| Product Summary | | Label: WIND-UP RECORDS/SBME | | UPC: 00601501318726 | | Release Date: 10/26/2009 | | Buy.com Sku: 212442615 | | Item#: M4S2DC | | Buy.com Sales Rank: 318 | Format: CD |
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| Song Listing |  |
Disc 1
| | Song Title | Sample | | 1. Overcome ~ Creed (Post Grunge) |  | | 2. Bread of Shame ~ Creed (Post Grunge) |  | | 3. Thousand Faces, A ~ Creed (Post Grunge) |  | | 4. Suddenly ~ Creed (Post Grunge) |  | | 5. Rain ~ Creed (Post Grunge) |  | | 6. Away In Silence ~ Creed (Post Grunge) |  | | 7. Fear ~ Creed (Post Grunge) |  | | 8. On My Sleeve ~ Creed (Post Grunge) |  | | 9. Full Circle ~ Creed (Post Grunge) |  | | 10. Time ~ Creed (Post Grunge) |  | | 11. Good Fight ~ Creed (Post Grunge) |  | | 12. Song You Sing, The ~ Creed (Post Grunge) |  |
| Track Listing 1. Overcome 2. Bread of Shame 3. A Thousand Faces 4. Suddenly 5. Rain 6. Away In Silence 7. Fear 8. On My Sleeve 9. Full Circle 10. Time 11. Good Fight 12. The Song You Sing
| | Album Notes and Credits | Notes & Personnel Info |  | Personnel: Scott Stapp (vocals); Mark Tremonti (guitar); Howard Benson (keyboards, programming); Scott Phillips (drums). |  | Audio Mixer: Chris Lord-Alge. |  | Getting right back to where they started from, Creed reunites for Full Circle, putting all tensions to rest and cutting their first album in eight years. FULL CIRCLE is a none-too-subtle allusion to how they're getting back to their beginnings, but a cynic could say they never got much past it, toiling the same weathered ground on each of their albums, but this bears some subtle differences, particularly in how Creed sounds heavier yet more open than they did in the past. While they're still delivered with the finesse of a hammer on a railroad spike, there's more air within the ballads, more skill in their attack, a looseness to their playing that allows them to take a stab at white-boy blues on the title track. "Full Circle" is one of several songs built on prominent acoustic guitar, an indication of the greater color palette here than on, say, HUMAN CLAY, and that lack of reliance on thudding guitars does make FULL CIRCLE less wearying than earlier Creed, but don't mistake this for subtlety: ambiguity is not Creed's friend; they still italicize, bold, and underscore every emotion. | Producer: Howard Benson | Engineer: Andrew Schubert; Brad Townsend; Hatsukazu Inagaki; Mike Plotnikoff |
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| | Technical Info |  | Release Date : 10/26/2009 |  | Original Release Date : 2009 |  | Catalog ID : 13187 |  | Label : Wind-Up Records |  | Number of Discs : 1 |  | Studio/Live : Studio |  | Mono/Stereo : Stereo |  | SPAR Code : n/a |  | UPC : 00601501318726 |
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| | Professional Reviews | | | Entertainment Weekly - "[I]t's heavier than the radio riffs of Creed's early days." -- Grade: B |
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| | Bio | | | Creed During the late '90s, Creed emerged from a veritable sea of post-grunge contenders to become one of the decade's biggest-selling rock bands. At a time when many other Seattle disciples were lapsing into inactivity or experimenting with less commercial sounds, Creed carried the torch of straightforward, grungy hard rock without apology -- and they were amply rewarded, selling millions upon millions of albums in just a few years' time. That success didn't translate into critical acclaim, however. Many reviewers slammed the band's music as derivative, and frontman Scott Stapp was lambasted by publications like Rolling Stone for being "irony-deficient, Jesus-haired and often shirtless in a way that reminded people of the guy from Lord of the Dance." Based on their frequently spiritual lyrics, some observers deemed Creed part of a new breed of alternative-styled Christian bands, an affiliation that Creed actively tried to downplay. Neither critical derision nor a potential secular backlash could derail the band, however, and they went into the new millennium as a seemingly unstoppable commercial juggernaut. Ultimately, it was Stapp's substance abuse and increasingly erratic behavior that brought an end to Creed's heyday in 2004. The remaining members partnered with vocalist Myles Kennedy to form Alter Bridge, while Stapp briefly pursued a solo career, releasing The Great Divide, which included a collection of rock songs inspired by Mel Gibson's Passion of the Christ. Three years later, Stapp and Tremonti reconvened at the Hard Rock Hotel in Florida, where they began to reconcile past differences. Shortly thereafter, the two persuaded Scott Phillips and original bassist Brian Marshall to band together once again, thus cementing Creed's reunion. The band booked a series of shows for the summer of 2009 in support of the album Full Circle.
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