Notes & Personnel Info |  | Personnel: Soopafly, Traci Nelson, Barbara Wilson (vocals); John Najera "Natural", Marlon Williams, Raul Mid¢n (guitar); Dawaun Parker, 6th Sense, Mark Batson (keyboards); Lamar Edwards (bass guitar); Erik "Baby Jesus" Coomes (bongos); Area 51 (scratches); Chris Starr (background vocals). | | Audio Mixers: Dr. Dre; Chris Jackson; Mauricio "Veto" Irragorri; DJ Pooh; Alexis Seton; Phil Tan; Richard Huredia; Leslie Brathwaite. | | Recording information: Area 51, Detroit, MI; Avex Honolulu Studios, Honolulu, HI; Chalice Studios, Los Angeles, CA; DF Studios, Richmond, VA; FoxxHole Studios, Tarzana, CA; Fred's Treehouse; In Your Ear Recording Studio, Richmond, VA; Konkast Recording Studios, Atlanta, GA; Legacy Recording Studios, New York, NY; Oceanway Studios, Hollywood, CA; Palace De Nathan; Patchwerks Studio, Atlanta, GA; Record One Studios, Sherman Oaks, CA; Record Plant Studios, Los Angeles, CA; Tha Cahtedral; Tha Cathedral, Hollywood, CA; The Chocolate Factory, Chicago, IL; The Hit Factory Criteria, Miami, FL. | | Photographer: Anthony Mandler. | | Unknown Contributor Roles: Dr. Dre; D'Angelo; Damani; Damian "Junior Gong" Marley; Shante Broadus "Boss Lady"; E-40; George Clinton ; Jamie Foxx; LaToiya Williams; Nate Dogg; R. Kelly; Soopafly; Stevie Wonder; The Game; Kurupt. | | There's no question that Snoop Dogg is one of hip-hop's most beloved artists; Snoop has not only ridden with hip-hop from the margins to the mainstream, he helped get the big rig there. All reverence aside, though, the quality of Snoop's output has frequently come into question since the release of his undisputed classic, 1993's DOGGYSTYLE. While all his albums have had their share of hits, they've often lacked cohesion as Snoop aimed for broader appeal, catered to big-name pop guests, and alienated hardcore fans in the process. | | But on his eighth effort, it seems Snoop finally has the formula locked down, seamlessly blending smoothed-out 1970s funk ("Think About It," "Boss Life") and catchy R&B ("That's That," "Round Here") with new millennium G-Funk ("Crazy," "Don't Stop") and more than a few hardcore street anthems ("Vato," "Gangbangin' 101"). Every track is a triumph as Timbaland, Nottz, the Neptunes, DJ Pooh, Rick Rock, and Dr. Dre, among others, bless Calvin Broadus with some of the most fitting soundscapes his laidback gangsta drawl has ever touched. THE BLUE CARPET TREATMENT is another crowning achievement for the D-O-double-G, perhaps even eclipsing the pure gangsta charisma of his classic 1993 debut. | | You can look at the hard-hitting Tha Blue Carpet Treatment as a reaction to the crossover-minded R&G (Rhythm & Gangsta): The Masterpiece, an album that featured Justin Timberlake and the mega-single "Drop It Like It's Hot." Since that polished -- some would say "watered-down" -- effort put him over the top (again), Snoop was seen shilling for Chrysler and Orbit gum when he used to rep Girls Gone Wild: Doggy Style videos and that green sticky-icky you can only get on the West Coast. The time to buy street cred would be now, right? Well, Snoop's been doing some amazing things under most folks' radar, and this album is the natural outcome. While the title is a little poke at the Crip/Blood, blue/red dichotomy, Tha Blue Carpet Treatment feels like the G-funk soundtrack to Snoop's 2005 West Coast peace summit and all the positive hood moves he's made since then, like squashing all West Coast beefs and throwing some love to Cali's often-ignored Latin hip-hop community with his intentionally leaked "My Peoples" freestyle. It's the latter relationship that's responsible for the excellent "Vato," and while special guest B Real might be way bigger than 2Mex or most of the other names mentioned in "My Peoples," the Cypress Hill sideman needs Snoop in 2006 much more than vice versa. Polished efforts like the pimping "That's That S***" with R. Kelly and the strip club anthem "I Wanna F*** You" with Akon fall between Doggystyle-d gangsta throwbacks like the slinky "Crazy" with Nate Dogg and "Candy (Drippin' Like Water)," which features E-40 and Tha Dogg Pound next to lesser-known vets Goldie Loc and MC Eiht. Juggling "Candy"'s guests would be hard enough for lesser Gs, but it's a testament to Snoop that he can, and more so that he