| | | From the Director of Independence Day.
Features: DVD, Widescreen, Aspect Ratio 2.35:1
When global warming triggers the onset of a new Ice Age, tornadoes flatten Los Angeles, a tidal wave engulfs New York City and the entire Northern Hemisphere begins to freeze solid. Now, climatologist Jack Hall (Dennis Quaid), his son Sam (Jake Gyllenhaal), and a small band of survivors must ride out the growing superstorm and stay alive in the face of an enemy more powerful and relentless than any they've ever encountered: Mother Nature!
"...highly entertaining...could turn the most meteorologically challenged among us into Weather Channel freaks." Ella Taylor, L.A. Weekly
"...it's one superior disaster movie." Mick LaSalle, San Francisco Chronicle
"...great special effects..." Peter Bradshaw, The Guardian
Editor's Note
With THE DAY AFTER TOMORROW, director Roland Emmerich (INDEPENDENCE DAY, GODZILLA) trades evil aliens and radioactive lizards in for some seriously bad weather. When a radical change in the temperature of the world's oceans causes deadly storms and sets a new Ice Age in motion, climatologist Jack Hall (Dennis Quaid) must race from Washington D.C. to save his son, Sam (Jake Gyllenhaal), in the subzero climes of New York City. Elsewhere, tornadoes and hail menace the globe, leading to international disasters on an extraordinary level.Emmerich, who has proven to be a master of big-budget cinematic destruction on numerous occasions, aims to outdo himself with THE DAY AFTER TOMORROW. Here entire cities are ripped apart, flooded, and/or frozen, adding up to one of the biggest disaster movies ever filmed. Although astonishingly rendered special effects rule the movie, adept actors such as Quaid and Gyllenhaal (along with Sela Ward, Ian Holm, Emmy Rossum, and others) turn in solid performances that help to balance out the meteorological mayhem. Surprisingly, Emmerich also uses the film as a vehicle for clever moments of social and political commentary, making THE DAY AFTER TOMORROW admirably smarter and considerably more entertaining than typical Hollywood blockbusters.
| Features | Audio Commentary By Director/Co-Writer Roland Emmerich & Producer Mark Gordon | | 2 Pre-Production Featurettes | | 3 Post-Production Featurettes | | Audio Commentary By Co-Writer Jeffrey Nachmanoff, Director Of Photography Ueli Steiger, Editor David Brenner & Production Designer Barry Chusid | | Audio: English DTS 5.1 Surround Sound, Dolby Digital 5.1 Surround Sound | | Audio: French Dolby Digital 5.1 Surround Sound | | Contained In Exclusive Steelbook Packaging! | | Documentaries: Two Kings & A Scribe - A Filmmaking Conversation & The Force Of Destiny - The Science & Politics Of Climate Change | | Dubbed: French | | Interactive Audio Demo | | Interactive Menus | | Scene Selection | | Storyboard & Concept Art Galleries | | Subtitles: English, Spanish | | Theatrical Teaser & Trailers |
| Technical Info
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Release Information
| | Studio: Foxvideo |
| Release Date: 6/5/2007 |
| Running Time: 124 minutes |
| Original Release Date: 2004 | | Catalog ID: 2244231 | | UPC: 00024543442318 | | Number of Discs: 1 |
Audio & Video
| | Original Language: English | | Available Audio Tracks: English | | Video: Color |
Aspect Ratio | | Widescreen 2.35:1 |
| Cast & Crew | Dennis Quaid | | Ian Holm | | Jake Gyllenhaal | | Sela Ward | | Barry Chusid - Production Designer | | David Brenner - Editor | | Harald Kloser - Original Music By | | Jeffrey Nachmanoff - Screenplay | | Mark Gordon - Producer | | Martin Gendron, et. al. - Art Director | | Roland Emmerich - Director | | Roland Emmerich - Based On Story By | | Stephanie Germain - Executive Producer | | Thomas Wanker - Original Music By | | Ueli Steiger - Cinematographer |
| Awards |
Winner (2005) | | | British Academy Awards, Karen E. Goulekas, et. al., Best Achievement in Special Visual Effects | | | MTV Award, The Day After Tomorrow, Best Action Sequence | |
Nominee (2005) | | | MTV Award, Emmy Rossum, Breakthrough Female |
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| | Professional Reviews | Entertainment Weekly
"[A]ll of Manhattan is flooded, then frozen. Neat!" 06/04/2004 p.54-5Uncut
"A throwback to the disaster movies of the '70s, this is cinema as pure spectacle....It's the kind of movie popcorn was invented for." 07/01/2004 p.132 Sight and Sound
"[T]he onset of this ice age is thoroughly cinematic." 07/01/2004 p.48 ReelViews 7 of 10
The Day After Tomorrow, an ode to an apocalyptic endgame of global warming, is an old-fashioned disaster film with modern-day special effects. It's cheesy and over-the-top, but the disaster sequences are well crafted and some of the formulaic action sequences generate tension. The Day After Tomorrow stands a rung above Independence Day (which self-destructed in its final third) and significantly more than that above the turgid Godzilla remake...despite the "bad science," the pro-environment message shines through. Like Super Size Me, consider it a cautionary tale. Nevertheless, Emmerich's point with The Day After Tomorrow isn't to play politics or make speeches, but to entertain...The Day After Tomorrow is filled with bad dialogue, stock peril situations, and sketchy character development, but it's a big enough spectacle that those things don't derail the film's capacity to be enjoyed. - James Berardinelli
Chicago Sun-Times 8 of 10
It is such a relief to hear the music swell up at the end of a Roland Emmerich movie, its restorative power giving us new hope. Billions of people may have died, but at least the major characters have survived. Los Angeles was wiped out by flying saucers in Emmerich's "Independence Day," New York was assaulted in his "Godzilla," and now, in "The Day After Tomorrow," Emmerich outdoes himself: Los Angeles is leveled by multiple tornados, New York is buried under ice and snow, the United Kingdom is flash-frozen, and lots of the Northern Hemisphere is wiped out for good measure...So, yes, the movie is profoundly silly. What surprised me is that it's also very scary. The special effects are on such an awesome scale that the movie works despite its cornball plotting..."The Day After Tomorrow" is ridiculous, yes, but sublimely ridiculous -- and the special effects are stupendous. - Roger Ebert
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