Notes & Personnel Info |  | Personnel: Randy Newman (vocals, piano); Steve Donnelly (guitar); Greg Leisz (slide guitar, acoustic slide guitar, pedal steel guitar); Allison Allport (harp); Eun Mee Ahn, Alyssa Park, Irina Voloshina, Anatoly Rosinsky, Katia Popov, Mark Sazer, Helen Nightengale, Lisa M. Sutton, Joel Derouin, Kevin Connolly, Jacqueline Brand, Natalie Leggett, Sara Parkins, Sarah Thornblade, Roger Wilkie, Rafael Rishik, Tereza Stanislav (violin); Steven Gordon, Michael Nowak, Brian Dembow, Roland Kato, David F. Walther, Victoria Miskolszy, Thomas Dienner, Darrin McCann, Shanti Randall, Robert Berg (viola); Dennis Karmazyn, Antony Cooke, Stephen Erdody, Armen Ksadjikian, Andrew Shulman, David Speltz, Cecilia Tsan, Christine Ermacoff (cello); Norda Mullen, Geri Rotella, David Shostac, James Walker (flute); Frank Marocco (accordion); Donald Foster, Gary Bovyer, Marty Krystall (clarinet); Thomas Boyd, Leslie Reed (oboe); Michael O'Donovan, Judith Farmer, Kenneth E. Munday (bassoon); Dan Higgins, Gary Foster , Greg Huckins, Bill Liston, Brian Scanlon (saxophone); Daniel Fornero, Jon Lewis , Warren Luening, Tim Morrison, Malcolm McNab (trumpet); William Booth, George Thatcher, William Reichenbach, Bruce Fowler (trombone); Doug Tornquist (tuba); Mark Adams , Richard Todd, Jim Thatcher (horns); Mitchell Froom (keyboards); Greg Cohen (bass guitar); Pete Thomas (drums); Alan Estes, Gregory Goodall (percussion); Fletcher Sheridan, Steve Jackson , Oren Waters, Rick Logan, Terry Wood (background vocals). | | Audio Mixer: David Boucher. | | Recording information: Newman Scoring Stage, 20th Century Fox Studios, Los Ang; Sunset Sound, Hollywood, CA. | | Photographers: Perry Mastrovito; Autumn DeWilde. | | Arranger: Randy Newman. | | By the release of 2008's HARPS AND ANGELS, Randy Newman was firmly entrenched in the pantheon of classic American songwriters. Always slightly out of step with the times, Newman's finest work is marked by a broad, timeless sense of American pop music that encompasses everything from George Gershwin and Jelly Roll Morton to Bob Dylan and the Beach Boys. Yet it is Newman's sardonic wit and razor-sharp sense of satire that makes his view of America as a whole so compelling. | | On HARPS AND ANGELS, both elements of Newman's artistry are on display with a richness they haven't had in years. The album's opening (title) track finds the grizzled songsmith contemplating mortality and the Lord over a mellow, gently swinging melody, while "A Few Words in Defense of Country," the album's centerpiece, takes the complex sympathies displayed for the antiquated norms of the Deep South on 1974's GOOD OLD BOYS and applies it to 21st-century American barbarism. Newman's a sly political fox who loves to ruffle feathers, but when he's singing about loneliness and romantic longing, as on "Losing You" and "Feels Like Home," the sentiments are never maudlin and always true. Randy Newman is a national treasure, and as enigmatic, frustrating, and ultimately rewarding as the nation he so brilliantly skewers. HARPS AND ANGELS is proof that he still has quite a bit to say. |
Producer: Lenny Waronker; Mitchell Froom; Lenny Waronker; Mitchell Froom |
Engineer: David Boucher |
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