An Oliver Stone Film
Jim Morrison (Val Kilmer), one of the most exciting and sensual figures in the history of rock and roll, explodes on the screen in The Doors, the electrifying movie about a time called the sixties and a legendary outlaw who rocked America's consciousness--forever. Meg Ryan, Kyle MacLachlan, Frank Whaley, Kevin Dillon and Billy Idol also star. Special 2 Disc set. What is UMDTM?
UMD, Universal Media Disc, is a brand-new and groundbreaking optical storage medium, designed for the high speed and efficient delivery of digital entertainment content that can store up to 1.8 GB of digital data on a 60mm disc -- or an entire feature film on a single UMD video. All UMD DVDs are produced in Widescreen and encoded using advanced AVC compression. UMD for PSP will play on the new PlayStation Portable handheld entertainment system.
Specifications
Diameter: 60 mmMaximum Capacity: 1.8GB (Single-sided, dual layer)Laser wavelength: 660nm (Red laser)
"The Doors opens the mind, then blows it away." Gannett Newspapers
"Spectacular filmmaking. Staggering performance by Val Kilmer." Joel Siegel, Good Morning America
"One hell of a ride..." Los Angeles Times
Editor's Note
Covers the period from 1965-1971; Produced and released in 1991.Val Kilmer stars as Jim Morrison in Oliver Stone's electrifying profile of the Doors, which takes the group from its inception to its demise with the death of the "Lizard King" in a Paris hotel room in 1971. In the early days of the group's formation, Morrison is at his most benign; he's just a guy hanging out at the beach writing poetry. But soon the Doors' fame begins to spread--with Morrison as the focus of attention. Capable of an eerily correct vocal imitation of Morrison, Kilmer makes manifest the talent and charisma, as well as the confusion and despair, of the complex man who was the focal point of the group. As Morrisson's drug consumption and erratic behavior increase exponentially, the rest of the band--Ray Manzarek (Kyle McLachalan), John Densmore (Kevin Dillon), and Robby Krieger (Frank Whaley)--begins to grow tired of his late arrivals, the increasing number of cancellations, and the drunken recording sessions requiring infinite retakes. But no one can help Morrison as he spirals downward into an inferno of drugs, alcohol, public obscenity, and depression, bringing the music to an untimely close. Stone's intimate familiarity with SoCal in the 1960s provides the film with a high degree of surface verisimilitude, though the film is as much a tribute to the enduring power of the Doors' music as it is a cautionary tale about the perils of both celebrity and substance abuse.
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