Notes & Personnel Info |  | Personnel includes: Sean Paul, Beyonce (vocals); Rahzel, Chico, Sasha, Debbie Nova, Ce'cile, Busta Rhymes, Fahrenheit, Tony Touch, R.O.B.B. (rap vocals); | | Mark Ronson (various instruments). | | Producers include: The Beat People, Troyton, The Neptunes, Scott Storch, Delroy Foster. | | DUTTY ROCK won the 2004 Grammy Award for Best Reggae Album. Sean Paul was nominated for Best New Artist. "Get Busy" was nominated for Best Male Rap Solo Performance. | | Personnel includes: Sean Paul, Beyonce (vocals); Rahzel, Chico, Sasha, Debbie Nova, Ce'cile, Busta Rhymes, Fahrenheit, Tony Touch, R.O.B.B. (rap vocals); | | Mark Ronson (various instruments). | | Producers include: The Beat People, Troyton, The Neptunes, Scott Storch, Delroy Foster. | | DUTTY ROCK won the 2004 Grammy Award for Best Reggae Album. Sean Paul was nominated for Best New Artist. "Get Busy" was nominated for Best Male Rap Solo Performance. | | Sean Paul's Dutty Rock is an infectious record, bursting with hooks and filled with energy; it is a surprise U.S. hit. Paul's mix of dancehall and modern R&B and hip-hop is lightweight and easy to dance to. It slows down near the end as some filler creeps in, but at its best, Dutty Rock is almost revolutionary. Paul utilizes big-name producers like Sly & Robbie, Steely & Clevie, Jeremy Harding, and the ubiquitous Neptunes, whose sexy "Bubble" is one of the highlights of the record. The best track, the stuttering, can't-get-it-out-of-your-head catchy "Get Busy," is produced by Steven "Lenky" Marsden and features his staggeringly popular diwali rhythm and a great vocal by Paul. Other tracks, like the hit single "Gimme the Light," and the "Louie Louie"-influenced "Like Glue," are almost as good. Paul has a good ear for melody and his flat, distinctive voice is perfect for his sing-jay style (sing-jay being a blend of DJ and singing). Paul also ropes in Busta Rhymes for an amped-up remix of "Gimme the Light," and Rahzel of the Roots to provide rapping and silly noises on "Top of the Game." This is such a good record that even the skits are pretty good. "Police Skit" may even provide a few chuckles. Sean Paul's blend of dancehall and hip-hop brings out the best of each genre, and Dutty Rock should be booming out of your Jeep if you are a fan of either. [Dutty Rock was reissued in September of 2003 with the addition of "Baby Boy," an excellent track from Beyonc?'s Dangerously in Love record that features Sean Paul, and the subtraction of the humorous but inessential skits, and one of the original album's weakest tracks, "It's On." This reshuffling makes an already strong album even stronger.] ~ Tim Sendra | | Though he'd released successful singles earlier, Jamaican toaster Sean Paul became a full-blown international dancehall reggae sensation with his 2000 full-length debut STAGE ONE. Picking up where that album left off, DUTTY ROCK dips into hip-hop production techniques in addition to the usual dancehall tricks, providing a unique framework for Sean's visceral, rapid-fire raps. Amid all the modern production, "I'm Still in Love with You" (not the Al Green tune) finds SP dipping into the roots-reggae trickbag, with vocal assistance from Sasha. And unlike some of his contemporaries, he's not without a sense of humor. The introductory skit, which finds him hilariously at odds with an inept heavy metal backing band, posits Sean Paul as the Stan Freberg (ask your grandparents) of dancehall. | | Though he'd released successful singles earlier, Jamaican toaster Sean Paul became a full-blown international dancehall reggae sensation with his 2000 full-length debut STAGE ONE. Picking up where that album left off, DUTTY ROCK dips into hip-hop production techniques in addition to the usual dancehall tricks, providing a unique framework for Sean's visceral, rapid-fire raps. Amid all the modern production, "I'm Still in Love with You" (not the Al Green tune) finds SP dipping into the roots-reggae trickbag, with vocal assistance from Sasha. And unlike some of his contemporaries, he's not without a sense of humor. The introductory skit, which finds him hilariously at odds with an inept heavy metal backing band, posits Sean Paul as the Stan Freberg (ask your grandparents) of dancehall. |
Musical Guests | | Rahzel | | Tony Tony Touch | | Busta Rhymes | | Beyonce | | Chico | | Sasha | | Debbie Nova | | Ce'cile | | Farenheit | | R.O.B.B. |
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