Notes & Personnel Info |  | Personnel includes: Mary J. Blige, Aretha Franklin, K-Ci Hailey (vocals); Soulshock, Karlin, Kiyamma Griffin, Kevin Deane, Chucky Thompson, Rich Harrison, Jimmy Jam, Terry Lewis (various instruments); Babyface (acoustic guitar, keyboards, programming); Eric Clapton, Jeff Mironov, Eli Lishinski, Soong Lee, Mike Scott, Paul Pesco, Mark Bowers (guitar); Dave Boruff (saxophone); Manuel Seal (piano, electric piano); Elton John (piano); Gen Rubin (Wurlitzer piano); Bryant Crockett (keyboards, programming); Rex Rideout, Don Kipping, Loris Holland (keyboards); Tom Barney, Nathan East, Eric Lorde, Paul Johnson, Chuck Domonico (bass); Chris "Daddy" Dave (drums); Paulinho Da Costa (percussion); Cindy Mizell, Paulette McWilliams (background vocals). | | Producers include: Lauryn Hill, Kevin Deane, Rich Harrison, Mary J. Blige, Babyface. | | Engineers include: Carl Robinson, Manny Marroquin, Paul Boutin. | | MARY was nominated for the 2000 Grammy Award for Best R&B Album. "All That I Can Say" was nominated for the 2000 Grammy Award for Best Female R&B Vocal Performance and for Best R&B Song. "Don't Waste Your Time" was nominated for the 2000 Grammy Award for Best R&B Performance By A Duo Or Group With Vocal. | | The queen of hip-hop soul, Mary J. Blige, returned with her third album, MARY, at a time when R&B was experiencing a surge in popularity. Blige collaborates with numerous producers and songwriters like Lauryn Hill ("All That I Can Say"), Babyface ("Don't Waste Your Time," which also features vocals from Aretha Franklin and Soulshack), and Karlin ("Time") to bring a more expansive sonic recipe to her music. | | MARY is a dynamic, intricately arranged album that gives the singer a softer, more melodic sound than her tougher hip-hop sound of the early '90s. "Beautiful Ones" (produced by Chucky Thompson), "Not Lookin'" (a duet with K-Ci Hailey), and "The Love I Never Had" (produced by Jimmy Jam and Terry Lewis) are standout tracks. |
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| Rolling Stone (9/2/99, p.110)
- 4 stars (out of 5)
- "...superstar-packed.... Mary is moving away from the...sound of her earlier albums into a sound that's...more soulful, singing over a large live band or alongside Eric Clapton's guitar or Elton's piano. But she remains the queen of hip-hop soul..."Spin (10/99, p.164)
- 9 out of 10 - "...Emotionally gripping and stylistically diverse, this album should allow Blige to transcend the limited and somewhat apologetic 'Queen of Hip-Hop Soul' label..." Entertainment Weekly (8/20-27/99, pp.123-4)
- "...Does what Mary J. Blige does best - making a heart-to-heart connection with her female fans by channelling the everyday insults and injuries of the love wars into passionate vocal art." - Rating: B Q (1/00, p.83)
- Included in Q Magazine's "50 Best Albums of 1999." Q (9/99, p.101)
- 4 stars (out of 5)
- "...Whether freestyling over skipping, Timbaland-influenced beats on 'Beautiful One' or the straightforward swing of 'Your Child', Blige can turn from sassy to agonized to vulnerable in the space of a single phrase....The Queen Of Hip Hop Soul remains classy and invincible." The Source (10/99, p.240)
- "...when you take Mary's pure emotion...and place it over its rightful medium, something incredible is bound to happen....she dares to break the hip-hop soul template she helped create, and do something different. Something our loop-weary souls need." Rap Pages (10/99, pp.144-5)
- "...It's sweet. It's consistent. It's personable. It's mature....A field trip of energy relative to all. And of course, each track is blessed with the influence of Hip-Hop soul, jazz and blues. Hail Mary!" - Rating: B |
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