Songs For The Deaf (Deluxe Edition) (Explicit Version) (2002)

Artist: Queens Of The Stone Age
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Product Summary
Label: A&m/geffen/interscope
UPC: 00606949342524
Release Date: 8/27/2002
Buy.com Sku: 60566857
Item#: M2HP9D
Buy.com Sales Rank: 25530
Format:  CD

Song Listing

Disc 1
Song TitleSample
1. You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire ~ Queens Of The Stone Age
2. No One Knows ~ Queens Of The Stone Age
3. First It Giveth ~ Queens Of The Stone Age
4. Song For The Dead ~ Queens Of The Stone Age
5. Sky Is Fallin', The ~ Queens Of The Stone Age
6. Six Shooter ~ Queens Of The Stone Age
7. Hangin' Tree ~ Queens Of The Stone Age
8. Go With The Flow ~ Queens Of The Stone Age
9. Gonna Leave You ~ Queens Of The Stone Age
10. Do It Again ~ Queens Of The Stone Age
11. God Is In The Radio ~ Queens Of The Stone Age
12. Another Love Song ~ Queens Of The Stone Age
13. Song For The Deaf ~ Queens Of The Stone Age
14. Mosquito Song - (hidden track) ~ Queens Of The Stone Age



 
Album Notes and Credits

Notes & Personnel Info
Queens Of The Stone Age: Josh Homme, Nick Oliveri, Dave Grohl, Mark Lanegan.
Additional personnel includes: Dean Ween (guitar).
Producers: Josh Homme, Eric Valentine, Adam Kasper.
Recorded at The Site, San Rafael, California and Barefoot Studios, Hollywood, California.
"Go With The Flow" was nominated for the 2004 Grammy Award for Best Hard Rock Performance. "No One Knows" was nominated for the 2003 Grammy Award for Best Hard Rock Performance.
Chinese version contains a Pal format DVD, "Real Number 1", which features live footage recorded at the L.A. Troubadour with singer Mark Lanegan and drummer Dave Grohl. SONGS FOR THE DEAF includes the bonus tracks "The Lost Art Of Keeping A Secret" (Live), "Everybody's Gonna Be Happy", and "Mosquito Song" (Hidden).
Chinese version contains the additional track "Everybody's Gonna Be Happy", as well as a bonus CD-ROM that features a video for "No One Knows" and visual footage of the video production process.
Includes a bonus DVD disc.
DJs: Chris Goss; C-; Twiggy Ramirez; Blag Dahlia; Dave Catching; Casey Chaos.
Audio Mixers: Adam Kasper; Nick Raskulinecz.
Recording information: Conway Recording Studios, Hollywood, CA; Sound City Recording Studios, Hollywood, CA.
Photographer: Nigel Copp.
Unknown Contributor Roles: Dave Grohl; Mark Lanegan; Nick Oliveri.
When one speaks of supergroups, alternative rock has seen its share of shining moments, from 1991's Temple Of The Dog to 1995's Mad Season. In 2002, the wheel spun around to Queens Of The Stone Age with SONGS FOR THE DEAF, their bid to save hard rock. While QOTSA founders Nick Oliveri and Josh Homme have often used a variety of players to round out their lineup, having Dave Grohl (Nirvana, Foo Fighters) make his return to the drum throne is cause enough to stop the presses. If that weren't enough, add former Screaming Trees vocalist Mark Lanegan and you've got all the ingredients for hard-rock greatness.
Classic rock fans may recall with fondness the car-radio opening from Kiss' DESTROYER, paid tribute on opening track "Millionare" (SONGS is strung together with a series of similar radio station interludes). The vibe is set with fierce impact; requisite Sabbath-like riffs and T. Rex-from-hell swagger are the weapons of choice. Grohl sounds quite at home behind the drums, leaving double-bass drummers scratching their heads with his single-kick mastery in "First It Giveth." Be it undeniable vocal harmony ("Another Love Song"), balls-out psychedelic rock ("Song For The Dead"), or moody alt-rock grooving ("The Sky Is Falling"), SONGS FOR THE DEAF makes a strong case for rock album of 2002.
Certain people would have you believe that Queens of the Stone Age's third album, Songs for the Deaf, is the return of real rock -- a bonecrushing work of boundless imagination, the cornerstone in a new era of great rock, much like Nevermind was a decade beforehand. These people, coincidentally, happen to be in the same group that criticizes the Strokes and the White Stripes, claiming that those two bands are nothing but hype, while shamelessly indulging in breathless hyperbole whenever they speak a single word about QOTSA. Anybody who heard Songs prior to its release claimed it was the greatest rock album in years, at least the greatest since Rated R, setting up expectations impossibly high for this very good album. To begin with, this ain't accessible -- not because the music is out-there or unfamiliar (lots of Cream