| | | Features: DVD, Biographies, Trailers "Another wonderful Guinness performance..." Chris Jarnick, Epinions.com "A film that exudes enduring period charm and panache." Talking Pictures
 Editor's Note
 Mr. Holland (Alec Guinness) has supervised the bank's bullion run for years. He is fussy and unnecessarily overprotective, but everyone knows he is absolutely trustworthy. And so, on the day the bullion truck is robbed, he is the last person to be suspected. But there is another side to Mr. Holland--he is also Dutch, the leader of THE LAVENDER HILL MOB.Prolific Ealing writer T.E.B. Clarke won an Oscar for his deft script for THE LAVENDER HILL MOB. But he was helped greatly by the precise direction and impeccable timing of director Charles Crichton, and by the brilliance of Alec Guinness's performance. When he tries to recruit Mr. Pendlebury (Stanley Holloway) as Pendlebury chips away at one of his sculptures, Guinness circles Holloway, playfully seducing him into the idea of robbery and, as Holloway finally understands the proposition, Guinness looks back over his shoulder like some elfin Lucifer. When the mob goes over its robbery plans, Guinness insists on a detail and Shorty (Alfie Bass) acknowledges that Guinness is the boss. Guinness, concentrating, agrees. Then, as he relaxes and eases back in his chair, Guinness sheds his years of servitude to the bank--Dutch Holland is indeed the boss.
 Plot Summary
 This classic comedy from Ealing Studios stars Alec Guinness as Holland, a mild-mannered bank clerk who masterminds an ingenious robbery. For the past 20 years, Holland's job has been to escort shipments of gold bullion from refineries to his bank's vaults. However, he's fed up with his lot in life and so decides to team up with three accomplices to smuggle a load of gold from England to France. Holland cooks up a clever, secret plan to melt stolen gold into models of the Eiffel Tower and then ship them off to Paris as souvenirs. Although the scheme seems foolproof, the caper proves tricky to pull off. Soon the motley gang of thieves are being chased through the streets of London--and their stash has fallen into the hands of some very unlikely people. THE LAVENDER HILL MOB is one of the finest comedies to come out of England in the 20th century.
| Features | Scene Selection |  | Full Frame Presentation |  | Original Theatrical Trailer |  | Alec Guinness Bio |
| Technical Info
| Release Information
|  | Studio: Anchor Bay |
 | Release Date: 11/11/2008 |
 | Running Time: 81 minutes |
 | Original Release Date: 1951 |  | Catalog ID: 11475 |  | UPC: 00013131147599 |  | Number of Discs: 1 | Audio & Video
|  | Original Language: English |  | Available Audio Tracks: English [CC], English |  | Video: B&W |
| Cast & Crew
| Awards | Oscar (1953) |  | T.E.B. Clarke, Winner, Best Writing, Story and Screenplay |  | Alec Guinness, Nominee, Best Actor | | Venice Film Festival (1951) |  | Alec Guinness, Nominee, Golden Lion |
| Memorable Quotes| "By jove, Holland, it's a good job we're both honest men."----Mr. Pendlebury (Stanley Holloway) to Mr. Holland (Alec Guiness) |
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| | Professional Reviews | Sight and Sound "...Relatively light-hearted and easy-going..." 10/01/2002 p.66Harvey's Movie Review 7 of 10 In a beautifully detailed script, T.E.B. Clarke carefully portrays the shift from order to chaos as Guinness moves from an invisible drone in a city of men in bowler hats to the mastermind behind the biggest robbery in the history of the State...Director Charles Crichton handles the early scenes very delicately, and the film maintains a careful balance between farce, satire, and gentle fun. - Harvey O'Brien EUFS: The Film Society 7 of 10 This is one of the best loved of the Comedies, mainly because it is so light hearted, but also because it shows someone behaving out of character and enjoying it. It appeals to the universal impulse to break free from the normal boring routine. It is also very funny, largely due the unusual double act of Guinness and Sid James, he of the Carry On films, but also because this is definitely not a moral tale. - Katherine Edge
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