In The Aeroplane Over The Sea (1998) ( )

Artist: Neutral Milk Hotel
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Product Summary
Label: Merge (exclusive)
UPC: 00036172943623
Release Date: 2/10/1998
Buy.com Sku: 60000842
Item#: MHCGSS
Buy.com Sales Rank: 23388
Format:  CD

Song Listing

Disc 1
Song TitleSample
1. King Of Carrot Flowers, Pt. One, The ~ Neutral Milk Hotel
2. King Of Carrot Flowers, Pts. Two And Three, The ~ Neutral Milk Hotel
3. In The Aeroplane Over The Sea ~ Neutral Milk Hotel
4. Two-Headed Boy ~ Neutral Milk Hotel
5. Fool, The ~ Neutral Milk Hotel
6. Holland, 1945 ~ Neutral Milk Hotel
7. Communist Daughter ~ Neutral Milk Hotel
8. Oh Comely ~ Neutral Milk Hotel
9. Ghost ~ Neutral Milk Hotel
10. (untitled) ~ Neutral Milk Hotel
11. Two-Headed Boy Pt. Two ~ Neutral Milk Hotel



 
Album Notes and Credits

Notes & Personnel Info
Neutral Milk Hotel: Jeff Mangum ( vocals, guitar, organ, bass, drums, tapes, shortwave radio); Julian Koster (banjo, accordian, saw); Scott Spillane (trumpet, flugelhorn, trombone, euphonium); Jeremy Barnes (organ, drums).
Additional personnel: Michelle Anderson (Uilleann pipes); Marisa Bissinger (saxophone, flugelhorn); Rick Benejamin (trombone); Laura Carter (zanzithophone); Robert Schneider (piano, organ, bass, background vocals).
Neutral Milk Hotel leader Jeff Mangum is a popster who hears interstellar sounds as natural ingredients of his "pop." He was weaned with the inevitable four-track in his bedroom, schooled on a record collection stacked with John Cage and Captain Beefheart as well as the Beatles and the Kinks. There is an instant emotional intensity to Neutral Milk's music, and the seeds that were sewn on '96's lo-fi masterpiece ON AVERY ISLAND, bear an evolving fruit on IN THE AEROPLANE OVER THE SEA.
Mangum's psych-folk songwriter musings dominate the album's landscape. Confusion streams out in hallucinatory phrases, trying to outrace a manic acoustic guitar, which in turn propels a band whose general sound is a four-track, punked-up version of Tom Waits' RAIN DOGS outfit. Brass-heavy instrumentals akin to ambient, bayou funeral dirges skitter by. At times, sunny pop emerges from the busy squall , as on the title track. Occasionally, the squall itself latches onto a melody, exploding with Flaming Lips-like ferocity. All of it suggests that while Neutral Milk's grasp on inherent truths (musical and otherwise) is wholly unstable, its quest for them is a wonder to behold.

Producer: Robert Schneider

Musical Guests
Robert Schneider

 
Artist Overview
Athens, GA's Neutral Milk Hotel were one the key bands in the late-1990s Elephant Six Collective--a loose configuration of bands that often shared members and played an indie-rock update of 1960s psychedelic pop. The band, led by mastermind Jeff Mangum, released only two albums proper; however, both ON AVERY ISLAND and THE AEROPLANE OVER THE SEA proved to be veritable masterpieces. The band went on indefinite hiatus, much to the chagrin of fans, shortly after the second album's release.

Artist Influences
Donovan | Guided by Voices | Pink Floyd | Sebadoh | Sonic Youth | Syd Barrett | The Beach Boys | The Beatles | The Kinks | The Zombies

Artist Contemporaries
Arcade Fire | Ashley Park | Belle & Sebastian | Beulah | Brian Dewan | Darren Hanlon | Elf Power | Everybody Uh-Oh | Guided by Voices | Instruments | Marbles | Music Tapes | Of Montreal | Pavement | Quasar Wut-Wut | Rogue Wave | Saturday Looks Good to Me | Sebadoh | Secret Square | Summer Hymns | The Apples in Stereo | The Decemberists | The Essex Green | The Gerbils | The Ladybug Transistor | The Little Ones | The Mendoza Line | The Minders | The Olivia Tremor Control

Artist Followers
Arcade Fire | Clap Your Hands Say Yeah | Franz Ferdinand | Great Lakes (Indie Pop) | The Decemberists | The Microphones


 
Compilation Appearances
Yo Yo A Go Go
Orange Twin Sampler

 
Technical Info
Release Date : 02/10/1998
Original Release Date : 1998
Catalog ID : 136
Label : Merge Records
Number of Discs : 1
Studio/Live : Studio
Mono/Stereo : Stereo
SPAR Code : n/a
UPC : 00036172943623

 
Professional Reviews
Spin (9/99, p.164)
- Ranked #88 in Spin Magazine's "90 Greatest Albums of the '90s."

Spin (3/98, pp.134-135)
- 7 (out of 10)
- "...Mangum's quasi-mystical, Donovan impulses distance him from the Apples [In Stereo's] Starburst melodies and Olivia [Tremor Control's] psychedelic lollipops. He wants to be the Sundown Superman, the cross-legged troubador of the low-fi set..."

Entertainment Weekly (3/6/98, p.80)
- "...blends buzzing indie-rock guitars, beautifully arranged horns, and oddball instrumentation....But, hey, anyone can make off-the-wall sounds; it's Milk-man Jeff Mangum's bouncy pop melodies...that make AEROPLANE take off..." - Rating: B

Uncut (p.127)
- 4 stars out of 5 - "[W]ith unhinged evangelical urgency and ambitiously ramshackle arrangements..."

CMJ (1/11/99, p.3)
- "...With its intensely personal lyrics and diverse, carnival-esque instrumentation, the celebratory and mournful AEROPLANE is unlike any other recording released in 1998..."

Mojo (Publisher)
(p.130)
- 4 stars out of 5 - "Its opaque, surrealistic narratives about wartime Europe and two-headed children proceed in a breathless, mellifluous torrent across a lo-fi landscape of thrumming acoustics, soaring brass and, on the title track, massed bowed saws."

NME (Magazine)
(5/23/98, 44)
- 6 (out of 10)
- "...Magnum's voice [is]....A sort of stylistic mumble that runs up and down the scale and seems all over the place...perfectly suited to Neutral Milk Hotel's see-sawing electrified acoustic folk..."

  
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Customer Reviews
Production 5
Performance 5
Composition 5
Overall Satisfaction 5
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1 of 1 customers found this review helpful.
 
5 of 5 This album should come with a Surgeon General's Wa Sunday, May 18, 2003
corexiii from Apple Valley, MN  

I had heard about this album on forums for months before giving it a listen. "Perfect." "A classic." "Buy this now." When I finally heard it, I knew exactly what was meant--this blissful 40 minutes is packed with lyrics that expose, inspire and tell a great story. Laced with repeated images and themes, the songs fit together perfectly, and I couldn't imagine listening to the CD with even one track missing. Jeff Mangum's voice is the icing on the cake. He seems to know exactly where it will go next and uses it accordingly. Since I got this album, I've listened to it all the way through at least twice every day. I am very happily addicted to this should-be famous work of art.
 
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