Death Magnetic (2008)

Artist: Metallica
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Product Summary
Label: Warner/reprise/maverick
UPC: 00093624986188
Release Date: 9/12/2008
Buy.com Sku: 208920652
Item#: M4DVTL
Buy.com Sales Rank: 24281
Format:  CD

Song Listing

Disc 1
Song TitleSample
1. That Was Just Your Life ~ Metallica
2. End of the Line, The ~ Metallica
3. Broken, Beat & Scarred ~ Metallica
4. Day That Never Comes, The ~ Metallica
5. All Nightmare Long ~ Metallica
6. Cyanide ~ Metallica
7. Unforgiven III, The ~ Metallica
8. Judas Kiss, The ~ Metallica
9. Suicide & Redemption ~ Metallica
10. My Apocalypse ~ Metallica


(C) 2008 E/M Ventures

Metallica, the world's biggest hard rock band, returns with their ninth studio album Death Magnetic. It is every inch the record they needed to make: a more wisely chosen mentor and first time Metallica-colloborator, Rick Rubin, has them exploding afresh with the straight-up thrash-metal of their late-Eighties heyday
 
Album Notes and Credits

Notes & Personnel Info
Metallica: James Hetfield (vocals, guitar); Kirk Hammett (guitar); Robert Trujillo (bass guitar); Lars Ulrich (drums).
Recording information: Sound City Studios, Van Nuys, CA.
The world at large got a fly-on-the-wall view of the creation of Metallica's 2003 album, ST. ANGER, via the documentary SOME KIND OF MONSTER, so we know they consciously tried to keep things contemporary at that time by avoiding fleet-fingered solos and eschewing the sound of the "old" Metallica. If that hoary old term "return to form" ever applied to a rock album, though, it's ANGER's follow-up, DEATH MAGNETIC.
In the five years between the two releases, Metallica seem to have gotten back in touch with the raw power of their classic period, with a little help from legendary producer Rick Rubin. One listen to the 10-minute epic "Suicide & Redemption" with its mix of raw rock ferocity and complex musical development should tell you the old Metallica's back in business. Long tracks with complex structures and intricate, speedy riffs abound. Most appealing for longtime fans may be the return to the frenzied guitar solos of yore. Rubin seems to have assisted the band on a path that successfully combines power, melodicism, and pure, unadulterated metal mania, over a sonic statement that definitively proves there's nothing over-the-hill about middle-aged metal.

Producer: Rick Rubin

Engineer: Mike Gillies; Greg Fidelman; Andrew Scheps

 
Compilation Appearances
Spawn
Wcw Mayhem
Mission Impossible 2
Biker Boyz
We're A Happy Family: A Tribute To The Ramones
We All Love Ennio Morricone
Heavy Metal(Limited Edition)
Heavy Metal Box

 
Associated Artists and Works
Apocalyptica Plays Metallica By Four Cellos ~ Apocalyptica
Apocalyptica
Overload: A Tribute To Metallica ~ Artists, Various
The Blackest Album ~ Artists, Various
The Blackest Album 2: Metallica Tribute ~ Artists, Various
A Metal Tribute To Metallica ~ Artists, Various
Artists, Various
Metallic Assault: A Tribute To Metallica ~ Artists, Various
Total Overload 1 & 2: Tribute To Metallica ~ Artists, Various
The Blackest Album 3... Tribute To Metallica ~ Artists, Various
Artists, Various
Stardust Sisters (The)
Overload: A Tribute To Metallica ~ Various Artists
The Blackest Album ~ Various Artists
The Blackest Album 2: Metallica Tribute ~ Various Artists
A Metal Tribute To Metallica ~ Various Artists
Various Artists
Metallic Assault: A Tribute To Metallica ~ Various Artists
Total Overload 1 & 2: Tribute To Metallica ~ Various Artists
The Blackest Album 3: Industrial Tribute To Metall ~ Various Artists
Various Artists
Say Your Prayers, Little One: The String Quartet T ~ Various Artists
The Blackest Album 4 [Slipcase] ~ Various Artists
Metallic Attack: Metallica - The Ultimate Tribute ~ Various Artists
Various Artists
Various Artists
Various Artists
Various Artists
And Christmas For All! The Holiday Tribute To Meta ~ Various Artists
Buddha Lounge Redititions Of Metallica: the Black ~ Various Artists