filtered through garage rock, prog-metal, album rock, and punk does not make one a Borbetomagus, nor does it make it "imaginative," either), but because it is so insular, so concerned with pleasing themselves with what they play that they don't give a damn for the audience. This extends to the production, which sounds like a stoned joke gone awry as it compresses and flattens every instrument as if it were coming out of a cheap AM car radio. Sure, that might be the point -- the album begins with radio chatter, and there are lots of jokey asides by a fake DJ -- but Deaf winds up being entirely too evenhanded and samey, since every guitar has the same beefy, mid-range, no-treble tone and Dave Grohl (aka the Most Powerful Drummer in the Universe) is pushed to the background, never sounding loud, never giving this music the muscle it needs. As such, it becomes tiring to listen to -- too much at the same frequency, all hitting the ear in a way that doesn't result in blissful submission, just numbness undercut with a desire to have some texture in this album. Once you get around this -- which is an effort; unlike, say, the Strokes' Is This It?, whose thin production worked aesthetically and enhanced the songs, this sound cuts QOTSA off at the knees -- there indeed is plenty to enjoy here since the band is very good. They're exceptional players, especially augmented here by Grohl on drums, Mark Lanegan on vocals, and Dean Ween on guitar, plus they're very good songwriters, whether they're writing technically intricate riff-rockers or throwbacks to Nuggets. All of this is sorely missing from most guitar rock these days, whether it's indie rock or insipid alt-metal, so it's little wonder that so many fans of great guitar rock flock to this, regardless of its flaws. But that doesn't erase the fact that, above all, QOTSA is a muso band -- a band for musicians and those who have listened to too much music. Why else did the greatest drummer and greatest guitarist in '90s alt-rock (Dave Grohl and Dean Ween, respectively) anxiously join this ever-shifting collective? They wanted to play with the prodigiously talented Josh Homme and Nick Oliveri, two musicians who share their taste and willingness to jam. It results in interesting music and an album that, for all of its flaws, is still easily one of the best rock records of 2002. But, to be needlessly reductive, the analogy runs a little like this -- QOTSA is King Crimson and the White Stripes are the Rolling Stones. Which one is "better" is entirely a matter of taste, but which one do you think plays to a larger audience, and is more about "real" rock? [Songs for the Deaf was also released as a deluxe limited edition containing a bonus DVD that shows behind the scenes footage of the band recording the album.] ~ Stephen Thomas Erlewine
Certain people would have you believe that Queens of the Stone Age's third album, Songs for the Deaf, is the return of real rock -- a bonecrushing work of boundless imagination, the cornerstone in a new era of great rock, much like Nevermind was a decade beforehand. These people, coincidentally, happen to be in the same group that criticizes the Strokes and the White Stripes, claiming that those two bands are nothing but hype, while shamelessly indulging in breathless hyperbole whenever they speak a single word about QOTSA. Anybody who heard Songs prior to its release claimed it was the greatest rock album in years, at least the greatest since Rated R, setting up expectations impossibly high for this very good album. To begin with, this ain't accessible -- not because the music is out-there or unfamiliar (lots of Cream filtered through garage rock, prog-metal, album rock, and punk does not make one a Borbetomagus, nor does it make it "imaginative," either), but because it is so insular, so concerned with pleasing themselves with what they play that they don't give a damn for the audience. This extends to the production, which sounds like a stoned joke gone awry as it compresses and flattens every instrument as if it were coming out of a cheap AM car radio. Sure, that might be the point -- the album begins with radio chatter, and there are lots of jokey asides by a fake DJ -- but Deaf winds up being entirely too evenhanded and samey, since every guitar has the same beefy, mid-range, no-treble tone and Dave Grohl (aka the Most Powerful Drummer in the Universe) is pushed to the background, never sounding loud, never giving this music the muscle it needs. As such, it becomes tiring to listen to -- too mu

