| Product Summary | | Label: Allegro Corporation | | UPC: 00788377103424 | | Release Date: 6/7/2005 | | Buy.com Sku: 63986832 | | Item#: M2EHWV | Format:  CD |
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| Song Listing |  |
Disc 1
| | Song Title | Sample | | 1. Badfish/Boss DJ - Jack Johnson ~ Various Artists |  | | 2. What I Got - Michael Franti/Spearhead/Gift Of Gab ~ Various Artists | | | 3. Date Rape - Fishbone ~ Various Artists | | | 4. Get Out - Bargain Music ~ Various Artists | | | 5. Santeria - Avail ~ Various Artists | | | 6. D.J.s - No Doubt ~ Various Artists | | | 7. Paddle OUt - The Ziggens ~ Various Artists | | | 8. Work That We Do - Petra Haden/Mike Watt/Stephen Perkins ~ Various Artists | | | 9. Get Ready - Half Pint/Filibuster ~ Various Artists | | | 10. Greatest Hits - G. Love ~ Various Artists | | | 11. Doin' Time - Greyboy Allstars ~ Various Artists | | | 12. Garden Grove - Camper Van Beethoven ~ Various Artists | | | 13. April 29th, 1992 (Miami) - Ozomatli ~ Various Artists | | | 14. Waiting For My Ruca - Transducer/Abstract Rude/AWOL One/Josh Fischel ~ Various Artists | | | 15. Same In The End - Pennywise ~ Various Artists | | | 16. Pawn Shop - Los Lobos ~ Various Artists | |
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| | Album Notes and Credits |
Notes & Personnel Info |  | Personnel: David Hidalgo (vocals, guitar); Petra Haden (vocals, violin); Josh Fischel (vocals, melodica); Jason Boggs (vocals, saxophone); Stephen Bradley (vocals, trumpet); Brad Conyers (vocals, drums); Justin "Ni¤o" Por?e (vocals, percussion); Gift of Gab, David Lowery, Gwen Stefani, Michael Franti (vocals); Cesar Valle Rojas (guitar, acoustic guitar); Ra£l Pacheco (guitar, background vocals); Mike Scheftner, Dave Shul, Bert Susanka, Greg Lisher, Dickie Little, Louie P?rez, Tom Dumont (guitar); Zach "Zippy" Goodin (acoustic guitar, electric guitar); Jonathan Segel (violin, computer); Ulises Bella (saxophone, background vocals); Asdrubal Sierra (trumpet); Gabrial McNair (trombone, keyboards); Sheffer Bruton (trombone); Steve Berlin (horns, keyboards); Ben McClara (keyboards); Cougar Estrada (drums, percussion); Darrin Baker , Adrian Young, Robert Bradley, Stephen Perkins, Mario Calire, Frank Funaro (drums); Jiro Yamaguchi, Robert Carranza (percussion). | | Audio Mixers: Alan Weatherhead ; Mark Johnson; Robert Carranza; Eddie Ashworth; Andrew Weiss; David Kahne; Rick "Soldier" Will; Marshall Goodman; Bryan Cook. | | Recording information: Mario C's Studio (05/1997); Ohio University School Of Telecommunications Studio B, (05/1997); Room 127, Sacramento, CA (05/1997); Sound Of Music, Richmond, VA (05/1997); Stall #2, Redondo Beach, CA (05/1997); Sugar Shack, SF, CA (05/1997); The Pond, Anaheim, CA (05/1997); total Access, Redondo Beach, CA (05/1997). | | Photographers: John Dunne; Josh Coffman; Jim Nowell; Sean Whisner. | | Sublime's music and lifestyle were unique in their time, as the band celebrated both the irreverence of punk sans anger and political hang-ups, and the mellow party spirit embodied by the hippie generation sans philosophical baggage and ridiculous outfits. In this regard, they can be seen as an important bridge between the mainstream alternative rock scene of the 1980s and the jam band explosion of the '90s. As such, the group's influence has extended to an unusually wide cross-section of bands. Combining rock, reggae, ska, folk, and rap, Sublime's genre-mixing and good-time attitude had much in common with many of the acts represented here, making this collection a true celebration rather than a cheap cash-in. The best tracks are those that the artists choose to make their own: Fishbone's "Date Rape" takes the original's hyper pogo groove and kicks it up several crazed notches, while Jack Johnson puts his unique surfer stamp on "Badfish: Boss DJ/Medley." In addition, the presence of contemporaries G-Love and No Doubt, as well as predecessors Los Lobos and Mike Watt, reinforces the fact that Sublime's music struck a universal chord. | | Sadly, the tribute album has gone from being an honor bestowed upon an artist by his or her brethren to a marketplace cash cow. "Tributes" are often cranked out at breakneck pace by no-name imitators and studio musicians, and filled with marginal renditions of an artist's material (often with even just a debut album to go on). Thankfully, this tribute to Sublime bucks the prevailing trends, and the rewards pay off tenfold. An impressively diverse cast of musicians from a wide range of styles and genres participate, showing just how much Sublime's music transcended classification. Hip-hop (represented brilliantly by Michael Franti and Spearhead's "What I Got"), Latin (Ozomatli, Los Lobos), indie rock (Mike Watt, Camper Van Beethoven), and funk-rock (G. Love, Fishbone) make up just some of the stellar contributions. It's a fitting tribute to a band whose time in the spotlight was too painfully short, but whose influence and impact will be measured for generations of punk fans to come. [A clean version of this album was issued for those searching for a profanity-free alternative.] ~ Rob Theakston |
Producer: Norwood Fisher; De Andre Gibson; Brad Ziggen; Mike Scheftner; Josh Fischel; Mike Watt; Mark Johnson; Michael Franti; Chris D.; Robert Carranza; Eddie Ashworth; Chris Xefos; Michael Pollack; Andrew Weiss; Norwood Fisher; De Andre Gibson; Brad Ziggen; Rick |
Engineer: Brendan Dane; Phil Kaffel; Mike Scheftner; Nick Addison; Darian Rundall; Alan Weatherhead; Robert Carranza; J. Bowman; Guy Charbonneau; Brendan Dane; Mike Scheftner; Phil Kaffel; Robert Carranza; Nick Addison; Darian Rundall; Alan Weatherhead; Mike Mcmull |
| | Technical Info | | Release Date : 06/21/2005 | | Original Release Date : 2005 | | Catalog ID : CLN44 | | Label : Cornerstone RAS | | Number of Discs : 1 | | Runtime : 60m : 47s | | Studio/Live : Live | | Mono/Stereo : Stereo | | SPAR Code : n/a | | UPC : 00788377103424 |
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