Notes & Personnel Info |  | Personnel: John Legend (vocals, piano, Fender Rhodes piano, organ, keyboards); Kanye West (rap vocals, programming); Snoop Dogg (rap vocals); Dave Tozer (guitar, keyboards, bass guitar, programming); Miri Ben-Ari (strings); Tim Izo (flute, saxophone); Printz Board (trumpet); will.i.am (Moog synthesizer, programming). | | If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions -- Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West -- whose Sony-distributed boutique label released the record -- is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. [A year after its initial release, the album was issued with a bonus DVD recorded at Legend's performance at Hollywood's House of Blues in August 2005.] ~ Andy Kellman | | If you've listened to Top 40 radio or flipped through the video channels during the past few years, odds are pretty good you know something about John Legend. He played piano on Lauryn Hill's "Everything Is Everything" and might as well be considered Kanye West's sidekick, having assisted the producer and MC on several sessions -- Jay-Z's "Encore" and Slum Village's "Selfish" being two of the more prominent 2004 singles featuring his work. A former choir director, he has also released a handful of energetic live discs, some of which are credited to his less hubristic birth name, John Stephens. And though he claims "I've got something new," you've also heard substantial chunks of Get Lifted in records made decades ago by Sly & the Family Stone, Curtis Mayfield, Quincy Jones, and Bill Withers. This might not be a problem for listeners who crave anything that recalls the music they first heard in their youth, but Legend's over-reliance upon his inspirations is an impediment as much as a slick way to grab attention. That's because he has more than enough talent and charm to get by on his own. His own lyrics and hooks are unique and clever enough to get the point across that he's no everyday R&B artist and, just as importantly, he has a personable and instantly fetching voice you could listen to all day long. However, the association with West -- whose Sony-distributed boutique label released the record -- is very helpful. Without it, Legend would likely be zoned into neo-soul (2003's Live at SOB's New York City really makes this notion apparent), thereby standing little chance of reaching the ears of anyone younger than 30. The production work supporting his songs strikes a fine balance between soul and hip-hop, allowing him to appeal to those who are coming from either angle. This is a very good record. It's a given that Legend is destined to make at least two others that top it. ~ Andy Kellman | | Six years after cutting his musical teeth as a teen, tickling the ivories on the classic Lauryn Hill single "Everything Is Everything," John Stephens popped up everywhere in 2004, going by the bold name of John Legend. His ubiquity was unsurprising, since he was taken under the wing of Kanye West, the year's breakout success, who tabbed Legend "the future of hip-hop." It's an interesting label for a man whose elegant voice and schooled songwriting conjures up Bill Withers and Al Green, but sometimes the future intersects with the past in a manner transcending revival. | | Legend drops his debut, GET LIFTED, into the center of the neo-soul universe, and it's a charming, earnest record. Sometimes he dives into a contemporary slow jam, as on "Let's Get Lifted;" other times he finds a groove the Delfonics would be proud of, as on the West-driven "Number One." On the gently gorgeous "Ordinary People, " however, it's just the man and his piano. Whether he's truly the future direction of any genre or not, Legend is an artist to watch, and GET LIFTED offers the first major taste of his talent. |
Producer: John Legend; Kanye West; Will.I.Am; Dave Tozer |
Engineer: Michael Peters |
Musical Guests | | Snoop Dogg | | Kanye West | | Will.I.Am | | Lauryn Hill |
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