 
Technical Info
Release Date : 09/12/2008
Original Release Date : 2008
Catalog ID : 508732-2
Label : Warner Bros. Records (Record Label)
Number of Discs : 1
Studio/Live : Studio
Mono/Stereo : Stereo
SPAR Code : n/a
UPC : 00093624986188

 
Professional Reviews
Rolling Stone (pp.109-110)
- 4 stars out of 5 -- "[T]his album is Metallica becoming Metallica again....[T]he spectacular 'All Nightmare Long' -- a thematic sequel of sorts to 'Enter Sandman' -- combines relentless MASTER OF PUPPETS guitars with a BLACK ALBUM-worthy chorus."

Rolling Stone (p.89)
- Ranked #9 in Rolling Stone's 50 Best Albums Of 2008 -- "[H]eavy metal's resurrection of the year."

Spin (p.96)
- 4 stars out of 5 -- "[T]he album is more of a rebirth, with Metallica exploring the past buy applying what they've learned during their 20 years at the top of the heavy-metal slag heap, which means ingratiating more finesse when they mark their territory."

Spin (p.48)
- Ranked #28 in Spin's "40 Best Albums Of 2008" -- "[D]on't look this gift monster in the mouth. It's hungry, and it's teeth are sharp."

Entertainment Weekly (p.71)
- "MAGNETIC's tracks are all 6-to-10-minute extravaganzas with seemingly unlimited chordal changeups and tempo shifts." -- Grade: B

Kerrang (Magazine)
(p.48)
- "[T]he key ingredient of DEATH MAGNETIC is the skill with which it releases its thunder, its sense of flow, its understanding that power is nothing without control."

Kerrang (Magazine)
(p.66)
- Ranked #1 in Kerrang's Best Albums Of The Year 2008 -- "They rediscovered their metal..."

Mojo (Publisher)
(p.100)
- 3 stars out of 5 -- "Lead guitarist Kirk Hammett is afforded more shredding space than in recent years, the rhythm guitars thrum like chopper blades....The sound is fantastic...everything crackling, huge and alive."

Mojo (Publisher)
(p.64)
- Ranked #45 in Mojo's "The 50 Best Albums Of 2008" -- "A Rick Rubin-produced return to form."

Blender (Magazine)
(p.72)
- 4 stars out of 5 -- "Rubin pointed the direction, but credit goes to the band -- which, for the first time on record, includes new bassist Robert Trujillo -- for recapturing their old sound and reconciling it with what followed."

 
Bio
Metallica

It's the sort of story that scriptwriters would get laughed out of conference rooms for entering. The sort of story that illustrates perfect synchronicity between hunger, passion and time. The sort of story that only happens every 30-odd years. And the sort of story that would approximately 500 pages to do it true justice.

Metallica. A household name. The 7th biggest selling act in American history.

Who'd have thought it when, on October 28th, 1981, drummer Lars Ulrich made guitar player/singer James Hetfield an offer he couldn't refuse: "I've got a track saved for my band on Brian Slagel's new Metal Blade label."

The truth is, Lars didn't have a band at that time, but he did that day when James joined him. The two recorded their first track on a cheap recorder with James performing singing duties, rhythm guitar duties and bass guitar duties. Lars dutifully pounded the drums, helped with musical arrangements and acted as manager. Hetfield's friend and housemate Ron McGovney was eventually talked into taking up bass and Dave Mustaine took lead guitar duties.

The band adopted the moniker Metallica after a suggestion from Bay Area friend Ron Quintana, and they quickly began gigging in the Los Angeles area opening for bands like Saxon. Eventually recording a fully-fledged demo called No Life Til Leather, Metallica quickly saw the tape whistle around the metal tape-trading underground and become a hot commodity, with San Francisco and New York particularly receptive.

