| Product Summary | | Label: A&m/geffen/interscope | | UPC: 00606949342524 | | Release Date: 8/27/2002 | | Buy.com Sku: 60566857 | | Item#: M2HP9D | | Buy.com Sales Rank: 25530 | Format: CD |
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| Song Listing |  |
Disc 1
| | Song Title | Sample | | 1. You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire ~ Queens Of The Stone Age |  | | 2. No One Knows ~ Queens Of The Stone Age |  | | 3. First It Giveth ~ Queens Of The Stone Age |  | | 4. Song For The Dead ~ Queens Of The Stone Age |  | | 5. Sky Is Fallin', The ~ Queens Of The Stone Age |  | | 6. Six Shooter ~ Queens Of The Stone Age |  | | 7. Hangin' Tree ~ Queens Of The Stone Age |  | | 8. Go With The Flow ~ Queens Of The Stone Age |  | | 9. Gonna Leave You ~ Queens Of The Stone Age |  | | 10. Do It Again ~ Queens Of The Stone Age |  | | 11. God Is In The Radio ~ Queens Of The Stone Age |  | | 12. Another Love Song ~ Queens Of The Stone Age |  | | 13. Song For The Deaf ~ Queens Of The Stone Age |  | | 14. Mosquito Song - (hidden track) ~ Queens Of The Stone Age |  |
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| | Album Notes and Credits | Notes & Personnel Info |  | Queens Of The Stone Age: Josh Homme, Nick Oliveri, Dave Grohl, Mark Lanegan. |  | Additional personnel includes: Dean Ween (guitar). |  | Producers: Josh Homme, Eric Valentine, Adam Kasper. |  | Recorded at The Site, San Rafael, California and Barefoot Studios, Hollywood, California. |  | "Go With The Flow" was nominated for the 2004 Grammy Award for Best Hard Rock Performance. "No One Knows" was nominated for the 2003 Grammy Award for Best Hard Rock Performance. |  | Chinese version contains a Pal format DVD, "Real Number 1", which features live footage recorded at the L.A. Troubadour with singer Mark Lanegan and drummer Dave Grohl. SONGS FOR THE DEAF includes the bonus tracks "The Lost Art Of Keeping A Secret" (Live), "Everybody's Gonna Be Happy", and "Mosquito Song" (Hidden). |  | Chinese version contains the additional track "Everybody's Gonna Be Happy", as well as a bonus CD-ROM that features a video for "No One Knows" and visual footage of the video production process. |  | Includes a bonus DVD disc. |  | DJs: Chris Goss; C-; Twiggy Ramirez; Blag Dahlia; Dave Catching; Casey Chaos. |  | Audio Mixers: Adam Kasper; Nick Raskulinecz. |  | Recording information: Conway Recording Studios, Hollywood, CA; Sound City Recording Studios, Hollywood, CA. |  | Photographer: Nigel Copp. |  | Unknown Contributor Roles: Dave Grohl; Mark Lanegan; Nick Oliveri. |  | When one speaks of supergroups, alternative rock has seen its share of shining moments, from 1991's Temple Of The Dog to 1995's Mad Season. In 2002, the wheel spun around to Queens Of The Stone Age with SONGS FOR THE DEAF, their bid to save hard rock. While QOTSA founders Nick Oliveri and Josh Homme have often used a variety of players to round out their lineup, having Dave Grohl (Nirvana, Foo Fighters) make his return to the drum throne is cause enough to stop the presses. If that weren't enough, add former Screaming Trees vocalist Mark Lanegan and you've got all the ingredients for hard-rock greatness. |  | Classic rock fans may recall with fondness the car-radio opening from Kiss' DESTROYER, paid tribute on opening track "Millionare" (SONGS is strung together with a series of similar radio station interludes). The vibe is set with fierce impact; requisite Sabbath-like riffs and T. Rex-from-hell swagger are the weapons of choice. Grohl sounds quite at home behind the drums, leaving double-bass drummers scratching their heads with his single-kick mastery in "First It Giveth." Be it undeniable vocal harmony ("Another Love Song"), balls-out psychedelic rock ("Song For The Dead"), or moody alt-rock grooving ("The Sky Is Falling"), SONGS FOR THE DEAF makes a strong case for rock album of 2002. |  | Certain people would have you believe that Queens of the Stone Age's third album, Songs for the Deaf, is the return of real rock -- a bonecrushing work of boundless imagination, the cornerstone in a new era of great rock, much like Nevermind was a decade beforehand. These people, coincidentally, happen to be in the same group that criticizes the Strokes and the White Stripes, claiming that those two bands are nothing but hype, while shamelessly indulging in breathless hyperbole whenever they speak a single word about QOTSA. Anybody who heard Songs prior to its release claimed it was the greatest rock album in years, at least the greatest since Rated R, setting up expectations impossibly high for this very good album. To begin with, this ain't accessible -- not because the music is out-there or unfamiliar (lots of Cream filtered through garage rock, prog-metal, album rock, and punk does not make one a Borbetomagus, nor does it make it "imaginative," either), but because it is so insular, so concerned with pleasing themselves with what they play that they don't give a damn for the audience. This extends to the production, which sounds like a stoned joke gone awry as it compresses and flattens every instrument as if it were coming out of a cheap AM car radio. Sure, that might be the point -- the album begins with radio chatter, and there are lots of jokey asides by a fake DJ -- but Deaf winds up being entirely too evenhanded and samey, since every guitar has the same beefy, mid-range, no-treble tone and Dave Grohl (aka the Most Powerful Drummer in the Universe) is pushed to the background, never sounding loud, never giving this music the muscle it needs. As such, it becomes tiring to listen to -- too much at the same frequency, all hitting the ear in a way that doesn't result in blissful submission, just numbness undercut