| Product Summary | | Format: Paperback | | ISBN: 9780767926034 | | Publisher: Broadway Books | | Publish Date: 3/28/2006 | | Buy.com Sku: 202237225 | | Item#: R5PXRJ | | Buy.com Sales Rank: 73347 | | Dimensions (in Inches) 10H x 8.5L x 1.25T | | Pages: 480 |
|
|
|
| | | | "Renowned curator Jacques Sauniere staggered through the vaulted archway of the museum's Grand Gallery..." (from the first line) This special collectors edition of The Da Vinci Code is filled with sumptuous full-color illustrations that bring the art, imagery, and iconography of Dan Brown's compelling story to vivid life. From the Publisher:
One of the bestselling novels of all time, Dan Brown's The Da Vinci Code has intrigued and thrilled millions of readers around the world. Now all the artwork, symbols, architecture, and historic locations - over 160 images - are beautifully compiled in this full-color collector's edition. A mind-bending code hidden in the works of Leonardo da Vinci. A desperate race through the cathedrals and castles of Europe. An astonishing truth concealed for centuries...unveiled at last. While in Paris on business, Harvard symbologist Robert Langdon receives an urgent late-night phone call. The elderly curator of the Louvre has been murdered inside the museum, a baffling cipher found near the body. As Langdon and a gifted French cryptologist, Sophie Neveu, sort through the bizarre riddles, they are stunned to discover a trail of clues hidden in the works of Da Vinciclues visible for all to see and yet ingeniously disguised by the painter. The stakes are raised when Langdon uncovers a startling link: the late curator was involved in the Priory of Sion - an actual secret society whose members included Sir Isaac Newton, Botticelli, Victor Hugo, and Da Vinci, among others. Langdon suspects they are on the hunt for a breathtaking historical secret, one that has proven through the centuries to be as enlightening as it is dangerous. In a frantic race through Paris, and beyond, Langdon and Neveu find themselves matching wits with a faceless powerbroker who appears to anticipate their every move. Unless they can decipher the labyrinthine puzzle, the Priory's secret - and an explosive ancient truth - will be lost forever. Instantly catapulted to the top of bestseller lists around the world, The Da Vinci Code is simultaneously lightning-paced, intelligent, and intricately layered with remarkable research and detail. From secrets embedded in the Mona Lisa and The Last Supper to the symbols of ancient Egypt, to the architecture of landmarks such as the Louvre, Westminster Abbey, Rosslyn Chapel, and more, this fully illustrated collector's edition delivers the complete reading experience of Dan Brown's riveting novel - from the opening pages to the unpredictable and stunning conclusion. About the Author:
Dan Brown is the bestselling author of Digital Fortress, Angels & Demons, and Deception Point. He lives in New England.
Annotation:
A sequel to ANGELS & DEMONS, THE DA VINCI CODE starts off with a bang and doesn't quit, leaving the reader gasping to keep up with the twists and turns of this amazingly popular academic thriller. The naked, spread-eagled corpse of a senior curator is found in the Louvre's Grand Gallery, next to a mysterious message written in his blood. The discovery and the subsequent investigation plunge Harvard professor Robert Langdon into the heart of a centuries-old religious conspiracy. Assisted by the brilliant and beautiful Sophie Neveu, a French police cryptologist who also happens to be the curator's granddaughter, Langdon races to gather clues about an ancient goddess-worshipping cult--purportedly once led by Da Vinci himself--whose members hold the key to one of the most sacred legendary objects, the Holy Grail. Meanwhile, the couple must dodge both the police, who believe Langdon guilty of the curator's murder, and an albino assassin from an extremist Catholic sect who is desperate to prevent Langdon and Neveu from uncovering a secret that could rock Christianity to its very foundations. THE DA VINCI CODE is a blockbuster bestseller that has gained legions of fans around the globe; the extremely obsessed can even take a special tour in Paris that points out all the key locations in the storyline. The book also has many detractors who say they have found significant flaws in the religious and historical research upon which it is based. The debate reached such a fever pitch that the Vatican even appointed a Cardinal responsible for refuting the book's claims. The controversy has only increased the book's popularity, producing a whole host of imitators as well as several books and videos purporting either to further explicate or to poke holes in the THE DA VINCI CODE's plot and historical background.
