In My Hands (1999) (Feat. Krauss/Shannon/Cook )

Artist: Natalie Macmaster
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Format:  CD
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Product Summary
Label: Uni/rounder
UPC: 00011661702523
Release Date: 9/14/1999
Buy.com Sku: 60356128
Item#: MKXTN4
Format:  CD

Song Listing

Disc 1
Song TitleSample
1. In My Hands ~ Natalie MacMaster
2. Welcome To The Trossachs ~ Natalie MacMaster
3. Gramma ~ Natalie MacMaster
4. Blue Bonnets Over The Border ~ Natalie MacMaster
5. New York Jig ~ Natalie MacMaster
6. Flamenco Fling ~ Natalie MacMaster
7. Space Ceilidh ~ Natalie MacMaster
8. Olympic Reel ~ Natalie MacMaster
9. Father John MacLeod's Jig ~ Natalie MacMaster
10. Get Me Through December - (with Alison Krauss) ~ Natalie MacMaster
11. Farewell, The ~ Natalie MacMaster
12. Moxham Castle ~ Natalie MacMaster
13. Mom's Jig ~ Natalie MacMaster
14. Flora MacDonald ~ Natalie MacMaster



 
Album Notes and Credits

Notes & Personnel Info
Personnel includes: Natalie MacMaster (vocals, acoustic & electric fiddles); Alison Krauss (vocals); Gordie Sampson (acoustic & electric guitars, mandolin, Hammond B-3 organ, keyboards, bass, percussion, programming); Kevin Breit (electric guitar, guitorgan); Jesse Cook, Brent Mason (guitar); Mary Shannon (mandolin); Mark O'Connor (fiddle); Laoise Kelly (harp); Sharon Shannon (accordion); Aaron Davis (piano, Fender Rhodes piano); Joel Chiasson, Matt Rollins (piano); Scott Alexander, James Blennerhasset, Bruce Dixon, Glen Worf, Victor Krauss (bass); Harry Stinson (drums, hand drums); David Direnzo, Art Avalos (percussion); Matthew Foulds (programming).
Recorded at McClear Pathe Studios, Toronto, Canada; Cava Studos, Glasgow, Scotland; Ocean Way Studios, Nashville, Tennessee.
This is a Hybrid Super Audio CD playable on both regular and Super Audio CD players.
Personnel: Natalie MacMaster (vocals, fiddle); Alison Krauss (vocals); Gordie Sampson (acoustic & electric guitars, mandolin, Hammond B-3 organ, keyboards, bass, percussion, programming); Kevin Breit (electric guitar); Jesse Cook, Brent Mason, David MacIsaac (guitar); Mary Shannon (mandolin); Marie Beard, Fujiko Imajishi (violin); Douglas Perry (viola); Paul Widner (cello); Laoise Kelly (harp); Sharon Shannon (accordion); Phil Dwyer (saxophone, trombone); Rick Tate, Chase Sanborn, Terry Promane (trumpet); Aaron Davis (piano, Fender Rhodes piano); John Jarvis, Matt Rollins, Joel Chiasson (piano); Scot Alexande (bass); Al Cross (drums); Art Avalos (percussion).
Personnel: Natalie MacMaster (vocals, fiddle, background vocals); Alison Krauss, Amy Sky (vocals); Gordie Sampson (guitar, acoustic guitar, mandolin, organ, keyboards, bass guitar, percussion, programming); Jesse Cook (guitar, hand claps); Dave MacIsaac, Brent Mason (guitar); Kevin Breit (electric guitar); Laoise Kelly (harp); Mary Shannon (mandolin); Marie Berard, Fujice Imajishi (violin); Mark OConner, Mark O'Connor (fiddle); Douglas Perry (viola); Paul Widner (cello); Sharon Shannon (accordion); Mike Shepherd (recorder); Phil Dwyer (saxophone, trombone); Terry Promane, Chase Sanborn (trumpet); Aaron Davis (piano, Fender Rhodes piano); Howie MacDonald, Joel Chiasson, Matt Rollings, John Jarvis (piano); Denis Keldie (organ); Charlie Cooley (drums, snare drum, hand claps); Brian Leonard (drums, snare drum, percussion); Harry Stinson, Al Cross (drums, snare drum); Ray Fean (drums); Art Avalos (hand claps, percussion); Matthew Foulds (hand claps, programming, palmas); David Direnzo (percussion); Jamie Foulds (programming).
Audio Mixer: Jeff Wolpert.
Recording information: CaVa Studios, Glasgow, Scotland; Clear Pathe Studios, Tronto; Lakewind Sound, Cape Breton, CA; Lakewind Studios, Cape Breton; McClear Pathe Studios, Toronto, Ontario, Canada; McClerar Pathe Studios, Toronto, Ontario, Canada; Ocean Way Studios, Nashville, TN; Oceanway Studios, Nashville, TN; Reaction Studios, Toronto, Ontario, Canada.
Photographer: Andrew MacNaughtan.
Arrangers: Natalie MacMaster; Gordie Sampson; Aaron Davis.
The basic approach taken by Celtic fiddler Natalie MacMaster and her producer, arranger, and guitarist Gordie Sampson is to take a group of traditional tunes, for example, the march and three reels mixed together and called "The Farewell," and come up with a folk-rock arrangement that emphasizes MacMaster's lyrical playing as well as a sturdy backbeat. But the two feel the need to spice things up even more, and so there are several unusual tracks, starting with the lead-off title song, in which MacMaster recites a lyric in tribute to her instrument, and including "Space Ceilidh," which features some appropriately spacy "programming"; "Olympic Reel," a rock workout with new age elements written by Mark O'Connor, who duels with MacMaster on his own fiddle; and "Get Me Through December," a ballad with Alison Krauss on vocals. The result is a hybrid album intended to appeal to a broader audience than the purist Celtic crowd, or perhaps to introduce them to some new sounds without putting them off. ~ William Ruhlmann

Producer: Gordie Sampson

Engineer: Jamie Foulds; Jeff Wolpert; Mike Shepherd

Musical Guests
Alison Krauss
Sharon Shannon
John Jarvis
Mark O'Connor
Jesse Cook
Matt Rollins
Gordie Sampson

 
Compilation Appearances
Masters Of The Folk Violin
Celtic Tides
Tears Of Stone
Traditional Music
Diary Of A Fiddler
My Sister Sings 999
Roots Music-An American Journey
Rough Guide To The Music Of Canada
Rough Guide To Celtic Music
Women & Songs 3 (can)

 
Technical Info
Release Date : 09/14/1999
Original Release Date : 1999
Catalog ID : 617025
Label : Rounder
Number of Discs : 1
Runtime : 61m : 51s
Studio/Live : Studio
Mono/Stereo : Stereo
SPAR Code : n/a
UPC : 00011661702523

 
Professional Reviews
Dirty Linen (12/99-1/00, p.61)
- "...It's all over the place, but it all works...because her well-known fiddling talent is considerable...MacMaster follows her muse wherever it takes her, and she leads a great band....her roots run deep enough that even the strictest traditional fan would have to admit to her unusual ability."

  
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