with a desire to have some texture in this album. Once you get around this -- which is an effort; unlike, say, the Strokes' Is This It?, whose thin production worked aesthetically and enhanced the songs, this sound cuts QOTSA off at the knees -- there indeed is plenty to enjoy here since the band is very good. They're exceptional players, especially augmented here by Grohl on drums, Mark Lanegan on vocals, and Dean Ween on guitar, plus they're very good songwriters, whether they're writing technically intricate riff-rockers or throwbacks to Nuggets. All of this is sorely missing from most guitar rock these days, whether it's indie rock or insipid alt-metal, so it's little wonder that so many fans of great guitar rock flock to this, regardless of its flaws. But that doesn't erase the fact that, above all, QOTSA is a muso band -- a band for musicians and those who have listened to too much music. Why else did the greatest drummer and greatest guitarist in '90s alt-rock (Dave Grohl and Dean Ween, respectively) anxiously join this ever-shifting collective? They wanted to play with the prodigiously talented Josh Homme and Nick Oliveri, two musicians who share their taste and willingness to jam. It results in interesting music and an album that, for all of its flaws, is still easily one of the best rock records of 2002. But, to be needlessly reductive, the analogy runs a little like this -- QOTSA is King Crimson and the White Stripes are the Rolling Stones. Which one is "better" is entirely a matter of taste, but which one do you think plays to a larger audience, and is more about "real" rock? [Songs for the Deaf was also released as a deluxe limited edition containing a bonus DVD that shows behind the scenes footage of the band recording the album.] ~ Stephen Thomas Erlewine |  | Certain people would have you believe that Queens of the Stone Age's third album, Songs for the Deaf, is the return of real rock -- a bonecrushing work of boundless imagination, the cornerstone in a new era of great rock, much like Nevermind was a decade beforehand. These people, coincidentally, happen to be in the same group that criticizes the Strokes and the White Stripes, claiming that those two bands are nothing but hype, while shamelessly indulging in breathless hyperbole whenever they speak a single word about QOTSA. Anybody who heard Songs prior to its release claimed it was the greatest rock album in years, at least the greatest since Rated R, setting up expectations impossibly high for this very good album. To begin with, this ain't accessible -- not because the music is out-there or unfamiliar (lots of Cream filtered through garage rock, prog-metal, album rock, and punk does not make one a Borbetomagus, nor does it make it "imaginative," either), but because it is so insular, so concerned with pleasing themselves with what they play that they don't give a damn for the audience. This extends to the production, which sounds like a stoned joke gone awry as it compresses and flattens every instrument as if it were coming out of a cheap AM car radio. Sure, that might be the point -- the album begins with radio chatter, and there are lots of jokey asides by a fake DJ -- but Deaf winds up being entirely too evenhanded and samey, since every guitar has the same beefy, mid-range, no-treble tone and Dave Grohl (aka the Most Powerful Drummer in the Universe) is pushed to the background, never sounding loud, never giving this music the muscle it needs. As such, it becomes tiring to listen to -- too mu | Engineer: Joe Marlett; Adam Kasper; Alain Johannes; Andrew Alekel; Kevin Szymanski | Musical Guests |  | David Grohl |  | Mark Lanegan |
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| | Technical Info |  | Release Date : 08/27/2002 |  | Original Release Date : 2002 |  | Catalog ID : 9800320 |  | Label : Interscope Records (USA) |  | Number of Discs : 2 |  | Studio/Live : Studio |  | Mono/Stereo : Stereo |  | SPAR Code : n/a |  | UPC : 00606949342524 |
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| | Professional Reviews | | Rolling Stone (12/26/02, p.108) - Included in Rolling Stone's "50 Best Albums of 2002"Rolling Stone (9/5/02, p.70) - 3 stars out of 5 - "...This is prog grunge for the unpretentious....Whether the ace metal is speedy or onerous, it is always deployed in the service of the eccentric song structures, and every track becomes a splendid, mysterious thing." Spin (1/03, p.70) - Ranked #8 on Spin's list of 2002's "Albums of the Year" - "...A feast for metal lifers who [can] no longer stomach Korn." Q (12/02, p.67) - Included in Q Magazine's "50 Best Albums of 2002" Q (9/02, p.104) - 4 stars out of 5 - "...This album mixes melancholy and might to a rare degree..." Uncut (1/03, p.95) - Ranked #31 in Uncut's "100 Best Albums of the Year" Uncut (9/02, p.104) - 5 stars out of 5 - "...(a) breathtaking, virtually flawless album." CMJ (12/30/02, p.11) - Ranked #10 on CMJ's "Top 10 of 2002" CMJ (9/2/02) - p.6) - "Queens of the Stone Age get better with age....QOTSA's music is a comfort zone, thanks to its readiness to rock all night and party every day..." Kerrang (Magazine) (p.52) - "SFTD was a vision of dark-hued rock brilliance louder than a bomb." Mojo (Publisher) (1/03, p.73) - Ranked #3 in Mojo's "Best Albums of 2002" Mojo (Publisher) (9/02, p.95) - "All the elements which made its predecessor so great are here, but in excelsis...the thrill of these ensemble performances is downright scary." NME (Magazine) (8/17/02, p.32) - 9 out of 10 - "...All of what you might want from them and their music is here. There are great titles, displays of extraordinary rock'n'roll and great disturbing pop..." |
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