Part man. Part street. 100% kosher.
Features: DVD
Who's the certified private dick that's a sex machine to all the chicks? Meet the baddest Heeb this side of Tel Aviv: Mordechai Jefferson Carver, a.k.a. the Hebrew Hammer.When a psychotic, anti-Semitic Santa tries to destroy Chanukah by hypnotizing Jewish children with bootlegged copies of the Christmas classic "It's a Wonderful Life," it's up to the Hebrew Hammer to save the day. Together with the Kwanzaa Liberation Front, the Hammer takes no prisoners in his quest to hunt down the renegade Santa and make the holiday season safe for all.
"A wickedly funny, Naked Gun?-style parody that conflates old-style private-eye pics with Shaft and, yes, Rudolph, the Red-Nosed Reindeer." Steven Rea, Philadelphia Inquirer
Editor's Note
THE HEBREW HAMMER is a holiday movie that is most definitely not for kids. Adam Goldberg stars as Mordechai Jefferson Carver, also known as the Hebrew Hammer, a private detective who has an overbearing mother (Nora Dunn) and a propensity to whine when things get difficult. He is hired by Bloomenbergensteinthal (Peter Coyote), chief of the Jewish Justice League, to prevent Damian Claus (Andy Dick) from killing Hanukkah. The Semitic Stallion seeks out help in the form of the Kwanzaa Liberation Front, headed by Mohammed Ali (Mario Van Peebles in a great afro), while also falling for the JJL chief's daughter, Esther (Judy Greer). Damian, who has his father brutally murdered by reindeer, Santa (Richard Riehle), is supported by his right-hand man, low-grade hood Tiny Tim (Sean Whalen). It's hard to tell which side Jamal is on--but this foul-mouthed decadent elf is played by Tony Cox, who handles a similar role in the later BAD SANTA. The ultimate battle between good and evil awaits in this riotous Jewxploitation film that never met a stereotype or offensive joke it didn't like. Writer-director Jonathan Kesselman's debut feature film pays homage to SHAFT, SWEET SWEETBACK'S BAADASSSS SONG, and other blaxploitation favorites, filled with shootouts, curses, and sex, so leave the children at home. But don't look away for a second or you'll miss another groan-inducing hysterical joke or funny cameo. And the theme song, a takeoff on Isaac Hayes's theme from SHAFT, is a classic.
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