of 98 songs, presented in strict chronological order, begins with Monroe's early duets with his brother Charlie, and ends on a relaxed and graceful run through the traditional folk tune "Boston Boy" nearly six decades later. The result is not only a history of Monroe's career, but also a history of bluegrass music as a whole. | | In the early, frenetic bluegrass days of the '30s, the high-speed instrumental breakdowns of the Bluegrass Boys' still-breathtaking first singles arrived with the same impact as Elvis would have two decades later, or even the Sex Pistols 40 years on. In fact, it's important to remember that this music was as new and foreign as rock & roll or punk rock would be in their nascent days. The young turk Monroe eventually became bluegrass's elder statesman, and while purists might occasionally cringe at the countrypolitan sweetening that Owen Bradley and others added to Monroe's folk-influenced style in the '60s and '70s, the strength of Monroe's abilities never wavered. |
Musical Guests | | Ricky Skaggs | | Mac Wiseman | | Jimmy Martin | | Carter Stanley | | Kenny Baker | | Roland White | | Lester Flatt & Earl Scruggs | | Grady Martin |
| | Artist Overview | | One of the giants of 20th-century music, Kentucky-born Bill Monroe was the undisputed creator of bluegrass. His mandolin-picking and plaintive tenor are among the genre's most moving and distinctive sounds. His band, the Bluegrass Boys, provided the launching pad for innumerable bluegrass careers, graduating such luminaries as Flatt and Scruggs, Reno and Smiley, and Peter Rowan. Though his period of greatest popularity was the '40s and '50s, Monroe was a tireless performer who continued to play live into the '90s, even after treatment for cancer and a double bypass operation. By the time of his death in 1996, he had been crowned several times over as the king of bluegrass and proved a seminal inspiration to several generations of musicians. |
| | Compilation Appearances |
| | Associated Artists and Works |
| | Technical Info | | Release Date : 06/21/1994 | | Original Release Date : 1994 | | Catalog ID : 11048 | | Label : MCA Records (USA) | | Number of Discs : 4 | | Studio/Live : Mixed | | Mono/Stereo : Mixed | | SPAR Code : n/a | | UPC : 00008811104825 |
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| | Professional Reviews | | Sing Out! (11-12/94-1/95, pp.137-138)
- "...Two things stand out in this summary of Monroe's career. First, it is striking how consistent his sound has remained over the years....The second revelation is just how much of the working repertoire of bluegrass bands today consists of Monroe's compositions..." |
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