Editor's Note
James Whale's BRIDE OF FRANKENSTEIN, the sequel to his classic FRANKENSTEIN, is considered one of the best horror films of all time. After the Monster (Boris Karloff) is trapped in a windmill fire, Dr. Henry Frankenstein (Colin Clive) assumes that the fiendish murderer has perished...but he's not dead yet. Rising from the rubble, the Monster is on the loose again--lonely and misunderstood, and killing those who cross him. Frankenstein wants to forget his creation, but the evil Dr. Pretorius (Ernest Thesiger) has a diabolical plan to create a mate for the Monster, and Frankenstein must comply or else.
Plot Summary
THE BRIDE OF FRANKENSTEIN, a masterly mix of horror and black comedy, is the first in a series of sequels to FRANKENSTEIN (SON OF FRANKENSTEIN, HOUSE OF FRANKENSTEIN). In the wry prologue, Mary Shelley (Elsa Lanchester) resumes her gothic tale after the face-off in a burning windmill between Henry Frankenstein (Colin Clive) and his horrific creation, the Monster (Boris Karloff). Presumed dead, the fiend rises again, immediately dispatching two villagers and wandering into the forest. Meanwhile, at chez Frankenstein, the archly villainous Dr. Pretorius (Ernest Thesiger) arrives, demanding to see Henry "on a secret grave matter."In a touching scene, the Monster, chased by countless angry mobs, finds brief respite with a blind hermit (O.P. Heggie) who befriends him and teaches him to speak. Mad-as-a-hatter Pretorius blackmails unwilling Henry into creating a female monster, culminating in another gorgeously filmed laboratory scene of lightning, flying kites, and whirring gizmos. Once the lightning-streaked, big-haired, white-robed Bride (Elsa Lanchester again) walks, how will the Monster react; who will live and who will die? Horror fans will delight in Whale's superb camera work of sweeping crane shots and canted angles, the cavernous, shadowy sets, and the atmospheric Franz Waxman score.
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