Metallica performed 2 shows in San Francisco and found the crowds friendlier and more honest than LA's "there to be seen" mob. They also caught up-and-coming band Trauma, and most importantly their bass player, Cliff Burton. Cliff refused to move to Southern California: it was enough to convince Metallica to relocate to the Bay Area, and Cliff subsequently joined Metallica.

In New York, a copy of No Life Til Leather made its way to Jon Zazula's record shop, the aptly named Metal Heaven. Zazula quickly recruited Metallica to come out east to play some shows and record an album. The band made it to New York in a stolen U-Haul. Dave Mustaine, at that point the band's guitarist, was proving to be more problematic than even these loose young chaps could handle. Thus a few weeks after arrival, Mustaine was sent packing, roadie Mark Whitakker suggesting Kirk Hammett from Bay Area thrashers Exodus. Two phone calls and one flight later, on April 1, 1983 Kirk Hammett joined Metallica.
 


  
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Customer Reviews
Production 3.5
Performance 4
Composition 3
Overall Satisfaction 3.5
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4 of 5 They're back...mostly Saturday, December 20, 2008
A Listener from Chicago, IL  

Skip "The Day That Never Comes"(BLATANT Fade To Black re-hash)and "The Unforgiven III"(BLATANT BUNCH OF CRAP). The rest of this album is NOT vintage Metallica, but it's a lot closer than they've been in a long time. Now, I liked Load, some of ReLoad, most of S&M, parts of Garage Inc. and about 55% of St Anger, so I'm kind of a rarity and I'm not a whiny, close-minded little *itch dying for them to remake Master of Puppets again. That said, this album kicks all kinds of ass and sounds like a bunch of guys who are getting older, but still make good metal. P.S. - Selling out is making the album you were told to make, rather than the one you want to make. Can you imagine James Hetfield taking orders from some stuffed shirt? Me neither. Also, Rick Rubin was in the studio for about 4 days of the making of this album, so you can't give him all the credit.
 
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2 of 5 Another Lame Metallica Joint Tuesday, October 14, 2008
A Listener from Moscow, Idaho  
Back in the 80's Metallica ROCKED!!!! About mid way through their career they just kind of sold out. Kill 'em All, Ride The Lightning, Master of Puppets are the best. But then they made Garage Days and And Justice For All which were ok but not the old Metallica. After that they did a whole bunch of lame stuff and this album is just more of the same. It's almost like they're trying too hard. The guitar is all over the place like they need to show us how good their guitarist is (we already know). As a result every song sounds the same. Nothing is going to jump out at you from this album. I didn't bother to put it on my Sansa (better value for your dollar) MP3 player either.
 
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5 of 5 GREAT ALBUM Monday, October 13, 2008
trent from atl ga  
I have been a Metallica fan since 1984 this is very comparble to where they came from, just in a different time. They were reinspired by their own music I think thats a great thing and this algum is full of what makes Metallica--Meatllica, Just a in your face metal band:)
 
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2 of 5 Not Overwhelmed Friday, October 03, 2008
A Listener from Columbia, SC  
Things may have passed me by, but I was not overwhelmed with this album. The sound is similar to many other so-called thrash/punk? bands today. All the songs sound the same.
 
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5 of 5 After waiting 20 years, Metallica's Back!!! Thursday, October 02, 2008
Jimmy from Ridgefield, NJ  
They should have ditched Bob Rock a decade ago. For all you fans too young to remember the '80's, this was the excitement that made us Metallica fans in the first place. The album they should have made after ...and Justice for All.
 
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3 of 5 Dissapointing Thursday, October 02, 2008
Chuck from Portland Oregon  
You would think they figured it out after St. Anger sales were horrible. So.. what did our faithfull headbanger leaders do? They put out the same crap they did a few years ago. VERY dissapointed. They are trying to sound like bands off the Ozzfest 2nd stage ticket. I am horribly dissapointed, and this album will be stored away with all my other Metallica CD's. I didnt even bother to put it on my ipod.. and I doubt I will.
 
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