Engineer: Joe Marlett; Adam Kasper; Alain Johannes; Andrew Alekel; Kevin Szymanski

Musical Guests
David Grohl
Mark Lanegan

 
Compilation Appearances
Heavy Metal 2000 (Bonus Tracks) (Limited Edition) (Explicit Version)
This Is Where I Belong The Songs Of
xXx
Romania
Saw II (Explicit Version)
Saw 2 / O.s.t.
Rising Son: Legend Of Skate Christian / O.s.t
Guitar Hero Soundtrack

 
Associated Artists and Works
A Tribute To Queens Of The Stone Age ~ Artists, Various
Artists, Various
Kyuss
A Tribute To Queens Of The Stone Age ~ Various Artists
Various Artists

 
Technical Info
Release Date : 08/27/2002
Original Release Date : 2002
Catalog ID : 9800320
Label : Interscope Records (USA)
Number of Discs : 2
Studio/Live : Studio
Mono/Stereo : Stereo
SPAR Code : n/a
UPC : 00606949342524

 
Professional Reviews
Rolling Stone (12/26/02, p.108)
- Included in Rolling Stone's "50 Best Albums of 2002"

Rolling Stone (9/5/02, p.70)
- 3 stars out of 5 - "...This is prog grunge for the unpretentious....Whether the ace metal is speedy or onerous, it is always deployed in the service of the eccentric song structures, and every track becomes a splendid, mysterious thing."

Spin (1/03, p.70)
- Ranked #8 on Spin's list of 2002's "Albums of the Year" - "...A feast for metal lifers who [can] no longer stomach Korn."

Q (12/02, p.67)
- Included in Q Magazine's "50 Best Albums of 2002"

Q (9/02, p.104)
- 4 stars out of 5 - "...This album mixes melancholy and might to a rare degree..."

Uncut (1/03, p.95)
- Ranked #31 in Uncut's "100 Best Albums of the Year"

Uncut (9/02, p.104)
- 5 stars out of 5 - "...(a)
breathtaking, virtually flawless album."

CMJ (12/30/02, p.11)
- Ranked #10 on CMJ's "Top 10 of 2002"

CMJ (9/2/02)
- p.6)
- "Queens of the Stone Age get better with age....QOTSA's music is a comfort zone, thanks to its readiness to rock all night and party every day..."

Kerrang (Magazine)
(p.52)
- "SFTD was a vision of dark-hued rock brilliance louder than a bomb."

Mojo (Publisher)
(1/03, p.73)
- Ranked #3 in Mojo's "Best Albums of 2002"

Mojo (Publisher)
(9/02, p.95)
- "All the elements which made its predecessor so great are here, but in excelsis...the thrill of these ensemble performances is downright scary."

NME (Magazine)
(8/17/02, p.32)
- 9 out of 10 - "...All of what you might want from them and their music is here. There are great titles, displays of extraordinary rock'n'roll and great disturbing pop..."

  
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Customer Reviews
Production 4.5
Performance 4.5
Composition 4.5
Overall Satisfaction 4.5
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5 of 5 Go with the Flow - Outasite!!! Wednesday, May 28, 2003
tony from Dortmund, Germany  

Saw the video on MTV a few days ago and thought it was absolutely fab (flower power zombie sfx)!!! Like the video, the song itself recalls the generation of frayed souls lost beyond the threshold of time we puny mortals tend to measure on clocks, which basically means that the Queens have somehow mysteriously managed to entrap themselves in a glorious time warp fed by the scintillating energies of the past and overshadowed by the raw mystic wastelands of the future ...in a nutshell: its raunchy, hypnotic and definitely groovy, baby!!!
 
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2 of 5 what is the big deal? Sunday, March 23, 2003
A Listener from grasston, mn  
if there is any redeeming value to queens of the stone age it is that you can use their cd as a drink coaster or even a mini-frizbee. perhaps they could get some sleep and lay off the chemicals so their writing and singing does not sound like everything else thats been released the past few years.
 
