Sam's Town (2006)

Artist: The Killers
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Product Summary
Label: ISLAND
UPC: 00602517026759
Release Date: 10/3/2006
Buy.com Sku: 202891921
Item#: M36HCE
Buy.com Sales Rank: 24831
Format:  CD

Song Listing

Disc 1
Song TitleSample
1. Sam's Town ~ The Killers (00s)
2. Enterlude ~ The Killers (00s)
3. When You Were Young ~ The Killers (00s)
4. Bling (Confession Of A King) ~ The Killers (00s)
5. For Reasons Unknown ~ The Killers (00s)
6. Read My Mind ~ The Killers (00s)
7. Uncle Jonny ~ The Killers (00s)
8. Bones ~ The Killers (00s)
9. My List ~ The Killers (00s)
10. This River Is Wild ~ The Killers (00s)
11. Why Do I Keep Counting ~ The Killers (00s)
12. Exitlude ~ The Killers (00s)

(P) 2006 The Island Def Jam Music Group
(C) 2006 The Island Def Jam Music Group

On the 2006 follow-up to their wildly successful debut, Hot Fuss, the Killers' continue their torrid affair with1980s New Wave, but manage to incorporate the sounds of that era, particularly heavy use of synthesizers, more seamlessly into the mix. This is due, at least in part, to the presence of veteran producers Flood and Alan Moulder (Depeche Mode, Nine Inch Nails, U2), who help to make the tracks on Sam's Town both brighter and edgier than earlier Killers tunes. While the Las Vegas-based act's Britpop-influenced songs are still marked by Brandon Flower's emotive vocals and bold synth lines, Dave Keuning's guitar riffs are amped up on much of the record, as exemplified by the urgent single "When We Were Young," which easily stands as one of the quartet's finest tunes. Other highlights of this brooding album are the dramatic "Bones" and the yearning title track, songs that prove that the Killers may have unforeseen substance lurking under their carefully rendered style.
 
Album Notes and Credits

Notes & Personnel Info
Personnel: Adrina Hanson, Maryam Haddad, Tristan Moyer (strings); Tommy Marth (saxophone); Corlene Byrd, Louis XIV (background vocals).
Additional personnel: Neeraj Khajanchi (trombone); Corlene Byrd, Tommy Marth, Adrina Hanson, Maryam Haddad, Tristan Moyer, Louis XIV.
Audio Mixers: Flood; Alan Moulder; Andy Savours.
Recording information: Criterion Studios, London, England; Studio At The Palms, Las Vegas, NV.
Photographer: Anton Corbijn.
On the 2006 follow-up to their wildly successful debut, HOT FUSS, the Killers' continue their torrid affair with1980s New Wave, but manage to incorporate the sounds of that era, particularly heavy use of synthesizers, more seamlessly into the mix. This is due, at least in part, to the presence of veteran producers Flood and Alan Moulder (Depeche Mode, Nine Inch Nails, U2), who help to make the tracks on SAM'S TOWN both brighter and edgier than earlier Killers tunes. While the Las Vegas-based act's Britpop-influenced songs are still marked by Brandon Flower's emotive vocals and bold synth lines, Dave Keuning's guitar riffs are amped up on much of the record, as exemplified by the urgent single "When We Were Young," which easily stands as one of the quartet's finest tunes. Other highlights of this brooding album are the dramatic "Bones" and the yearning title track, songs that prove that the Killers may have unforeseen substance lurking under their carefully rendered style.

