Notes & Personnel Info |  | Personnel: Kanye West, CLC, Consequence, Jay-Z, J. Ivy, Talib Kweli, Twista, Ludacris, Mos Def, Freeway (rap vocals); Jamie Foxx (spoken vocals); The Harlem Boys Choir, Syleena Johnson (background vocals). | | Producers: Kanye West, Brian Miller, Miri Ben-Ari. | | Composer: Miri Ben-Ari. | | Personnel: Ken Lewis (vocals, guitar, acoustic guitar, keyboards, percussion, sampler); John Legend (vocals, piano, background vocals); Tarey Torae, Tiera Singleton, Lavel Mena, Aisha Tyler, Tony Williams , Thomassina Atkins, Kevin Shannon, Candis Brown, Brandi Kuykenvall, Beverly A. McCargo, Dray, The Boys Choir of Harlem (vocals); Jeffrey Glenn, Eric Johnson (guitar); Miri Ben-Ari (violin); Josh Zandman (piano); Keith Slattery (keyboards); Bosko (talk box); Tracie Spencer (background vocals). | | Audio Mixers: Manny Marroquin; Mike Dean . | | Recording information: Baseline Recording, New York, NY; Conway Studios, Los Angeles, CA; Digital Insight, Las Vegas, NV; Edie Road Recording Studio, Argyle, NY; Full Time Dreamer Studios; Larrabee Sound North, Los Angeles, CA; Light @ The End Of The Tunnel, New York, NY; Quad Recordings, New York, NY; Sony Music Studios, New York, NY; The Enterprise, Burbank, CA; the Record Plant, Hollywood, CA. | | Unknown Contributor Roles: James "JT" Knight; Diamond Alabi Isama; Terrence "T-Berry" Hardy. | | Producer Kanye West's highlight reels were stacking up exponentially when his solo debut for Roc-a-Fella was released, after numerous delays and a handful of suspense-building underground mixes. The week The College Dropout came out, three singles featuring his handiwork were in the Top 20, including his own "Through the Wire." A daring way to introduce himself to the masses as an MC, the enterprising West recorded the song during his recovery from a car wreck that nearly took his life -- while his jaw was wired shut. Heartbreaking and hysterical ("There's been an accident like Geico/They thought I was burnt up like Pepsi did Michael"), and wrapped around the helium chirp of the pitched-up chorus from Chaka Khan's "Through the Fire," the song and accompanying video couldn't have forged his dual status as underdog and champion any better. All of this momentum keeps rolling through The College Dropout, an album that's nearly as phenomenal as the boastful West has led everyone to believe. The bad points? A few too many skits, "The New Workout Plan," and the fact that the triumph that is "Through the Wire" is de-emphasized and placed so deep into the album that it's almost anticlimactic. Apart from this? Abundant hotness in every aspect. From a production standpoint, nothing here tops recent conquests like Alicia Keys' "You Don't Know My Name" or Talib Kweli's "Get By," but he's consistently potent and tempers his familiar characteristics -- high-pitched soul samples, gospel elements -- by tweaking them and not using them as a crutch. Even though those with their ears to the street knew West could excel as an MC, he has used this album as an opportunity to prove his less-known skills to a wider audience. One of the most poignant moments is on "All Falls Down," where the self-effacing West examines self-consciousness in the context of his community: "Rollies and Pashas done drive me crazy/I can't even pronounce nothing, yo pass the Versacey/Then I spent 400 bucks on this just to be like 'N*gga you ain't up on this'." If the notion that the album runs much deeper than the singles isn't enough, there's something of a surprising bonus: rather puzzlingly, a slightly adjusted mix of "Slow Jamz" -- a side-splitting ode to legends of baby-making soul that originally appeared on Twista's Kamikaze, just before that MC received his own Roc-a-Fella chain -- also appears. Prior to this album, we were more than aware that West's stature as a producer was undeniable; now we know that he's also a remarkably versatile lyricist and a valuable MC. ~ Andy Kellman | | For most artists who are discovered behind the mixing boards, making the transfer from producer to MC proves a daunting task. Fortunately