| Praise| "In this gleefully erudite suspense novel, Mr. Brown takes the format he has been developing through three earlier novels and fine-tunes it to blockbuster perfection." - Janet Maslin March 17, 2003 "[I]f this novel doesn't get your pulse racing, you need to check your meds." - David Lazarus November 16, 2003 "Dan Brown's novel is an ingenious mixture of paranoid thriller, art history lesson, chase story, religious symbology lecture and anti-clerical screed, and it's the most fun you can have between the sort of covers that aren't 300-count Egyptian cotton." - Charles Taylor March 27, 2003 |
| Author Bio| Dan Brown | | Dan Brown, the author who turned secret societies and cryptic conspiracies into an international sensation with his bestseller THE DA VINCI CODE, is surprisingly forthcoming about his own life. He was born in Exeter, New Hampshire in 1964, and he attended the Phillips Exeter Academy, the renowned boarding school that has been famously depicted in award-winning works by John Knowles and Robert Anderson. Brown's father was a teacher at Exeter, and Brown himself later taught there before turning full-time to writing. Brown majored in Spanish and English at Amherst College in Massachusetts, and he spent multiple semesters studying abroad in Spain. Brown would later recall a particularly memorable lecture he attended in Seville, wherein the professor pontificated on some of the dark oddities to be found within Leonardo Da Vinci's legendary painting "The Last Supper." After graduation, Brown spent time in Los Angeles, where he worked as a songwriter and met his wife, Blythe, whom he would marry in 1997. After returning to the east coast, Brown published his first novel, DIGITAL FORTRESS, a thriller about a code encrypted in the powerful computers of the National Security Agency. The book failed to find a significant audience, and Brown's next two efforts, ANGELS & DEMONS and DECEPTION POINT, were similarly ignored. But in 2003, the stars aligned and the codes clicked into place for Brown.||THE DA VINCI CODE became one of the biggest, and most controversial, bestsellers in publishing history. It quickly garnered the ire of the Christian community for its blasphemous portrayal of a relationship between Mary Magdalene and Jesus Christ. Brown never hid from the criticism, and openly defended his book (and reminded people that it was a work of fiction) from many forums. He also had to (successfully) defend himself against charges of plagiarism from the authors of the 1982 book HOLY BLOOD, HOLY GRAIL, who claimed that Brown's religious ideas were lifted from their work. After the fervor surrounding the book finally settled a bit, Brown receded into seclusion to work on the much-anticipated sequel. |
| | Read A Chapter | Chapter One Chapter 1
Robert Langdon awoke slowly.
A telephone was ringing in the darkness-a tinny, unfamiliar ring. He fumbled for the bedside lamp and turned it on. Squinting at his surroundings he saw a plush Renaissance bedroom with Louis XVI furniture, hand-frescoed walls, and a colossal mahogany four-poster bed.
Where the hell am I?
The jacquard bathrobe hanging on his bedpost bore the monogram:
HOTEL RITZ PARIS.
Slowly, the fog began to lift.
Langdon picked up the receiver. "Hello?"
"Monsieur Langdon?" a man's voice said. "I hope I have not awoken you?"
Dazed, Langdon looked at the bedside clock. It was 12:32 A.M. He had been asleep only an hour, but he felt like the dead.
"This is the concierge, monsieur. I apologize for this intrusion, but you have a visitor. He insists it is urgent."
Langdon still felt fuzzy. A visitor? His eyes focus Click to read more... Chapter One Chapter 1
Robert Langdon awoke slowly.
A telephone was ringing in the darkness-a tinny, unfamiliar ring. He fumbled for the bedside lamp and turned it on. Squinting at his surroundings he saw a plush Renaissance bedroom with Louis XVI furniture, hand-frescoed walls, and a colossal mahogany four-poster bed.
Where the hell am I?