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4 of 5 Thanks for a great CD Sunday, February 23, 2003
A Listener from Mass  
The CD starts to stick in your brain after the second listen. The first listen all you want to hear is "No One Knows". The CD gets progressively better. The Song "God Is In The Radio", is very good as well at number 11. Hidden Track "Mosquito Song" presents the Acoustic side of this band and it works well.
 
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5 of 5 Amazing!--What more can I say Tuesday, September 24, 2002
Dawn from Oakland, CA  
It all started with Kyuss, but the legend lives on through Queens of the Stone Age. This is by far one of the best albums of the year and it is definitely an amazing follow-up to Rated R. Queens of the Stone Age have defined the term "stoner rock" and haven't strayed away from what they are good at. In a land of boy bands and so called punk rockers, Queens of the Stone Age stand high above the rest. So this is just a little thanks to QOTSA for not following down the path that some many others have already gone. If you don't own thier album then you don't know what it is to really love music.
 
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5 of 5 one of 2002's best Monday, September 16, 2002
Chris Flyer from Pittsburgh, PA  
Wow. This is the kind of album that the world needs right now. Songs for the Deaf is a pretty awesome album. The instrumentation is top notch, extremely heavy (not enough synonyms for heavy!), and the lyrics are thoughtful too, unlike most of the [junk] being forced down our throats. The radio theme also helps the album; as Josh Homme said, the songs often sound like different bands, so having a theme of changing a radio station helped to bring them together. Seriously, this album is great (note that I said album. Most records these days are just collections of singles, but this is a cohesive album). The only track that, and I don't want to say weak, because it's not, but seems out of place, is Mosquito Song, but hey it's a bonus track, so whattya want. Factor in the bonus DVD, and this is a must buy album. One of 2002's best.
 
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5 of 5 Praise the gods for this Saturday, September 14, 2002
A Listener from Baton Rouge, LA  
One review says that Songs for the Deaf was ridiculously good. It was right. The host on MTV2 Rock said that it had to be the best album of the year. She was right. This album is miles above anything else that has been released this year, and is a relief to all those who were waiting for something good to come along. Don't s*** around, pick this up as soon as you can.
 
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5 of 5 This album will NOT disappoint Thursday, September 12, 2002
A Listener from Fullerton, CA  
Please buy this at all costs. It will rock you.. Are you tired of hearing all of that nu-metal stuff on the radio. Had enough of bands that can't spell their names right? Well then, this is the band for you. Queens Of The Stone Age are the most brilliant band to come out in the "hard rock" genre in many years. I have been a huge fan for a few years and this album destroys their previous work. If I were in a band, this is what I would want to sound like. Musically, they are the most talented group I have ever heard. Dave Grohl is on drums for petes-sake. Josh Homme and Nick Oliveri are the best team in rock, hands down. The records itself is like getting three different records in one. The songs with Nick singing are very rough and fast, almost punk. The songs with Josh singing are very melodic and rock at the sametime. The songs with Mark (formerly of Screaming Trees) are both dark and heavy as hell. If you like rock in general you will not be let down if you purchase this one. I can't say enough good things about this record or the musicians that are on it. It's too bad there are only 5 stars to give.
 
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5 of 5 THE BAND TO SAVE ROCK! Thursday, September 12, 2002
sarkazm76 from Brisbane, Australia  
Another fantastic record from one of the most important bands in the world at the moment. These boys continue to cover new ground but always with an inspiring "old school" feel. This record is a great example of what really separates this band from their competitors - if you like - i.e. the ability to grind out crunching riffs and exhillarting rock music with an air of grace and sophistication. This is a record that will make the corner of your mouth curl up an your head nod confidently back and forth. A truly great new release.
 
