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Artist: Various Artists
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Product Summary

Format: CD
Buy.com Sku: 60266290
UPC: 075992642224
UPC 14: 00075992642224
Release Date: 10/30/1990
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Song Listing

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Disc 1
Song Title
Sample
1. Reverberation (Doubt) - ZZ Top ~ Various Artists
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2. If You Have Ghosts - The Good Liars/John Wesley Harding ~ Various Artists
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3. I Had To Tell You - Poi Dog Pondering ~ Various Artists
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4. She Lives (In A Time Of Her Own) - The Judybats ~ Various Artists
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5. Slip Inside This House - Primal Scream ~ Various Artists
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6. You Don't Love Me Yet - Bongwater ~ Various Artists
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7. I Have Always Been Here Before - Julian Cope ~ Various Artists
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8. You're Gonna Miss Me - Doug Sahm & Sons ~ Various Artists
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9. It's A Cold Night For Alligators - Southern Pacific ~ Various Artists
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10. Fire Engine - Richard Lloyd ~ Various Artists
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11. Bermuda - Vibrating Egg ~ Various Artists
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12. I Walked With A Zombie - R.E.M. ~ Various Artists
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13. Earthquake - Butthole Surfers ~ Various Artists
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14. Don't Slander Me - Lou Ann Barton ~ Various Artists
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15. Red Temple Prayer (Two Headed Dog) - Sister Double Happiness ~ Various Artists
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16. Burn The Flames - Thin White Rope ~ Various Artists
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17. Postures (Leave Your Body Behind) - Tabby Thomas/Chris Thomas ~ Various Artists
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18. Nothing In Return - T-Bone Burnett ~ Various Artists
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19. Reverberation (Doubt) - Jesus & Mary Chain ~ Various Artists
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Album Notes and Credits


Notes & Personnel Info
Muze PNote WHERE THE PYRAMID MEETS THE EYE is a tribute album to Roky Erikson, lead singer/songwriter for 60's pyschedelic band The 13th Floor Elevators.
Muze PNote Includes liner notes by Bill Bentley.
Muze PNote Roky Erickson often seems to be better known in rock circles for his well publicized psychological maladies and his less-than-gentle treatment at the hands of Texas' judicial system than for his music -- and that's a shame. While Roky's habit of informing anyone who asks that he's a Martian or is in contact with Satan makes for good fanzine copy, the best reason to be interested in Erickson is his songwriting -- there's a graceful, vivid surrealism to his lyrical style that's endured far better than most of the noodlers who came out of the psychedelic rock movement, and his later bursts of horror film fancy conjure up a troubling tension that's laughed at only by the shallow or ignorant. When Erickson's legal problems came to a head in the late 1980s, longtime fan and Sire Records executive Bill Bentley assembled Where the Pyramid Meets the Eye: A Tribute to Roky Erickson to raise money for Erickson, as well as drawing attention to the unique beauty of his music. Like most multi-artist tribute albums, the results are a bit uneven; some of these artists seem to have appeared out of convenience rather than any great love of Roky's music, and a few of the interpretations are simple miscalculations (Thin White Rope's Guy Kyser really goes overboard on his version of "Burn the Flames"). But there are a several moments of very real beauty and power here, especially from the artists who share Erickson's Texas heritage -- Doug Sahm and ZZ Top rock out on their contributions, the Butthole Surfers' version of "Earthquake" is one of their finest moments on wax, and T-Bone Burnett's take on "Nothing in Return" is a heart-tugging gem. The 13th Floor Elevators' first two albums are still the best place to sample Erickson's music (and the latter-day All That May Do My Rhyme is a fine album, for which Erickson actually receives royalties -- hint, hint), but Where the Pyramid Meets the Eye is a sincere if inconsistent tribute to his work, and shows how well his songs can translate to the styles of other artists. ~ Mark Deming

Technical Info

Music Release Date Release Date : 10/30/1990
Music Original Release Date Original Release Date : 1990
Music CatalogId Catalog ID : 26422
Music Label Name Label : Sire
Music Number of Discs Number of Discs : 1
Music Studio or Live Studio/Live : Studio
Music Mono or Stereo Mono/Stereo : Stereo
Music SPAR code SPAR Code : AAD
Music UPC UPC : 00075992642224

Professional Reviews

New York Times (Publisher)
(11/4/90)
- "...The youngsters stay pretty true to the spirit of the original recordings...highlight the trippy Buddy Holly-like quality of Mr. Erickson's affecting but often overlooked ballads..."

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