The jacquard bathrobe hanging on his bedpost bore the monogram:
HOTEL RITZ PARIS.
Slowly, the fog began to lift.
Langdon picked up the receiver. "Hello?"
"Monsieur Langdon?" a man's voice said. "I hope I have not awoken you?"
Dazed, Langdon looked at the bedside clock. It was 12:32 A.M. He had been asleep only an hour, but he felt like the dead.
"This is the concierge, monsieur. I apologize for this intrusion, but you have a visitor. He insists it is urgent."
Langdon still felt fuzzy. A visitor? His eyes focused now on a crumpled flyer on his bedside table.
THE AMERICAN UNIVERSITY OF PARIS
proudly presents
An evening with Robert Langdon
Professor of Religious Symbology, Harvard University
Langdon groaned. Tonight's lecture-a slide show about pagan symbolism hidden in the stones of Chartres Cathedral-had probably ruffled some conservative feathers in the audience. Most likely, some religious scholar had trailed him home to pick a fight.
"I'm sorry," Langdon said, "but I'm very tired and-"
"Mais monsieur," the concierge pressed, lowering his voice to an urgent whisper. "Your guest is an important man."
Langdon had little doubt. His books on religious paintings and cult symbology had made him a reluctant celebrity in the art world, and last year Langdon's visibility had increased a hundred-fold after his involvement in a widely publicized incident at the Vatican. Since then, the stream of self-important historians and art buffs arriving at his door had seemed never-ending.
"If you would be so kind," Langdon said, doing his best to remain polite, "could you take the man's name and number, and tell him I'll try to call him before I leave Paris on Tuesday? Thank you." He hung up before the concierge could protest.
Sitting up now, Langdon frowned at his bedside Guest Relations Handbook, whose cover boasted: SLEEP LIKE A BABY IN THE CITY OF LIGHTS. SLUMBER AT THE PARIS RITZ.
He turned and gazed tiredly into the full-length mirror across the room. The man staring back at him was a stranger-tousled and weary.
You need a vacation, Robert.
The past year had taken a heavy toll on him, but he didn't appreciate seeing proof in the mirror. His usually sharp blue eyes looked hazy and drawn tonight. A dark stubble was shrouding his strong jaw and dimpled chin. Around his temples, the gray highlights were advancing, making their way deeper into his thicket of coarse black hair. Although his female colleagues insisted the gray only accentuated his bookish appeal, Langdon knew better.
If Boston Magazine could see me now.
Last month, much to Langdon's embarrassment, Boston Magazine had listed him as one of that city's top ten most intriguing people-a dubious honor that made him the brunt of endless ribbing by his Harvard colleagues. Tonight, three thousand miles from home, the accolade had resurfaced to haunt him at the lecture he had given.
"Ladies and gentlemen . . ." the hostess had announced to a full-house at The American University of Paris's Pavillon Dauphine, "Our guest tonight needs no introduction. He is the author of numerous books: The Symbology of Secret Sects, The Art of the Illuminati, The Lost Language of Ideograms, and when I say he wrote the book on Religious Iconology, I mean that quite literally. Many of you use his textbooks in class."
The students in the crowd nodded enthusiastically.
"I had planned to introduce him tonight by sharing his impressive curriculum vitae, however . . ." She glanced playfully at Langdon, who was seated onstage. "An audience member has just handed me a far more, shall we say . . . intriguing introduction."
She held up a copy of Boston Magazine.
Langdon cringed. Where the hell did she get that?
The hostess began reading choice excerpts from the inane article, and Langdon felt himself sinking lower and lower in his chair. Thirty seconds later, the crowd was grinning, and the woman showed no signs of letting up. "And Mr. Langdon's refusal to speak publicly about his unusual role in last year's Vatican conclave certainly wins him points on our intrigue-o-meter." The hostess goaded the crowd. "Would you like to hear more?"
The crowd applauded.
Somebody stop her, Langdon pleaded as she dove into the article again.