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5 of 5 Are you listening?????? Thursday, September 12, 2002
A Listener from Orillia, Ontario, Canada.  
Personally, I didn't find much of the music after 1980 all that interesting. Then I through a friend found QOTSA, and was home. Songs... is by far the best album yet. I've heard most if not all music associated with Queens/Kyuss/Mondo Genereator, etc.,and this album absolutely kicks ass. Non stop from the engine starting ala Kiss/Destroyer right through to "Not saying goodnight, just saying...". The Mosquito Song is so dramatic, the constant build gives just enough tension to make for a striking climax and a beautiful finish to the album. My personal fave is "Song for the Dead", Grohl's drumming is miles above par on this track, and Lanegan's vocal is just awesome. Nick Olivieri's "Millionaire" is the perfect kickstart to the album, with just enough drive to make you want more. And Josh as always writes a most interesting and amazing pop-styled song. "No one knows" is truly stonerrock at it's best, Grohl's drumming on this track builds unlike no other song from this timeframe.I also love the complete 360, turning to early 60's pop for "Another Love Song". This is the band that will save rock and roll, and this album is their calling card.
 
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5 of 5 Most Bang Out of Your Buck Tuesday, September 10, 2002
rustcoloredsun from Chicago, IL  
What can be said that hasn’t been said already? This is definitely one of the best albums for 2002. It’s that good. The Queens of the Stone Age have raised the bar yet again for how music should sound like. In a society that’s bombarded by cute boy bands, fluffy pop princesses, pop punk posers, and “rock” bands, it’s certainly a relief to see that good music is still alive and ready to kick arse. This CD is an awesome treat. The music can rev the listener to go out and do something or just chill out on the sofa. Plus, it comes with a free DVD. Is there really a reason to not buy this? If you don’t buy it, you’re surely missing out.
 
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5 of 5 something you should check out! Tuesday, September 10, 2002
Lauren from London England  
this album is a phenominal album that should be checked out by all. admitedly its probably not to everyones taste but if it isn't your missing out on great music! It contains great riffs, lyrics and superb playing by all. personal favourites of mine are no ones knows, hangin' tree, go with the flow and everybody's gonna be happy (cover song). so its worth checking out a few songs and seeing what all the fuss is about. if you like what you hear buy the album but i can pretty much guarentee if you like good music you will love this album :)
 
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5 of 5 SONGS FOR THE DEAF NEEDS TO BE HEARD Monday, September 09, 2002
joezira from rotterdam zh  
For anyone not familiar with qotsa, they're the sons of kyuss, the nephews of masters of reality and they ROCK+SWING, now more than ever. This is a great starting point for newcomers. This is the most mature record to get out of the stonerrock scene ever, qotsa should be careful not to fall off it. This album takes the desert vibe to the very edge of where it can be, and believe me, that's where anyone would like to be, floating around. You'll hear influences by mud, robert fripp, hendrix, all expertly woven into SFTD. Listen to this and don't look back.
 
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5 of 5 Album of the Year Friday, September 06, 2002
Good Robot Chris from Chicago, IL  
This album will easily be the album of the year. It is an eclectic mix of songs that builds on the hard Sabbathesque rock of Kyuss and the melodic sounds of earlier QOTSA albums. With contributions from Mark Lanegan, Dave Grohl, members of Eleven, Ween, and Perfect Circle, the album proves to be one of the best rock albums to date. Josh Homme and Nick Olivieri have once again produced an album that will blow your mind right out of your ass.
 
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5 of 5 Awesome album from new kings of rock Thursday, September 05, 2002
craig bush from birmingham, england  
I'm often a bit skeptical when it comes to people recommending me albums, as I have a limited taste. But I was then given this album and wow! I have never heard an album like this before! It's unique, raw and fresh sounding, even after I have listened to it a dozen times. I love the radio transistions between the songs, as it almost feels like you are changing to radio stations because each song sounds very different, like you have tuned to another radio station playing a different type of music. Easily my favourite album and probably will be for quite a while, probably till their next release, so hears to the queens of the stone age, as far as I am concerned, the new kings of rock!
 