manages a full album that touches upon just about every ghetto flavor. Banger after banger, produced by everyone from Timbaland to the Neptunes, leads to a couple numbers that almost throw the album off-track: "Psst!," where Jamie Foxx woefully pretends he's Prince, and the pee-wee football anthem "Beat Up on Yo Pads," which is just out of place. Then there's the dream number "Imagine," a duet between Dr. Dre and Snoop that ponders a hood life not blessed with hip-hop, a life where the two would have never gotten "out from under." As the album exits on the positive "Conversations" with Stevie Wonder, memories of Rhythm & Gangsta's grandest moments return, and it becomes obvious Tha Blue Carpet Treatment isn't so much a reaction to that album as it is a house party celebrating Snoop's whole career. With heaping helpings of G-funk and Left Coast attitude, there's no reason any West Coast-loving hip-hopper should miss this party. ~ David Jeffries | | You can look at the hard-hitting Tha Blue Carpet Treatment as a reaction to the crossover-minded R&G (Rhythm & Gangsta): The Masterpiece, an album that featured Justin Timberlake and the mega-single "Drop It Like It's Hot." Since that polished -- some would say "watered-down" -- effort put him over the top (again), Snoop was seen shilling for Chrysler and Orbit gum when he used to rep Girls Gone Wild: Doggy Style videos and that green sticky-icky you can only get on the West Coast. The time to buy street cred would be now, right? Well, Snoop's been doing some amazing things under most folks' radar, and this album is the natural outcome. While the title is a little poke at the Crip/Blood, blue/red dichotomy, Tha Blue Carpet Treatment feels like the G-funk soundtrack to Snoop's 2005 West Coast peace summit and all the positive hood moves he's made since then, like squashing all West Coast beefs and throwing some love to Cali's often-ignored Latin hip-hop community with his intentionally leaked "My Peoples" freestyle. It's the latter relationship that's responsible for the excellent "Vato," and while special guest B Real might be way bigger than 2Mex or most of the other names mentioned in "My Peoples," the Cypress Hill sideman needs Snoop in 2006 much more than vice versa. Polished efforts like the pimping "That's That S***" with R. Kelly and the strip club anthem "I Wanna F*** You" with Akon fall between Doggystyle-d gangsta throwbacks like the slinky "Crazy" with Nate Dogg and "Candy (Drippin' Like Water)," which features E-40 and Tha Dogg Pound next to lesser-known vets Goldie Loc and MC Eiht. Juggling "Candy"'s guests would be hard enough for lesser Gs, but it's a testament to Snoop that he can, and more so that he manages a full album that touches upon just about every ghetto flavor. Banger after banger, produced by everyone from Timbaland to the Neptunes, leads to a couple numbers that almost throw the album off-track: "Psst!," where Jamie Foxx woefully pretends he's Prince, and the pee-wee football anthem "Beat Up on Yo Pads," which is just out of place. Then there's the dream number "Imagine," a duet between Dr. Dre and Snoop that ponders a hood life not blessed with hip-hop, a life where the two would have never gotten "out from under." As the album exits on the positive "Conversations" with Stevie Wonder, memories of Rhythm & Gangsta's grandest moments return, and it becomes obvious Tha Blue Carpet Treatment isn't so much a reaction to that album as it is a house party celebrating Snoop's whole career. With heaping helpings of G-funk and Left Coast attitude, there's no reason any West Coast-loving hip-hopper should miss this party. [Tha Blue Carpet Treatment was also made available in a clean version, with all explicit material remo |
Producer: Dr. Dre; Timbaland; Niggaracci; DJ Pooh; Frequency; DJ DDT; N8; 1500; Jamie Foxx; Mark Batson; Rick Rock; Soopafly; Stevie Wonder; The Neptunes; Aliaune Thiam; Fredwreck Nassar; Dr. Dre; Timbaland; Pharrell Williams |
Engineer: Chris Jackson; Mauricio "Veto" Iragorri; Ted Chung; Orlando Rashid; Chris Soper; DJ Pooh; Mike Chav; Paul Bruski; Shon Don; Abel Garibaldi; Andrew Coleman; Ian Mereness |
Musical Guests | | Dr. Dre | | R. Kelly | | Akon | | Young Jeezy | | Ice Cube | | The Game |
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