Cannonball (2006)

Artist: Pat Green
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Product Summary
Label: BNA Entertainment
UPC: 00828768458327
Release Date: 8/22/2006
Buy.com Sku: 202871116
Item#: M33PLQ
Format:  CD

Song Listing

Disc 1
Song TitleSample
1. Cannonball ~ Pat Green
2. Way Back ~ Pat Green
3. Love Like That ~ Pat Green
4. Dixie Lullaby ~ Pat Green
5. Feels Just Like It Should ~ Pat Green
6. Missing Me ~ Pat Green
7. Virginia Belle ~ Pat Green
8. Finder's Keepers - (with Sara Evans) ~ Pat Green
9. Won't Let Love ~ Pat Green
10. Lost Without You ~ Pat Green
11. I'm Trying To Find It ~ Pat Green
12. Love Had Something To Say ~ Pat Green
13. Learn How To Live ~ Pat Green
14. Sleeping With The Lights On ~ Pat Green



On welcoming Pat Green to the SONY BMG Nashville family, Chairman Joe Galante comments, "We have all been Pat Green fans since we first heard his music. Pat has put himself in a place that is not only distinctive but has appeal to a youthful audience, many of which are just being introduced to country music. Having the opportunity to work with him is very exciting and taking him to the next level is going to be a blast."

That's why Cannonball came along at just the right time. As rambunctious and spirited as ever, the album captures Green at his most accessible and engaging. "I think everybody has their own story to tell," the affable singer-songwriter says. "For me, the only thing that works is trying to make sense out of the world around me and the life I'm living. Honesty is the only way to go for me."

With his new songs, he worked hard at concision and directness, while maintaining the personality and quirky flavor that gives his music its originality. "I want my music to be reasonably intelligent, but I also want it to be interesting and fun," he says. "I just want to tell my tale from the tallest mountain and with the loudest megaphone I can find."

"Feels Like It Should," the first single from Cannonball, encapsulates the spirit of the new album. "It's all about knowing you're on top of the world and soaking up that feeling," he says. "I wrote that with my drummer Justin Pollard and Brett James, we really wanted to create the perfect summer song."
 

Album Notes and Credits

Notes & Personnel Info
Personnel: Pat Green; John Hobbs, John Willis, Kenny Greenberg, Michael Rhodes , Biff Watson, J.T. Corenflos, Michael Daly.
Although Pat Green has always striven to be his generation's answer to the great Texas country singer-songwriters of the 1970s like Waylon Jennings and Jerry Jeff Walker, on CANNONBALL--his eighth studio outing--he comes off more like the Lone Star State's answer to Bruce Springsteen. He even shouts out the Boss on "Feels Just Like It Should." The Texas-working-class-bard approach works, thanks to a rootsy, yet arena-ready band, the deft production work of Don Gehman--who as John Mellencamp's frequent collaborator knows a thing or two about Springsteen love--and the undeniable strengths of Green's songwriting.
Pat Green's music can be described as one part Texas singer/songwriter and one part arena-friendly pop/rock with a rootsy twist, sort of a fusion of Robert Earl Keen and Hootie & the Blowfish, which might sound like a slight until you consider the level of craft both acts put into their music. Pat Green became a major star in Texas on the strength of his engaging live show and a handful of self-released and distributed albums he made in the '90s, but he hasn't been able to conquer the record business nationwide with quite the same panache as he did in the Lone Star State, and Cannonball, his fourth major label effort (and tenth overall) finds him shifting gears a bit as he jumps from Universal to his new corporate home at BNA/BMG. While Green's tales of life in Regular Guy Land cover the same sort of territory as usual -- love that feels really good when it works, love that feels kinda sad when it doesn't, and life with his buddies and family below the Mason Dixon line -- Green has a noticeably harder rock & roll edge than in the past (or least what passes for a rock & roll edge in mainstream country), and his vocals suggest he's been listening to a lot of classic heartland rock these days (which, since he's working with the producer who made some of John Mellencamp's best records, makes sense). Green has the voice and personality to make the more direct approach work, his band seems to enjoy having the opportunity to tear a little deeper into the material, and "Virginia Belle" is a great single that suggests Counting Crows on a vacation in Texas (which in this case is a good thing). But most of the time, Cannonball loses a share of the easygoing charm and simple emotional clarity that's marked Green's best work, and the greater warmth and friendliness of his earlier material is missed. Cannonball is still the work of a singer and songwriter who put a lot of sweat and honest labor into this album, and the effort isn't wasted, but Green's music here lacks some of the small-town humanity that made him memorable in the first place; a turn of events that might make some fans uneasy. ~ Mark Deming

