| | | "If Someone Hurt Someone You Love, How Far Would You Go To Get Revenge."
Features: Widescreen, English, Spanish, French
The night she arrives at the remote Collingwood lakehouse, Mari and her friend are kidnapped by a prison escapee and his crew. Terrified and left for dead, Mari's only hope is to make it back to parents John and Emma. Unfortunately, her attackers unknowingly seek shelter at the one place she could be safe. And when her family learns the horrifying story, they will make three strangers curse the day they came to The Last House on the Left.
"The storyline was actually believable, surrounding a family willing to do anything to save one another. A horror film turned feel-good." Olivia Putnal, Premiere Magazine
Editor's Note
After THE HILLS HAVE EYES was remade in 2006, another Wes Craven '70s shocker arrives on screen with this film. Mari (Sara Paxton) looks forward to a relaxing vacation at a lake house, the escaped convicts she meets have a different sort of evening in mind. The men brutally attack her, and she barely survives, but she tries to make it back home to her parents (Tony Goldwyn and Monica Potter). However, the prisoners accidentally arrive at her parents' home, and soon they're the ones who should be frightened.
| Features | A Look Inside | | Audio: English, French, Spanish Dolby Digital 5.1 | | BD Live - My Scenes Sharing | | D-Box | | Deleted Scenes | | Includes A Digital Copy Of The Film For Portable Media Players! | | Interactive Menus | | Scene Selection | | Subtitles: English, French, Spanish | | This Is A Blu-Ray DVD Made For Blue-Laser Format Players Which Produce Higher Quality Picture & Sound |
| Technical Info
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Release Information
| | Studio: Universal |
| Release Date: 1/3/2010 |
| Original Release Date: 2009 | | Catalog ID: 61110488 | | UPC: 00025192032837 | | Number of Discs: 2 |
Audio & Video
| | Video: Color |
Aspect Ratio | | Widescreen 1.85:1 |
| Cast & Crew
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| | Professional Reviews | Box Office
3.5 stars out of 5 -- "[The director] does fantastic things with more brutal sequences -- directing tense scenes as others might direct a tightly choreographed fight....THE LAST HOUSE ON THE LEFT is a properly horrifying night out." 03/11/2009Chicago Sun-Times
"[D]irector Iliadis and his cinematographer Sharone Meir do a smooth job of handling space and time to create suspense. The film is an effective representative of its genre, and horror fans will like it..." 03/11/2009 New York Times
"A study of operatic vengeance and dueling family values, this stylish renovation by Dennis Iliadis remains mostly true to the original story....The director proves adept at managing mayhem in cramped spaces..." 03/13/2009 Rolling Stone 6 of 10
Ten minutes into this puke-slick remake of Wes Craven's infamous 1972 revenge classic on rape, torture and murder, I knew this crapathon would give Watchmen a run for its money as this weekend's top box-office bell ringer. Such is the debased state of American moviegoing barely three months into the new year, a time when profits soar and taste sinks to sewage levels. Craven, influenced by Ingmar Bergman's Virgin Spring and the real-life Charles Manson murders, found creative ways to plumb the dark depths of human nature. And he did it with no cash. Remake director Dennis Iliadis, with a studio budget and a galling, glib cynicism, is merely cashing in. So when a fate worse than death befalls young Mari (Sara Paxton) at the hands of creeps, and her parents (Tony Goldwyn and Monica Potter) predictably seek vengeance, audiences with a brain cell left have only one choice: Look for the first exit on the right. - Peter Travers
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