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Author:  Sue Grafton
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Product Summary

Format: Hardcover
ISBN-10: 0399152970
ISBN-13: 9780399152979
Buy.com Sku: 31193264
Publish Date: 12/6/2005
Dimensions:  (in Inches) 9.25H x 6.5L x 1.5T
Pages:  374
Age Range:  NA
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In Kinsey Millhone's 19th excursion into the world of suspense and misadventure, a daughter wants the solace of closure in the mystery surrounding her mother's absence. Thirty-four years earlier, Violet Sullivan put on her party finery and left for the Fourth of July fireworks display. She was never seen again.
From the Publisher:
Thirty-four years after Violet Sullivan's unexplained disappearance, Daisy--the not-quite-seven-year-old daughter she left behind--seeks the solace of closure and enlists the assistance of private detective Kinsey Millhone to help her find the truth. 1,200,000 first printing. Lit Guild, BOMC Main, & Mystery Guild Main.
Annotation:
In the 19th mystery in this popular alphabetical series, private detective Kinsey Milhone attempts to discover the truth behind the disappearance of Violet Sullivan, who apparently abandoned her abusive husband and her little daughter, Daisy, 34 years ago. The now grown-up Daisy needs to know whether her mother really ran off or met a more sinister fate.
Author Bio
Sue Grafton
The daughter of lawyer and mystery writer C. W. Grafton, Sue Grafton attended the University of Louisville where she graduated with a B.A. in 1961. She published her first novel, "Keziah", in 1967. While working on the screen adaption of her second novel, "The Lolly-Madonna War", in 1973, Grafton began a 15-year career writing for television and film in Hollywood. In 1982 she wrote her first mystery to feature private investigator Kinsey Millhone, "'A' is for Alibi". Each successive installation in this popular series of novels has begun with the next letter of the alphabet. Millhone, twice-divorced and living on her own, is a tough, independent woman, one the first and most successful of a new breed of female detectives to branch off from the hard-boiled, male detectives who have dominated the genre. Grafton's biography, "'G' is for Grafton", goes further in describing Millhone than it does her creator, although it does illuminate the many similarities between the two. Grafton had three children in her two marriages previous to her third, to writing partner Steven Humphrey. For years, she has lived in Santa Barbara, which serves as a model for the fictional town of Santa Teresa, where Millhone is based.
Praise
Kirkus Reviews
"Score another triumph for Kinsey. Grafton brings every corner of Serena Station, past and present, more deeply alive than your own hometown." (starred review) 09/15/2005

Entertainment Weekly
"[T]he freshest, tautest installment in quite a while....As Grafton's portrait of a classic 1950s small-town femme fatale and the men and women around her comes into focus, her writing, which has always been strong, feels more sharply observant than ever....And Grafton's sense of detail is, as ever, unerring....S IS FOR SILENCE gets it right." - Mark Harris 12/09/2005

New York Times Book Review
"Sue Grafton knows what she's doing....In dealing with big themes on a small canvas, her clever but unpretentious mysteries reassure us that no life is insignificant, no death inconsequential." - Marilyn Stasio 12/11/2005

Read A Chapter


Chapter One

LIZA Saturday, July 4, 1953

When Liza Mellincamp thinks about the last time she ever saw Violet Sullivan, what comes most vividly to mind is the color of Violet's Japanese silk kimono, a shade of blue that Liza later learned was called "cerulean," a word that wasn't even in her vocabulary when she was fourteen years old. A dragon was embroidered in satin-stitch across the back, its strange dog-shaped face and arched body picked out in lime green and orange. Flames twisted from the dragon's mouth in curling ribbons of blood red.

That last night, she'd arrived at the Sullivans' house at 6:00. Violet was going out at 6:15 and, as usual, she wasn't dressed and hadn't done her hair. The front door was open and as Liza approached, Baby, Violet's three-month-old buff-colored Pomeranian, started yapping in a shrill little doggy voice while she pawed at the screen, punching holes here and there. She had tiny black eyes and a black button no

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