"Although Professor Langdon might not be considered hunk-handsome like some of our younger awardees, this forty-something academic has more than his share of scholarly allure. His captivating presence is punctuated by an unusually low, baritone speaking voice, which his female students describe as 'chocolate for the ears.''
The hall erupted in laughter.
Langdon forced an awkward smile. He knew what came next-some ridiculous line about "Harrison Ford in Harris tweed"-and because this evening he had figured it was finally safe again to wear his Harris tweed and Burberry turtleneck, he decided to take action.
"Thank you, Monique," Langdon said, standing prematurely and edging her away from the podium. "Boston Magazine clearly has a gift for fiction." He turned to the audience with an embarrassed sigh. "And if I find which one of you provided that article, I'll have the consulate deport you."
The crowd laughed.
"Well, folks, as you all know, I'm here tonight to talk about the power of symbols . . ."
* * *
The ringing of Langdon's hotel phone once again broke the silence.
Groaning in disbelief, he picked up. "Yes?"
As expected, it was the concierge. "Mr. Langdon, again my apologies. I am calling to inform you that your guest is now en route to your room. I thought I should alert you."
Langdon was wide awake now. "You sent someone to my room?"
"I apologize, monsieur, but a man like this . . . I cannot presume the authority to stop him."
"Who exactly is he?"
But the concierge was gone.
Almost immediately, a heavy fist pounded on Langdon's door.
Uncertain, Langdon slid off the bed, feeling his toes sink deep into the savonniere carpet. He donned the hotel bathrobe and moved toward the door. "Who is it?"
"Mr. Langdon? I need to speak with you." The man's English was accented-a sharp, authoritative bark. "My name is Lieutenant Jerome Collet. Direction Centrale Police Judiciaire."
Langdon paused. The Judicial Police? The DCPJ were the rough equivalent of the U.S. FBI.
Leaving the security chain in place, Langdon opened the door a few inches. The face staring back at him was thin and washed out. The man was exceptionally lean, dressed in an official-looking blue uniform.
"May I come in?" the agent asked.
Langdon hesitated, feeling uncertain as the stranger's sallow eyes studied him. "What is this is all about?"
"My capitaine requires your expertise in a private matter."
"Now?" Langdon managed. "It's after midnight."
"Am I correct that you were scheduled to meet with curator of the Louvre this evening? "
Langdon felt a sudden surge of uneasiness. He and the revered curator Jacques Saunière had been slated to meet for drinks after Langdon's lecture tonight, but Saunière had never shown up. "Yes. How did you know that?"
"We found your name in his daily planner."
"I trust nothing is wrong?"
The agent gave a dire sigh and slid a Polaroid snapshot through the narrow opening in the door.
When Langdon saw the photo, his entire body went rigid.
"This photo was taken less than an hour ago. Inside the Louvre."
As Langdon stared at the bizarre image, his initial revulsion and shock gave way to a sudden upwelling of anger. "Who would do this!"
"We had hoped that you might help us answer that very question. Considering your knowledge in symbology and your plans to meet with him."
Langdon stared at the picture, his horror now laced with fear. The image was gruesome and profoundly strange, bringing with it an unsettling sense of deja vu. A little over a year ago, Langdon had received a photograph of a corpse and a similar request for help. Twenty-four hours later, he had almost lost his life inside Vatican City. This photo was entirely different, and yet something about the scenario felt disquietingly familiar.
The agent checked his watch. "My captain is waiting, sir."
Langdon barely heard him. His eyes were still riveted on the picture. "This symbol here, and the way his body is so oddly . . ."
"Positioned?" the agent offered.
Langdon nodded, feeling a chill as he looked up. "I can't imagine who would do this to someone."
The agent looked grim. "You don't understand, Mr. Langdon. What you see in this photograph . . ." He paused. "Monsieur Saunière did that to himself."
2
One mile away, the hulking albino named Silas limped through the front gate of the luxurious brownstone residence on Rue la Bruyere. The spiked cilice belt that he wore around his thigh cut into his flesh, and yet his soul sang with satisfaction of service to the Lord.
Pain is good.