for Kanye West, his verbal skills more than rise to the challenge of his consistently superior beats. A sprawling concept record that tackles issues of everyday life with wisecracking humor and unexpected honesty, THE COLLEGE DROPOUT confirms West's status as one of hip-hop's most refreshing voices. | | The leadoff single, "Through the Wire," perfectly exemplifies West's distinct vision. Recorded while his jaws were still wired shut after a near-fatal car accident, West hilariously reflects upon his predicament over a sped-up Chaka Khan sample. Other songs address potentially somber topics--ghetto life ("We Don't Care"), religion ("Jesus Walks"), and family turmoil ("Family Business")--yet somehow retain a truly hopeful spirit. Although THE COLLEGE DROPOUT features top-notch cameos from Talib Kweli, Common, Mos Def, Freeway, Jay-Z, Ludacris, and Twista, it's clearly West's show. | | Producer Kanye West's highlight reels were stacking up exponentially when his solo debut for Roc-a-Fella was released, after numerous delays and a handful of suspense-building underground mixes. The week The College Dropout came out, three singles featuring his handiwork were in the Top 20, including his own "Through the Wire." A daring way to introduce himself to the masses as an MC, the enterprising West recorded the song during his recovery from a car wreck that nearly took his life -- while his jaw was wired shut. Heartbreaking and hysterical ("There's been an accident like Geico/They thought I was burnt up like Pepsi did Michael"), and wrapped around the helium chirp of the pitched-up chorus from Chaka Khan's "Through the Fire," the song and accompanying video couldn't have forged his dual status as underdog and champion any better. All of this momentum keeps rolling through The College Dropout, an album that's nearly as phenomenal as the boastful West has led everyone to believe. The bad points? A few too many skits, "The New Workout Plan," and the fact that the triumph that is "Through the Wire" is de-emphasized and placed so deep into the album that it's almost anticlimactic. Apart from this? Abundant hotness in every aspect. From a production standpoint, nothing here tops recent conquests like Alicia Keys' "You Don't Know My Name" or Talib Kweli's "Get By," but he's consistently potent and tempers his familiar characteristics -- high-pitched soul samples, gospel elements -- by tweaking them and not using them as a crutch. Even though those with their ears to the street knew West could excel as an MC, he has used this album as an opportunity to prove his less-known skills to a wider audience. One of the most poignant moments is on "All Falls Down," where the self-effacing West examines self-consciousness in the context of his community: "Rollies and Pashas done drive me crazy/I can't even pronounce nothing, yo pass the Versacey/Then I spent 400 bucks on this just to be like 'Nigga you ain't up on this'." If the notion that the album runs much deeper than the singles isn't enough, there's something of a surprising bonus: rather puzzlingly, a slightly adjusted mix of "Slow Jamz" -- a side-splitting ode to legends of baby-making soul that originally appeared on Twista's Kamikaze, just before that MC received his own Roc-a-Fella chain -- also appears. Prior to this album, we were more than aware that West's stature as a producer was undeniable; now we know that he's also a remarkably versatile lyricist and a valuable MC. [A clean version of the album was also made available, with all of the cursing wiped out.] ~ Andy Kellman |
Engineer: Keith Slattery; Anthony Kilhoffer; Carlisle Young; Andrew Dawson; Eugene Toale; Rich Balmer; Jacob Andrew; Brent Kolatalo; Jason Rauhoff; Marcus Fuller; Francis Graham; Rabeka Tuinei; Gimel Keaton; Tatsuya Sato; Michael Eleopoulos; Dave Dar |
Musical Guests | | Syleena Johnson | | Jay-Z | | Common | | Talib Kweli | | Twista | | Jamie Foxx | | Luacris | | Ludacris | | Mos Def | | Harlem Boys Choir | | Consequence | | GLC | | J-Ivy | | Freeway |
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