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5 of 5 QOTSA RAWK Thursday, September 05, 2002
A Listener from Nashville TN  
“Millionaire,” the first song on Songs For The Deaf may be familiar to some because it’s listed on the WWE Tough Enough 2 Soundtrack. This song slyly introduces the listener to what’s to come with the muffled guitar cranking into full volume less than a minute into the track. The lead vocal position rotates among the album with Nick Oliveri going first, doing his best Iggy Pop impersonation, which is pretty much him screaming at the top of his lungs. “No One Knows” has Homme doing lead vocals with his smirking wise style. “No One Knows” lets Dave lead the way with boogie style drums. Oliveri and Homme harmonize over Josh’s Ace Frehley-like riff. This is most likely the first single from Songs For The Deaf, as a video has already been made. After a funny intro from a Mexican radio jock, “First It Giveth” comes chugging along as the third track on the album. Josh remains the vocalist. It’s nice to hear someone involved in “metal” actually sing instead of growl and groan. Next is “Song For the Dead” which let’s Grohl do some cool fills on the drums before Homme thuds in. Oliveri does lead vocals while Homme backs him up. One of the most interesting elements in Songs For The Deaf are the smaller touches, like Homme and Oliveri harmonizing, Grohl’s stop-start drumming that enforce Homme’s tractor-beam like guitar. In “Song For The Dead” there are at least three different riffs. In most metal songs nowadays you get one riff and it wears itself out quick. The rest of the album gets even heavier if you can believe that. “The Sky Is Falling” is a six minute song that expands and contracts like a black hole. “Six Shooter” lets Oliveri vent some anger in two minutes of his screaming. “Hanging Tree” Mark Lanegan comes to the forefront with his whiskey soaked voice to a spacey psychedelic type song that is all over the place, but in a good way. “Go With The Flow” and “Gonna Leave You” go back to that fun boogie sound like “No One Knows” And “Do It Again” sounds like a sports anthem with its “Rock and Roll Part 1” by Gary Glitter type riff. The last four songs of the album are by far the standouts. After some crazy radio static complete with revival like radio preachers, we go into “God Is In The Radio”. This Doors-esque song has one of the best guitar solos I have heard in a long time. “Another Love Song” is another trippy psychedelic song complete with organ. The title track “Song For The Deaf” is introduced appropriately by a dominatrix type DJ because this song is dark and primal. The hidden track on the CD, “Mosquito Song” is a acoustic number complemented with a horn, piano and string section, reminiscent of earlier power ballads by Led Zeppelin (“Going To California) and Black Sabbath (“Laguna Sunrise”). At the end of the song you can hear something that sounds like the opening riff to “Feel Good Hit Of The Summer” from Rated R. A nice little surprise. With nothing but complete objectivity and sincerity, I can say that not only is this QOTSA’s best album, not only one of the best albums of the year, this is one of the all time best. This ranks up here with Appetite For Destruction, Reign In Blood, and Superunknown. This album is a must purchase for anyone who loves it loud, is tired of the modern day rap-metal and poser metal scene or just wants to hear something new. Stop reading and go buy it.
 
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5 of 5 Album of the Year Thursday, September 05, 2002
Vlad Drac from Junction City, OR  
I have been a Fan of Q.O.T.S.A. since their inception. I first fell in love with Their first band Kyuss when I saw them open up for Faith No More in January of 1993. As a fan, you may think that I am biased and would say that this album was good even if it were crappy. After listening to the album consistently for a while, I would say that this is just as good, if not better than their last album. Usually I get sick of listening to the same album over and over again, but this is not the case for "Songs for the Deaf." The reason I get sick of these albums that I listen to over and over again is because after a while all the songs begin to sound the same. There is such a broad mix of styles that I have continued to stay interested in the album. If you like all types of rock music (you cannot label QOTSA as any one type of music other than a broad "Rock and Roll" you will not be disappointed with this album. Don't buy this record just because of Dave Grohl, buy it because it is just a great album!!!
 
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5 of 5 Rock is not dead Wednesday, September 04, 2002
ANdySJSU from Fremont, CA  
Maybe I am not a tough critic, but... Forget you may have come to beleive, and what the critics have been saying. Rock is definitely not dead. Proof: Queens of the Stone age songs "songs for the Deaf" This album kicks major butt. It is perfect from start to finish, and I am not embelishing. It has everything a great rock record should. Their catchy hooks and heavy distortion, while at times being very melodic, and heartfelt. Just listen to the whole album once and you will be hooked. Just a couple songs even. These songs are so good. I can't stop humming them in my head. This is a must buy. Maybe calling this perfection is too much...cause where does one go from there, but heck if this is not perfection then it is darn close.
 
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