P is for Peril (Paperback)

 Chapter One 
 The house on Old Reservoir Road appeared to be in the final phases of construction. I spotted the site as I rounded the  curve, recognizing the unfinished structure from Fiona Purcell's description. To my right, I could see a portion of the  reservoir for which the road was named. Brunswick Lake fills the bottom of a geological bowl, a spring-fed body that  supplied the town with drinking water for many years. In 1953 a second, larger catch basin was established, and now  Brunswick is little more than an irregular blue splotchlet on maps of the area. Swimming and boating are forbidden, but  seasonally the migrating water birds rest on the placid surface as they make their way south. The surrounding hills are  austere, gentle swells rising to the mountains that mark the northernmost boundary of the Santa Teresa city limits.    I parked my VW on the
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 Chapter One 
 The house on Old Reservoir Road appeared to be in the final phases of construction. I spotted the site as I rounded the  curve, recognizing the unfinished structure from Fiona Purcell's description. To my right, I could see a portion of the  reservoir for which the road was named. Brunswick Lake fills the bottom of a geological bowl, a spring-fed body that  supplied the town with drinking water for many years. In 1953 a second, larger catch basin was established, and now  Brunswick is little more than an irregular blue splotchlet on maps of the area. Swimming and boating are forbidden, but  seasonally the migrating water birds rest on the placid surface as they make their way south. The surrounding hills are  austere, gentle swells rising to the mountains that mark the northernmost boundary of the Santa Teresa city limits.    I parked my VW on the gravel berm and crossed the two-lane road. The steeply pitched lot was still bare of landscaping  and consisted entirely of raw dirt and boulders with a dusting of weeds taking hold. At street level, a big commercial  Dumpster was piled high with debris. A small grove of signs planted in the yard announced the names of the building  contractor, the painting contractor, and the architect, though Mrs. Purcell had been quick to assure me by phone that  she'd drawn up the plans herself. The design-if that's what you want to call it-would have been approved by the  Department of Defense: an implacable series of concrete boxes, staunch and unadorned, stacked up against the hillside  under a pale November sun. The facade was as blank as a bunker, a radical contrast to the sprawling Spanish-style homes  on adjacent properties. Somewhere to the rear of the house, there must have been a driveway leading to garages and a  parking pad, but I opted for the stairs built into the barren hillside. At six a.m., I'd done a three-mile jog, but I'd  skipped my Friday-morning weight lifting to keep this early appointment. It was just now eight o'clock and I could feel  my butt dragging as I mounted the steps.    Behind me, I could hear a dog bark. Its deep-throated yaps echoed through the canyon, conveying a message of  excitement. A woman was calling, "Trudy! Truuddy!" while the dog barked on. She emitted a piercing whistle, and a young  German shepherd came bounding over the hill, heading in my direction at full speed. I waited, bracing myself for the  force of muddy feet, but at the last possible second, the whistle came again and the dog sprinted off. I continued  climbing Fiona's wide concrete steps, tacking twice before I reached the upper terrace with its plain limestone portico  that shaded the front entrance. By then, my thighs were burning, I was huffing and puffing, and my heart was  rat-a-tat-tatting like machine-gun fire. I could have sworn there was less oxygen in the air up here, but I'd actually  only climbed the equivalent of two stories and I knew it was probably no more than three- to four-hundred feet above  sea level. I turned, pretending to admire the view while I recovered my breath.    From this aerie, I could see the broad, shimmering band of the Pacific Ocean stitched to the shoreline some five miles  away. Before me, the day was so clear, I could almost count the mountain ridges on the islands twenty-six miles out.  Behind me, the clouds were peering over the mountaintops, a fast-moving blanket of dark gray in advance of a storm. San  Francisco, four hundred miles to the north of us, was already feeling its lash.    By the time I rang the bell, my breathing had slowed and I'd done a quick mental review of the subject I was here to  discuss. Fiona Purcell's ex-husband, Dr. Dowan Purcell, had been missing for nine weeks. She'd had a messenger deliver  a manila envelope filled with newspaper clippings that recapped events surrounding his disappearance. I'd sat in my  office, tilted back in my swivel chair, my Sauconys propped on the edge of my desk while I studied the articles she'd  sent. She'd arranged them chronologically but had otherwise presented them without editorial comment. I'd been  following the story in the local papers, but I'd never anticipated my involve- ment in the case. I found it helpful to  have the sequence laid out again in this truncated form.    I noticed that over the course of nine weeks, the character of the coverage had shifted from the first seventy-two  hours of puzzlement, through days of feverish speculation, and into the holding pattern that represented the current  state of the investigation. Nothing new had come to light-not that there was ever much to report. In the absence of  fresh revelations, the public's fascination had begun to dwindle and the media's attention to the matter had become as  chilly and abbreviated as the brief November days. It is a truth of human nature that we can ponder life's mysteries  for only so long before we lose interest and move on to something else.    