Notes & Personnel Info |  | Personnel: Talib Kweli (vocals); RES (vocals, rap vocals); Mark Batson (vocals, piano, keyboards); Dion, Jamia Simone Nash, Tiffany Mynon, Yummy Bingham, Dave Young Orchestra, John Legend, Mary J. Blige, Anthony Hamilton, Alex Thomas (vocals); Common (rap vocals); E Bass (keyboards); Faith Evans (vocals). | | Audio Mixers: Phil Tan; Steve Baughman; Axel Niehaus; Bob Power. | | Recording information: Baseline Recording Studios, New York, NY; Chalace Recording Studio, Los Angeles, CA; Hovercraft Recording Studios, Virginia Beach, VA; Right Track Recording Studios, New York, NY; Tek Lab, Cincinnati, OH; The Record Plant, Los Angeles, CA; Westlake Audio, Los Angeles, CA. | | Photographer: Ken Schles. | | Something's not right when a high compliment -- one laid down on wax, no less! -- from a giant like Jay-Z doesn't set off a major sales spike. Such is the case with Talib Kweli, a phenomenal MC who has only flirted with mainstream acceptance, despite being admired by a host of harder-edged platinum artists. Rather than try to ride out that slow if steady momentum and see where it takes him, Kweli takes the power into his own hands and grabs for the brass ring. The Beautiful Struggle is far from a 180 for him, but it's just out of character enough to be awkward. Whether he's attempting to bridge the underground to the mainstream or simply pull away from the former, the results aren't wholly convincing. Not only is Kweli attempting to alter the way in which he's perceived through his own verses; he's also been keeping some unlikely company -- a (superior) prealbum mixtape featured guest spots from Fabolous, Styles P, and G-Unit addition Shawn Penn. More than once on this album, Kweli's as anxious to lose his backpacking image as a fourth grader at 3 p.m. On the title track, he declares, "They call me the political rapper even after I tell 'em I don't f*ck with politics, I don't even follow it." He stands no chance of losing that tag when a line like "the motherf*cking Democrats is acting like Republicans" is contained within the same verse. Plus, he always has and always will excel at depicting facets of interpersonal politics. As much as The Beautiful Struggle is likely to catch longtime fans off-guard and leave mainstream followers indifferent, Kweli's unexpected moves appear to have more to do with trying new things -- and possibly thwarting preconceived notions -- than desperation. Still, there's no denying that it misses a little more than it hits. ~ Andy Kellman | | Talib Kweli, as with the finest artists, is possessed by a love of his medium--in this case, rap and its history. Applying his thoughtful words to music, Kweli revels in hip-hop, and his adoration of the genre is clear in all his work. Each of Kweli's records, whether alone or with Mos Def (as part of Black Star) or Hi-Tek, incorporates hints of melodies past, lines plucked from the performers who preceded him, as well as deeply studied lyrics created by his own fertile mind. | | So it is with Kweli's third solo outing, THE BEAUTIFUL STRUGGLE, which alludes to the history of many forms of music while the rapper muses eloquently about revolutions and poverty and their relation to war and shattered dreams. Kweli tells an intricate story of struggling, succeeding, and failing on "Broken Glass," and jumps around from one frustration to the next on the ultimately inspirational title track. On the latter, he notes that people dub him a political rapper, when he doesn't even follow politics; rather, he looks to the icons of hip-hop from Ice Cube to De La Soul. Kweli may not aim to be a politically minded hip-hopper, but as an astute observer of life, he can't help but be aware and comment on what he sees. On BEAUTIFUL STRUGGLE its clear that he raps because he lives, and he does it brilliantly. |
Producer: Todd Mason; Just Blaze; Kanye West; Supa Dave West; Dirty Swift; Bruce Waynne; Antwan "Amadeus" Thompson; Charlemagne; Hi-Tek |
Engineer: David Brown; Brian Garten |
Musical Guests | | Faith Evans | | Common | | Mary J. Blige | | John Legend | | Res | | Anthony Hamilton |
|
CD