Producer: Don Gehman; Justin Pollard

Engineer: Mark Dearnley

 
Compilation Appearances
A Very Special Acoustic Christmas
Angels & Outlaws 1
Texas Bred Texas Fed:redefining Cou
Cory Morrow:live From Austin Texas
Playlist Plus: A Very Special Christmas

 
Associated Artists and Works
Various Artists

 
Technical Info
Release Date : 08/22/2006
Original Release Date : 2006
Catalog ID : 45832
Label : BNA
Number of Discs : 1
Studio/Live : Studio
Mono/Stereo : Stereo
SPAR Code : n/a
UPC : 00828768458327

 
Bio
Pat Green

Pat Green commands a position in the music world uniquely his own. He sells out stadiums like the Houston Astrodome and Dallas? Smirnoff Center as well as the Nokia Theater in New York City as a headliner, yet he also gets the opportunity to tour with major artists like Kenny Chesney, Keith Urban and the Dave Matthews Band.

That dichotomy underscores one point: As hugely popular as Pat Green is, as rabid as his loyal fan base is, there?s still an enormous audience getting their first exposure to his one-of-a-kind music and performances.

With his first album since signing with BNA Records, the three-time Grammy nominee looks to take his music to the masses. Cannonball, his explosive new album, captures Green?s joyous, provocative songwriting style with new sharpness and swagger. Working for the first time with a powerhouse Nashville label, Green and his supporters expect Cannonball to transform him from massive cult star to emerging country superstar.

?I feel like this album is a home run,? Green says with characteristic aw-shucks honesty. ?I wanted to take our brand of independent music and give it a fresh shot at making a bigger impact. That?s exactly what I think we?ve accomplished when I hear these songs.?

Indeed, Green has always lived on the border of both worlds. His unique lyrics present a distinct vision of the world that reaches outsiders and fans of off-the-beaten-path music. At the same time, the carefree, slice-of-the-good-life, sing-along-with-me nature of his work has built-in mass appeal.

He?s already proven he can build an enthusiastic, youthful following through the time-tested virtues of hard work, live performance and word-of-mouth buzz. Now it?s time to add fuel to the fire with the kind of exposure radio and a committed, well-oiled record label can provide.

After becoming a Texas hero through self-generated independent albums, Green chose to take his music to a national audience through a side door. ?We signed our first major label deal out of New York so we could maintain an independent status,? he says. ?We found out that it gave us more artistic leeway, but it also gave us less access to industry insiders.?

By now, his independence is established; no one?s going to try and tell Green to change his distinctive musical vision or songwriting style, not after earning Grammy nominations and earning a Top 3 hit with ?Wave on Wave.? ?We never fit in with the cookie-cutter stuff, and for a while that was what dominated the airwaves,? he says. ?Now it seems that radio is more excited than ever about breaking new acts and bringing new blood into the fold. I think they want material that fits the format but doesn?t sound like everything else. And that?s right where we?re at.?

At the same time, Green?s music will come out through one of Nashville?s most successful and progressive record labels. ?Working with BNA and Joe Galante, we?re stepping up to the plate with all the necessary tools to get the job done for the first time,? he says. ?I think we?re getting a real chance at having a big impact. I couldn?t feel better about where we?re at right now.?
 


  
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