Dr. Purcell had been gone since Friday, September 12, and the lengthy column inches initially devoted to his  disappearance were now reduced to an occasional mention nearly ritual in its tone. The details were recounted, but the  curiosity had shifted to more compelling events. Dr. Purcell, sixty-nine years old, had practiced family medicine in  Santa Teresa since 1944, specializing in geriatrics for the last fifteen years. He'd retired in 1981. Six months later,  he'd been licensed as the administrator of a nursing care facility called Pacific Meadows, which was owned by two  businessmen. On the Friday night in question, he'd worked late, remaining in his office to review paperwork related to  the operation of the nursing home. According to witnesses, it was close to nine o'clock when he stopped at the front  desk and said good-night to the nurses on duty. At that hour, the occupants had settled down for the night. The  corridors were empty and the residents' doors were closed against the already dimmed hall lights. Dr. Purcell had  paused to chat with an elderly woman sitting in the lobby in her wheelchair. After a cursory conversation, less than a  minute by her report, the doctor passed through the front door and into the night. He retrieved his car from his  reserved space at the north side of the complex, pulled out of the lot, and drove off into the Inky Void from which  he'd never emerged. The Santa Teresa Police and the Santa Teresa County Sheriff's Departments had devoted endless hours  to the case, and I couldn't think what avenues remained that hadn't already been explored by local law enforcement.    I rang the bell again. Fiona Purcell had told me she was on her way out of town, a five-day trip to San Francisco to  purchase furniture and antiques for a client of her interior design firm. According to the papers, Fiona and the doctor  had been divorced for years. Idly, I was wondering why she'd been the one who called me instead of his current wife,  Crystal.    I saw a face appear in one of the two glass panels that flanked the entrance. When she opened the door, I saw that she  was already dressed for travel in a double-breasted pin-striped suit with wide lapels. She held a hand out. "Ms.  Millhone? Fiona Purcell. Sorry to make you wait. I was at the back of the house. Please come in."    "Thanks. You can call me Kinsey if you like. Nice meeting you," I said.    We shook hands and I moved into the entrance hall. Her handshake was limp, always startling in someone who, otherwise,  seems brisk and businesslike. I placed her in her late sixties, close to Dr. Purcell's age. Her hair was dyed a dark  brown, parted on one side, with puffy bangs and clusters of artificially constructed curls pulled away from her face  and secured by rhinestone combs, a style affected by glamour-girl movie stars of the 1940s. I half-expected an  appearance by John Agar or Fred MacMurray, some poor, feckless male who'd fallen prey to this vixen with her fierce  shoulder pads. She was saying, "We can talk in the living room. You'll have to pardon the mess."    Scaffolding had been erected in the foyer, reaching to the lofty ceiling. Drop cloths lined the stairs and the wide  corridor leading to the rear of the house. To one side of the stairs, there was a console table and a streamlined  chrome lamp. Currently, we seemed to be the only two on the premises.    "Your flight's at ten?" I asked.    "Don't worry about it. I'm eight minutes from the airport. We have at least an hour. May I offer you coffee? I'm having  mine in here."    "No, thanks. I've had two cups this morning and that's my limit most days."    Fiona moved to the right and I followed in her wake, crossing a broad expanse of bare cement. I said, "When do the  floors go in?"    "These are the floors."    I said, "Ah," and made a mental note to quit asking about matters far beyond my ken.    The interior of the house had the cool, faintly damp smell of plaster and fresh paint. All the walls in range were a  dazzling white, the windows tall and stark, unadorned by any curtains or drapes. A sly glance behind me revealed what  was probably the dining room on the far side of the entry- way, empty of furniture, subdivided by rhomboids of clear  morning light. The echo of our footsteps sounded like a small parade.    In the living room, Fiona gestured toward one of two matching armchairs, chunky and oversized, upholstered in a  neutral-toned fabric that blended with the gray cement floor. A large area rug showed a densely woven grid of black  lines on gray. I sat when she did, watching as she surveyed the space with the practiced eye of an aesthete. The  furnishings were striking: light wood, tubular steel, stark geometric shapes. An enormous round mirror, resting in a  crescent of chrome, hung above the fireplace. A tall silver and ivory coffeepot, with a matching creamer and sugar  bowl, sat on a silver tray on the beveled-glass coffee table. She paused to refill her cup. "Are you a fan of art  deco?"    "I don't know much about it."    "I've been collecting for years. The rug's a Da Silva Bruhns. This is Wolfgang Tumpel's work, if you're familiar with  the name," she said, nodding at the coffee service.    "Beautiful," I murmured, clueless.  (Continues...)