Hello Nasty

As the first white rap group of any importance, the Beastie Boys received the scorn of critics and strident hip-hop musicians, both of whom accused them of cultural pirating, especially since they began as a hardcore punk group in 1981. But the Beasties weren't pirating -- instead, they treated rap as part of a post-punk musical underground, where the Do It Yourself aesthetics of hip-hop and punk weren't that far apart. Of course, the exaggerated b-boy and frat-boy parodies of their unexpected hit debut album, Licensed to Ill, didn't help their cause. For much of the mid-'80s, the Beastie Boys were considered macho clowns, and while they dismissed that theory with the ambitious, Dust Brothers-produced second album, Paul's Boutique, it was ignored by both the public and the press at the time. In retrospect, Paul's Boutique was one of the first albums to predict the genre-bending, self-referential pop kaleidoscope of '90s pop. The Beasties refined their eclectic approach with 1992's Check Your Head, where they played their own instruments. Check Your Head brought the Beasties back to the top of the charts, and within a few years, they were considered one of the most influential and ambitious groups of the '90s, cultivating a musical community not only through their music, but with their record label, Grand Royal, and their magazine of the same name.

Early in 1994, they collected their early punk recordings on the compilation Some Old Bullshit, which was followed in June by their fourth album, Ill Communication. Essentially an extension of Check Your Head, the record debuted at number one upon its release, and the singles "Sabotage" and "Sure Shot" helped send it to double-platinum status. During the summer of 1994, they co-headlined the fourth Lollapalooza festival with the Smashing Pumpkins. That same year, Grand Royal became a full-fledged record label as it released Luscious Jackson's acclaimed debut album, Natural Ingredients. The Beasties' Grand Royal magazine was also launched that year.

Over the next few years, the Beasties remained quiet as they concentrated on political causes and the machinations of their record label. In 1996, they released the hardcore EP Aglio e Olio and the instrumental soul-jazz and funk collection The In Sound from Way Out! Also that year, Adam Yauch organized a two-day festival to raise awareness about Tibet's plight against the Chinese government, and the festival went on to become an annual event. The Beastie Boys' long-awaited fifth LP, Hello Nasty, finally appeared during the summer of 1998 and became their third chart-topping album. A longer wait preceded release of their next record, To the 5 Boroughs, which appeared in mid-2004. In 2005, Capitol issued Solid Gold Hits, a 15-track survey of the Beasties' lengthy career. One year later, the band released a concert film titled Awesome: I Fu**in' Shot That!, which had been pieced together from footage shot by 50 DV and Hi-8 cameras that had been distributed to fans. The DVD version appeared in July of that year. An instrumental album, The Mix-Up, continued the band's prolific activity in 2007 and garnered a Grammy Award the following year. The Beastie Boys returned to rap with their next album, Hot Sauce Committee, Pt. 1, parts of which was previewed during the band's performance at Bonnaroo 2009.