A Painted House (Hardcover)

Author: John Grisham
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Format: Hardcover
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Product Summary
Format: Hardcover
ISBN: 9780385501200
Publisher: Doubleday Books
Publish Date: 2/1/2001
Buy.com Sku: 30685133
Item#: R77SH5
Dimensions (in Inches) 9.5H x 6.5L x 1.25T
 
The hill people and the Mexicans arrived on the same day. It was a Wednesday, early in September 1952. The Cardinals were five games behind the Dodgers with three weeks to go, and the season looked hopeless. The cotton, however, was waist-high to my father, over my head, and he and my grandfather could be heard before supper whispering words that were seldom heard. It could be a "good crop."

Thus begins the new novel from John Grisham, a story inspired by his own childhood in rural Arkansas. The narrator is a farm boy named Luke Chandler, age seven, who lives in the cotton fields with his parents and grandparents in a little house that's never been painted. The Chandlers farm eighty acres that they rent, not own, and when the cotton is ready they hire a truckload of Mexicans and a family from the Ozarks to help harvest it.

For six weeks they pick cotton, battling the heat, the rain, the fatigue, and, sometimes, each other. As the weeks pass Luke sees and hears things no seven-year-old could possibly be prepared for, and finds himself keeping secrets that not only threaten the crop but will change the lives of the Chandlers forever.

A Painted House is a moving story of one boy's journey from innocence to experience.

Letter From John Grisham:
Dear Friends:

A Painted House is not a legal thriller. In fact, there is not a single lawyer, dead or alive, in this story. Nor are there judges, trials, courtrooms, conspiracies or nagging social issues.

A Painted House is a work of fiction. It was inspired by my childhood in rural Arkansas. The setting is reasonably accurate, though historical accuracy should not be taken too seriously. One or two of these characters may actually have lived and breathed on this earth, though I know them only through family lore, which in my family is a most unreliable source. One or two of these events may indeed have taken place, though I've heard so many different versions of these events that I believe none of them myself.

Sincerely,

John Grisham
 
Annotation:
It's harvest time at the Chandler family farm in Arkansas, and there are two groups of workers on hand to help pick the burgeoning cotton crop. There are the Spruills, a large family from the Ozark mountains; and there is also a group of migrant workers from Mexico. When beautiful young Tally Spruill becomes romantically involved with Cowboy, a dashing Mexican, tensions begin to build. The flames are fanned by Hank Spruill, an adolescent boy who is perfectly capable of beating a man to death with his bare hands. The story is told from the point of view of 7-year-old Luke Chandler, and is based on Grisham's own recollections of his boyhood. More than just the story of mounting tension between the Spruills and the Mexican migrants, it is also a meditation on childhood in a bygone rural America.

 

Praise
Chicago Tribune
"Grisham tells his story at a languid pace but, like the good suspense writer that he is, keeps subtly building the tension. His portrayal of a young boy's harsh coming of age is sensitively done.... His transition out of the suspense genre is seamless and a pleasant surprise." - Chris Petrakos 02/04/2001

New York Times
"Far from tapping into anything real, the author seems intent on delivering an upright and safely predictable past in which his readers can take comfort." - Janet Maslin 02/08/01

Wall Street Journal
"Unlike his 11 previous books, which Mr. Grisham says were designed to keep the reader flipping pages, this is a leisurely tale, offering an affectionate portrait of a lost era." 02/09/01

San Francisco Chronicle Book Review
"[W]hat A PAINTED HOUSE resembles most strongly is what Grisham apparently wanted it not to be, a thriller." - Dennis Loy Johnson 02/11/2001

Houston Chronicle
"Once again, Grisham has given us memorable characters and woven this fast-moving novel with the skill readers have come to expect. But by mining deeper into his own past and conscience, he's written a book that seems more personal, emotional and realistic in an artistic sense than previous work. This may be Grisham's best writing to date." 02/08/2001

Philadelphia Inquirer
"Luke Chandler is a sympathetic character. He inhabits a flimsy plot but gains our sympathy. If John Grisham is lighting out for new territory, this isn't a bad start." - Rebecca Pepper Sinkler 02/25/2001

Entertainment Weekly
"This is the kind of book you read slowly because you don't want it to end." - Bruce Fretts 02/09/2001

Guardian (London)
"[A]n absorbing, quietly impressive read." 02/04/2001

Washington Post Book World
"The new Grisham could not be more different from his row of thrillers. There's not a lawyer in the book. No glitz. No Gatsby-style cars. Instead there is a heroic story, told about people who mostly live well below the poverty line.... It is all so real that I have to keep reminding myself that I have never been in Arkansas..." - Noel Perrin 03/25/2001

Times Literary Supplement
"Grisham has created a charmingly old-fashioned world..." - Justin Warshaw 03/23/2001


 
Author Bio
John Grisham
John Grisham woke up at 5:00 every morning for three years to complete his first novel, A TIME TO KILL. Working as a lawyer and a member of Mississippi's state legislature, Grisham published his debut thriller with a small and somewhat unknown publisher, receiving only local readership in his home state. He finally burst on to the national scene with his second novel, THE FIRM, a legal thriller that sold millions of copies and stayed on the New York Times best-seller list for 47 weeks. Shortly afterward, Grisham moved to Oxford, Mississippi, where he began working on a series of new legal thrillers, including THE PELICAN BRIEF and THE CLIENT, all of which became bestsellers and were subsequently made into successful films. Having graduated from Ole Miss with a law degree in 1981, Grisham went on to base his popular thrillers on his experience as a specialist in criminal defense. His once-unknown debut, A TIME TO KILL, was made into a major motion picture in 1996.

 
 
Read A Chapter

Chapter One

Chapter I

The hill people and the Mexicans arrived on the same day. It was a Wednesday, early in September 1952. The Cardinals were five games behind the Dodgers with three weeks to go, and the season looked hopeless. The cotton, however, was waist-high to my father, over my head, and he and my grandfather could be heard before supper whispering words that were seldom heard. It could be a “good crop.”

They were farmers, hardworking men who embraced pessimism only when discussing the weather and the crops. There was too much sun, or too much rain, or the threat of floods in the lowlands, or the rising prices of seed and fertilizer, or the uncertainties of the markets. On the most perfect of days, my mother would quietly say to me, “Don’t worry. The men will find something to worry about.”

Pappy, my grandfather, was worried about the price for labor when we went searching for the hill people. They we

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