Daughtry (2006)

Artist: Daughtry
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Product Summary
Label: RCA
UPC: 00828768886021
Release Date: 11/21/2006
Buy.com Sku: 203142239
Item#: M39EVE
Buy.com Sales Rank: 273
Format:  CD

Song Listing

Disc 1
Song TitleSample
1. It's Not Over ~ Daughtry
2. Used To ~ Daughtry
3. Home ~ Daughtry
4. Over You ~ Daughtry
5. Crashed ~ Daughtry
6. Feels Like Tonight ~ Daughtry
7. What I Want - (featuring Slash) ~ Daughtry
8. Breakdown ~ Daughtry
9. Gone ~ Daughtry
10. There And Back Again ~ Daughtry
11. All These Lives ~ Daughtry
12. What About Now ~ Daughtry



As one of the finalists on the fifth season of the AMERICAN IDOL reality-TV show, North Carolina-based neo-grunge vocalist Chris Daughtry garnered even more attention by getting asked to be the frontman for the group Fuel, and then, surprisingly, declining the offer. This 2006 album, technically credited to the band Daughtry, reveals what the singer opted for instead, offering up impressively catchy, yet requisitely brooding, heavy rock, as best revealed on the emotive "It's Not Over" and the urgent "What I Want," which features former Guns N' Roses guitarist Slash,.
 
Album Notes and Credits

Notes & Personnel Info
Daughtry: Chris Daughtry (vocals); Paul Bushnell (electric bass); Howard Benson, Josh Freese, Phil X.
Personnel: Slash, Phil X. (guitar); Alyssa Park, Songa Lee, Cheryl Norman, Mark Robertson , Josephina Vergara, Endre Granat (violin); Grace Oh, David F. Walther, Samuel Formicola (viola); Jason Lippman, Jonathan Karoly, Victor Lawrence (cello); Howard Benson (keyboards, programming); Jamie Muhoberac (keyboards); Josh Freese (drums).
Additional personnel: Chris Chaney (electric bass); Slash.
Audio Mixers: Chris Lord-Alge; Mike Plotnikoff.
Recording information: Bay 7 Studios, Valley Village, CA; Capitol Studios, Hollywood, CA; Sound Factory Studios, Hollywood, CA; Sparky Dark, Calabasas, CA.
Photographer: Frank W. 3 Ockenfels.
As one of the finalists on the fifth season of the AMERICAN IDOL reality-TV show, North Carolina-based neo-grunge vocalist Chris Daughtry garnered even more attention by getting asked to be the frontman for the group Fuel, and then, surprisingly, declining the offer. This 2006 album, technically credited to the band Daughtry, reveals what the singer opted for instead, offering up impressively catchy, yet requisitely brooding, heavy rock, as best revealed on the emotive "It's Not Over" and the urgent "What I Want," which features former Guns N' Roses guitarist Slash.
Everything that made Chris Daughtry insufferable as a contestant on American Idol -- his utter lack of humor, his oppressive earnestness, his desire to sing every song in the same gut-wrenching fashion, a style that only suited the post-grunge brooding that is his chosen specialty -- work for him on his post-Idol debut album, Daughtry. Technically, this is not a solo album, it's the debut of a band called Daughtry, which is actually spelled all in capital letters, which could be seen as a sign that Chris Daughtry might have a bit of a credibility complex. It certainly seems as if he thinks he'll only be taken seriously as part of a band that, like lots of bands from the grunge revolution, is spelled in a specific, exacting way, even if it means that by the rules of the internet he is, quite literally, shouting at us -- which is only appropriate for a singer who is fueled by Fuel and lives by Live. And, let's face facts, DAUGHTRY was formed by Daughtry not only after his run on American Idol, but after he recorded this debut album: the band is for show, to prove that he's the real deal, baby, not some pansy TV singer. It's a posture that's not only just a teeny bit defensive, but one that's utterly unnecessary because the album DAUGHTRY is actually very good, whether it's judged by the standards of American Idol or by the standards of Fuel or Nickelback. Compared to Fuel -- the band that invited Daughtry to be their frontman after he was voted off Idol -- Daughtry has a lighter touch not just in his delivery but also in his songs, which are far hookier than most post-grunge; and if he's compared to Nickelback, he's a far more appealing frontman than that lunkhead Chad Kroeger, with a greater vocal range and far more sensitivity in his singing. Daughtry's way with a hook and empathetic emoting are placed far up in the unapologetically professional mix on DAUGHTRY, which is designed to cross over not to the pop market -- everybody involved knew that DAUGHTRY had that anyway thanks to Daughtry's TV celebrity -- but to the rock market, so everybody involved made sure not to temper the guitars with layers of synths or even to indulge in too many power ballads. The resulting album may play strictly by the rules of mainstream post-grunge and it may never achieve the sweat and grit that real rock bands do even after they've been cleaned up in the studio, but it follows the modern rock blueprint exceedingly well, creating drama even in its pedestrian moments. It also helps that the songs are sturdier than most post-grunge, with big, anthemic hooks on the choruses and verses that are lively enough not to bore. In short, it sounds like the work of a bunch of professionals, which is true to a certain extent: it was produced by Howard Benson, best-known for LPs by My Chemical Romance and All-American Rejects, but Benson and DAUGHTRY didn't draft in a bunch of pros to write the songs -- each tune bears a writing credit by Daughtry, and most of them are solo credits. Listening to these songs, it would be easy to mistake them for the work of seasoned pros: they not only follow the template of post-grunge well, they do it with better hooks and a commercial flair lacking from bands like Fuel and Shinedown, bands that have inspired Daughtry but who he betters here. To put it mildly, that's a surprise -- not just that Daughtry pulled off the tricky move of being pop enough for his Idol fans and rock enough for post-grungers, but that he pulled it off on the strength of his own work. While he hasn't shaken off all the problems that plagued him on the show -- he still could learn that a sense of humor helps add depth to his music, or at least he could realize that rock & roll should be fun at least some of the time -- but he's made those qualities work on a debut that's not only a lot more credible than any American Idol-affiliated rock album should be, but it's a lot easier to digest than most of its ilk. ~ Stephen Thomas Erlewine