Producer: Flood; Alan Moulder; Flood; Alan Moulder

Engineer: Flood; Alan Moulder; Max Dingel; Mark Gray

 
Entertainment Reviews
CD Review: The Killers' Sam's Town
Cinema Blend CD Reviews
Published on: 10/6/2006
New look, same old sound! That's about the only description I can muster for the Killers' new album Sam's Town. They are definitely talented musicians who can spew MTV-ified angst and ache, but as Sam's Town illustrates, the only growth within the band is Brandon Flowers' facial hair. ...read the full review
The Killers - Sam's Town - CD Review
By: Andy Peterson - Blogcritics.org Reviews
Published on: 11/20/2008 7:04 PM
Even though the protagonists were from Vegas, not Vauxhall, Hot Fuss was undeniably a reverent indexing of the best of late-twentieth-century British pop music from Oasis to Duran Duran via Queen, New Order and Soft Cell. Such unfettered nostalgia struck a chord with a global audience and from the carefully-honed press hysteria that accompanied debut single "Mr Brightside" (e.g. The Sunday Times wrongly proclaiming it the "Teenage Kicks" of the noughties) to their effortless performance at Live 8, a perfectly-executed PR blitz helped the Las Vegas quartet’s careers eclipse the sort of dreams that their hometown sells to desperate strangers. Returning three years later sporting facial hair, wedding rings, and wardrobes realised from spaghetti western backlots, reinvention was clearly agenda item #1....read the full review

 
Compilation Appearances
Vol. 19-Now That's What I Call Music
Ultra Dance V.7
New Indie 2005
Stacked With Hits 2006 / Various (Can)
Ultra Dance 8
Friday Night Lights
Thrive Mix 04
Ultra Trance 07
Control (ost)
Tinnitus Sanctus
Much Dance # 1S / Various (Can)
Just Dance
Cream Ibiza Sander Van Doorn Eddie
Classics
Now That's What I Call Club Hits
Twilight: New Moon

 
Associated Artists and Works
Various Artists
The String Quartet Tribute to The Killers ~ Various Artists
The Bluegrass Tribute to the Killers ~ Various Artists

 
Technical Info
Release Date : 10/03/2006
Original Release Date : 2006
Catalog ID : 0007221
Label : Island
Number of Discs : 1
Studio/Live : Studio
Mono/Stereo : Stereo
SPAR Code : n/a
UPC : 00602517026759

 
Professional Reviews
Spin (p.93)
- 3 stars out of 5 -- "Everything is constructed to epic dimensions, almost according to physical laws of acceleration and propulsion....There's no denying the brute efficiency of the hooks."

Q (p.126)
- Ranked #5 in Q Magazine's "100 Greatest Albums of 2006" -- "[A] valentine to the mythic Americana of prime Springsteen."

Mojo (Publisher)
(p.104)
- 4 stars out of 5 -- "[They] resume their successful formula -- loud guitars, '80s pop hooks, glitterdust synths -- but these 12 songs come with extra muscle and star-spangled lyricism..."

Mojo (p.104) 4 of 10
4 stars out of 5
"[They] resume their successful formula -- loud guitars, '80s pop hooks, glitterdust synths -- but these 12 songs come with extra muscle and star-spangled lyricism..."
 

 
Bio
Though a batch of 1980s-New Wave-inspired bands started making noise in the early 2000s, it wasn't until the Killers' 2004 debut album Hot Fussthat the style really broke through to the mainstream. Heavily indebted to the likes of the Smiths, Psychedelic Furs, et al, the Las Vegas, NV quartet brought a contemporary sense of urgency to their retro-loving dance-rock sound and taught a new generation of kids that it doesn't have to be disco to be dance music.
 

  
Product Image



Customer Reviews
Production 4.5
Performance 5
Composition 4
Overall Satisfaction 4.5
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5 of 5 Hmmm... Friday, April 27, 2007
Jay from Costa Mesa, CA  

Great CD. Great band. Bad live show. I can't believe I fell for it TWICE. I saw them a few years back and they were bad. With Sam's Town, my GF wanted to see them again, so I gave them another chance, but they still suck live. They are the worst live band in the history of rock and roll. Period.
 
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5 of 5 Another Awesome CD Wednesday, April 04, 2007
A Listener from KCMO  
I love this CD!! Another Great CD.
 
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4 of 5 Great for Fans Wednesday, October 25, 2006
Dean M from Holland, MI  
After being very impressed with the Killers debut album, i was looking forward to their next recording. They stay true to their unique style, however it lacks the magic the first one had. Sophomore albums tend to not capture the essence that the first one did in general and this is no exception. If you enjoyed the first one however, you are bound to enjoy this one. After listening to it a few times i really started to enjoy many of the songs. Sam's Town, Uncle Johnny, Bones, For Reasons Unknown, and Read My Mind all stick out as good songs, which is more than enough reason to buy this album. If you are just getting into the Killers, buy Hot Fuss. If you have Hot Fuss and are looking for more Killers goodness, buy Sam's Town.
 
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