His red eyes scanned the lobby as he entered the residence. Empty. He climbed the stairs quietly, not wanting to awaken any of his fellow numeraries. His bedroom door was open; locks were forbidden here. He entered, closing the door behind him.
The room was spartan-hardwood floors, a pine dresser, a canvas mat in the corner that served as his bed. He was a visitor here this week, and yet for many years he had been blessed with a similar sanctuary in New York City.
The Lord has provided me shelter and purpose in my life.
Tonight, at last, Silas felt he had begun to repay his debt. Hurrying to the dresser, he found the cell phone hidden in his bottom drawer and placed a call to a private extension.
"Yes?" a male voice answered.
"Teacher, I have returned."
"Speak," the voice commanded, sounding pleased to hear from him.
"All four are gone. The three sénéchaux . . . and the Grand Master himself."
There was a momentary pause, as if for prayer. "Then I assume you have the information?"
"All four concurred. Independently."
"And you believed them?"
"Their agreement was too great for coincidence."
An excited breath. "Excellent. I had feared the brotherhood's reputation for secrecy might prevail."
"The prospect of death is strong motivation."
"So, my pupil, tell me what I must know."
Silas knew the information he had gleaned from his victims would come as a shock. "Teacher, all four confirmed the existence of the clef de voûte . . . the legendary keystone."
He heard a quick intake of breath over the phone and could feel the Teacher's excitement. "The keystone. Exactly as we suspected."
According to lore, the brotherhood had created a map of stone-a clef de voûte . . . or keystone-an engraved tablet that revealed the final resting place of the brotherhood's greatest secret...information so powerful that its protection was the reason for the brotherhood's very existence.
"When we possess the keystone," the Teacher said, "we will be only one step away."
"We are closer than you think. The keystone is here in Paris."
"Paris? Incredible. It is almost too easy."
Silas relayed the earlier events of the evening . . . how all four of his victims, moments before death, had desperately tried to buy back their godless lives by telling their secret. Each had told Silas the exact same thing-that the keystone was ingeniously hidden at a precise location inside one of Paris's ancient churches-the Eglise de Saint-Sulpice.
"Inside a House of the Lord," the Teacher exclaimed. "How they mock us!"
"As they have for centuries."
The Teacher fell silent, as if letting the triumph of this moment settle over him. Finally, he spoke. "You have done a great service to God. We have waited centuries for this. You must retrieve the stone for me. Immediately. Tonight. You understand the stakes."
Silas knew the stakes were incalculable, and yet what the Teacher was now commanding seemed impossible. "But the cathedral, it is a fortress. Especially at night. How will I enter?"
With the confident tone of man of enormous influence, the Teacher explained what was to be done.
* * *
When Silas hung up the phone, his skin tingled with anticipation.
One hour, he told himself, grateful that the Teacher had given him time to carry out the necessary penance before entering a house of God. I must purge my soul of today's sins. The sins committed today had been Holy in purpose. Acts of war against the enemies of God had been committed for centuries. Forgiveness was assured.
Even so, Silas knew, absolution required sacrifice.
Pulling his shades, he stripped naked and knelt in the center of his room. Looking down, he examined the spiked cilice belt clamped around his thigh. All true followers of The Way wore this device-a leather strap, studded with sharp metal barbs that cut into the flesh as a perpetual reminder of Christ's suffering. The pain caused by the device also helped counteract the desires of the flesh.
Although Silas already had worn his cilice today longer than the requisite two hours, he knew today was no ordinary day. Grasping the buckle, he cinched it one notch tighter, wincing as the barbs dug deeper into his flesh. Exhaling slowly, he savored the cleansing ritual of his pain.
Pain is good, Silas whispered, repeating the sacred mantra of Father Josemaria Escriva-the Teacher of all Teachers. Although Escriva had died in 1975, his wisdom lived on, his words still whispered by thousands of faithful servants around the globe as they knelt on the floor and performed the sacred practice known as "corporal mortification.&
Continues...
Excerpted from The Da Vinci Code: Special Illustrated Editionby Dan Brown Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
|
|
|
Sell on Buy.com
Gift Certificates