Musical Guests
Slash

 
Artist Overview
Daughtry is the rock band fronted by singer-songwriter Chris Daughtry. The eponymous frontman is one in a series of artists who, while not victorious on the popular television show AMERICAN IDOL, were given tremendous career boosts thanks to their appearances there (however brief). Daughtry finished fifth overall in 2006, and started his band immediately after elimination. His brand of heartfelt angst-tinged rock proved enormously successful, a testament as much to the power of AMERICAN IDOL as to the talent of Daughtry himself.

Artist Influences
3 Doors Down | Bush (Rock) | Creed (Post Grunge) | Eddie Money | Fuel | Nickelback | Pearl Jam | Richard Marx | Stone Temple Pilots

Artist Contemporaries
Bo Bice | Clay Aiken | Kelly Clarkson | Rob Thomas (Matchbox 20) | Ruben Studdard | Taylor Hicks | Train


 
Compilation Appearances
Now That's What I Call Music! Vol 24
Now That's What I Call Music 25
Super Hits 10
Radio Disney Jams 10(w/ Bonus DVD)
2008 Grammy Nominees
Now That's What I Call Music Vol 28
Now That's What I Call Music 29
Just The Hits 2007
Super Hits 12
Now 32

 
Associated Artists and Works
This Time Around: The String Quartet Tribute To Da ~ Various Artists

 
Technical Info
Release Date : 11/21/2006
Original Release Date : 2006
Catalog ID : 88860
Label : RCA Records (USA)
Number of Discs : 1
Studio/Live : Studio
Mono/Stereo : Stereo
SPAR Code : n/a
UPC : 00828768886021

 
Professional Reviews
Entertainment Weekly (p.80)
- "The single 'It's Not Over' is ridiculously catchy..." -- Grade: B

Kerrang (Magazine)
(p.49)
- "[T]he man certainly has an impressive set of pipes..."

Rolling Stone 4 of 10
The debut from former American Idol semifinalist Chris Daughtry makes one thing clear: Homeboy loves to rock. Unfortunately, Daughtry shares a weakness for emotional overspill with his fellow Idol alums. He wields his gruff, hair-flailing voice like a spandex-clad star on mammoth arena fare like "There and Back Again" and sleazy near-metal songs such as "What I Want," a rave-up featuring Slash on guitar. But Daughtry gives in to bombast on a series of giant, aching near-ballads, including "Over You" and "Gone," a dark, Nickelback-worthy cut that includes lines like "The day you turned on me is the day I died." Daughtry gets points for not courting soccer moms, but just because he can howl like a motherf***er doesn't mean he's not a cheeseball. - Christian Hoard
 

  
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Customer Reviews
Production 5
Performance 5
Composition 4.5
Overall Satisfaction 5
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5 of 5 Awesome Friday, December 28, 2007
kwallace420 from Oklahoma City, OK  

This group is truly awesome, love their music, this is a must have for your music collection!!
 
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5 of 5 Daughtry's Freshman Release Friday, September 28, 2007
Carol from Hospers, IA  
Chris Daughtry's album is so much bigger and better than any of his performances on American Idol. The tunes and lyrics are well thought out, and very heart wrenching at times. I never get tired of listening to this CD. I hope his next effort is as good!
 
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1 of 1 customers found this review helpful.
 
5 of 5 WOW! Surprisingly great! Saturday, December 02, 2006
Steph from Temecula, CA  
Sounds a little like Fuel and Nickelback. I am surprised at how much I like this CD! ALL the songs are catchy and the lyrics are good--his voice is wonderful. I brought the CD to work and 5 girls in my office ran out and bought it because they loved it. Great job Daughtry! I think he'll have quite a few hits off this cd.
 
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