Notes & Personnel Info |  | The third member of LOX (alongside Jadakiss and Styles P) to release solo work, Sheek Louch follows up his debut, 2003's WALK WITT ME, with AFTER TAXES in 2005. Louch's flow comes straight out of the East Coast hardcore tradition, with a slow, heavy delivery and lots of muscle in the attack. Louch spends a lot of AFTER TAXES critiquing the commercial aims of rappers like 50 Cent, but the inventive beats and hard-hitting rhymes here (not to mention the cameos from, among others, Jadakiss, Styles P, Ghostface Killa, and Redman) are proof enough that Sheek Louch intends to stay street. | | There's a refreshing moment during "On the Road Again" where LOX member Sheek Louch admits his last album didn't do well, but it's back to the drawing board, this time the independent label drawing board where there's more freedom. Without this freedom, the great "45 Minutes to Broadway" probably wouldn't have the quirky, hypnotic Havoc-produced loop it does, or the sleazy swagger of "One Name" probably wouldn't be as irresponsible as it is (although the seduction-oriented track with Carl Thomas as guest does go against the album's opening declaration that Sheek is so free there will be "no R&B"). Frequent target 50 Cent gets a proper thrashing on "Maybe If I Sing," a track that's triumphantly vicious or simply amusing depending on whether or not you take the D-Block versus G-Unit war to heart. All these tracks make After Taxes a filling, winningly diverse street album, but it's the infectious "Kiss Your Ass Goodbye" that really makes the album pop, partly because Beanie Sigel delivers a line about feeding and burping his disrespectful prot?g?s, but mostly because of Sheek's snide verses and extremely catchy chorus. Topping it off is Ghostface's cool boasting on "Movie Niggaz" as the man brags about having "Enron money" over the Alchemist's soulful production. Skits that are funny and an endless parade of wry putdowns and pop culture references that deserve a laugh out loud are all contrasted with bleak, vivid verses that are primal rage and provocative (leaving your enemy's dead body where his children play isn't even the worst of it). It's an interesting, uncompromising combination that suggests Sheek is a more complicated artist than given credit for, but the bile and thugging that make the album so street and independent is intense enough to alienate gangsta detractors. There is an overall feeling the tracks could have been ordered in a more sensible way, but After Taxes handily beats his solo debut while giving the LOX faithful something to bump as they enter their fifth year of waiting for the crew's return. ~ David Jeffries | | There's a refreshing moment during "On the Road Again" where LOX member Sheek Louch admits his last album didn't do well, but it's back to the drawing board, this time the independent label drawing board where there's more freedom. Without this freedom, the great "45 Minutes to Broadway" probably wouldn't have the quirky, hypnotic Havoc-produced loop it does, or the sleazy swagger of "One Name" probably wouldn't be as irresponsible as it is (although the seduction-oriented track with Carl Thomas as guest does go against the album's opening declaration that Sheek is so free there will be "no R&B"). Frequent target 50 Cent gets a proper thrashing on "Maybe If I Sing," a track that's triumphantly vicious or simply amusing depending on whether or not you take the D-Block versus G-Unit war to heart. All these tracks make After Taxes a filling, winningly diverse street album, but it's the infectious "Kiss Your Ass Goodbye" that really makes the album pop, partly because Beanie Sigel delivers a line about feeding and burping his disrespectful prot?g?s, but mostly because of Sheek's snide verses and extremely catchy chorus. Topping it off is Ghostface's cool boasting on "Movie Niggaz" as the man brags about having "Enron money" over the Alchemist's soulful production. Skits that are funny and an endless parade of wry putdowns and pop culture references that deserve a laugh out loud are all contrasted with bleak, vivid verses that are primal rage and provocative (leaving your enemy's dead body where his children play isn't even the worst of it). It's an interesting, uncompromising combination that suggests Sheek is a more complicated artist than given credit for, but the bile and thugging that make the album so street and independent is intense enough to alienate gangsta detractors. There is an overall feeling the tracks could have been ordered in a more sensible way, but After Taxes handily beats his solo debut while giving the LOX faithful something to bump as they enter their fifth year of waiting for the crew's return. [After Taxes was also made available in a clean version, with all explicit material removed.] ~ David Jeffries |
Producer: Infamous Red Spyda; Cocoa Chanelle; Havic; Alchemist; Rockwilder; DJ Twinz; Vinny Idol; Buck Wild |
Musical Guests | | The Game | | Redman | | Jadakiss | | Ghostface Killah | | P. Diddy | | Fabolous | | T.I. | | Beanie Sigel |
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